Don Devlin Movies

The Witches of Eastwick, a memorable comedy with a dark edge, is based upon a novel by John Updike. On Thursday nights three female friends -- Alex (Cher), Sukie (Michelle Pfeiffer), and Jane (Susan Sarandon) -- meet to chug martinis, learn Chinese aphrodisiac cooking and lament the scarcity of eligible men. As they sit around, they fantasize about and describe their idea of the ideal male. Arriving in town the following day is Satan, disguised as mysterious stranger Darrell Van Horn (Jack Nicholson). One by one, Van Horne seduces each of the women. Then, strange things begin to happen. When the town matriarch Felicia (Veronica Cartwright) publicly denounces Van Horne, she sustains a nasty compound fracture. When she forces her editor husband to publish a story about Van Horne's sexual antics, Darrell gets his revenge with revoltingly large amounts of cherries. The women now see that they may be in danger and begin to plot their escape. ~ Linda Rasmussen, All Movie Guide

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide

Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, All Movie Guide

In this drama, a hit man is hired by a group of South American nationalists to kill their exiled ruler in his new Caribbean home. To get there, he hijacks a boat and its two frightened occupants. He keeps the boat-owner's wife as his hostage. When he gets to the island, the assassin misses his mark and suddenly finds himself targeted for death by the deposed dictator's henchmen and by the boat owner. It is the latter who finally kills the hit man and rescues his terrified wife. The story is filmed on location in Puerto Rico. ~ Sandra Brennan, All Movie Guide

In this extremely low-budget exploitation film, directed and produced by Boris Petroff (as Brooke L. Peters), a psychotic killer murders all who were supposedly involved in his brother's execution. This seedy, bloody film attempts to capitalize on the success of Alfred Hitchcock's Psycho, which has been released the previous year. Indifferently directed, with a cast of unknowns, Anatomy of a Psycho has little to recommend it. ~ Linda Rasmussen, All Movie Guide

This war drama is set during the Korean War and follows the exploits of four men and their tank as they fight their battles behind enemy lines. During their many skirmishes, they discuss their past romantic exploits. One of them is currently involved with an Army nurse. The four find themselves in a real bind when the tank breaks down against a cliff. One of the soldiers risks it all to sneak out and retrieve the needed part to fix the tank. It is a dangerous, exciting journey, but he succeeds and saves his buddies. ~ Sandra Brennan, All Movie Guide

If it worked for Frank Sinatra... Singing star Johnny Desmond goes dramatic in the low-budget Escape From San Quentin. Desmond plays escaped convict Mike Gilbert, who goes on the lam with fellow prisoners Gruber (Richard Devon) and Graham (Roy Engel). While hiding from the law, Gilbert comes to realize that he's fallen in love with Robbie (Merry Anders), the sister of his ex-wife (Peggy Maley). Through Robbie's influence, Gilbert decides to go straight, but his cohorts aren't quite so willing to reform. Like most Sam Katzman quickies of the era, Escape from San Quentin was loosely based on a true story. ~ Hal Erickson, All Movie Guide

A wild young buck settles down and becomes a decent fellow after he falls in love with a sweet young girl in this youth drama. He is a delinquent with a reputation when they meet. During their first date, they end up at the police station. Her protective parents are outraged and forbid her to see him again. Soon they are seeing each other on the sly, and fortunately her natural goodness begins to rub off and he changes his ways. ~ Sandra Brennan, All Movie Guide

Bette Davis goes the "kitchen sink drama" route in The Catered Affair. As the frowsy wife of Bronx cabdriver Ernest Borgnine, Davis insists that her daughter Debbie Reynolds have a high-class wedding--caterers and all. Reynolds and future hubby Rod Taylor want a simple ceremony, but Davis' mind is made up. The wedding snowballs into an unwieldy affair as Davis and Borgnine find that they must invite everyone they know or risk incurring the wrath of their neighborhood. When the cost of the affair exceeds the family's bank account, Davis rails at Borgnine for failing to be a good provider. It takes her till the very end of the film to realize what a fool she's been. Gore Vidal, of all people, adapted The Catered Affair from a TV drama written by Paddy Chayefsky; the original telecast had starred Thelma Ritter. ~ Hal Erickson, All Movie Guide