Ann-Margret Movies
Swedish siren Ann-Margret immigrated to the U.S. with her family at the age of seven, settling in a Chicago suburb and later studying Drama at Northwestern University. Despite an innate bashfulness, the girl set out to become a musical entertainer, making her professional debut as a singer at the age of 17. Fortunately, she was spotted by comedian George Burns, who hired her for his Las Vegas show and arranged for several professional doors to be opened for his protégée. Her first film was Pocketful of Miracles (1961), in which she played Bette Davis' daughter; this was followed by a lead in State Fair the following year. Ann-Margret tended to be withdrawn when interviewed, which earned her the media's "Sour Apple" award as least cooperative newcomer. But she was able to overcome this initial bad press via a show-stopping appearance at the 1962 Academy Awards telecast, which turned her into an "overnight" national favorite and encouraged the producers of Bye Bye Birdie (1963) to build up her role. Perhaps the best indication of her total public acceptance was her animated appearance in a 1963 episode of The Flintstones (as Ann Margrock).Ann-Margret's career faltered in the mid-'60s thanks to a string of forgettable pictures like Made in Paris (1966) and Kitten With a Whip (1964). (One of the few highlights of this period, however, was her appearance in Elvis Presley's Viva Las Vegas in 1964, which led to an offscreen relation with The King.) Her career in doldrums, Ann-Margret marshalled a comeback in the early '70s thanks to the tireless efforts of her husband and manager, former actor Roger Smith. Sold-out Las Vegas and concert performances were part of her career turnabout, although the most crucial aspect was her Oscar nomination for a difficult role in 1971's Carnal Knowledge. But the comeback nearly ended before it began in 1972 when the entertainer was seriously injured in a fall during her Vegas act. With the help of physical rehabilitation and plastic surgery (not to mention the loving ministrations and encouragement of Smith), the actress made a complete recovery and went on to even greater career heights. She received her second Oscar nomination for her bravura performance in the rock-opera film Tommy (1975), where, in one of the high points of '70s cinema bizarre, she sang a number while swimming in baked beans. Ann-Margret was equally impressive (though in a less messy manner) in such powerhouse TV movies as Who Will Love My Children? (1983) and A Streetcar Named Desire (1984).
The low point of Ann-Margret's early-80s career doubtless arrived when she agreed to act in Hal Ashby's lousy 1982 gambling drama Lookin' to Get Out (aside a scream-happy Jon Voight) -- and probably regretted it for years afterward. A few triumphs marked the 1980s as well, however, such as the actress's turn as Steffy Blondell in Neil Simon's enjoyably bittersweet comedy-drama I Ought to Be in Pictures, and her role as a barmaid who strikes up an extramarital affair with - and later weds - Gene Hackman, in Bud Yorkin's finely-wrought domestic drama Twice in a Lifetime (1985).
After Newsies (1992), Disney's glaringly awful attempt to revive the period musical, Ann-Margret took time out of her packed schedule to write her 1993 autobiography Ann-Margret: My Story, a work revelatory about herself and her own personal demons that nonetheless evinces respect toward her show-business mentors and co-workers. She exuded warmth as the bon vivant who falls in-between bickering Walter Matthau and Jack Lemmon in the 1993 box office hit Grumpy Old Men and its lackluster 1995 sequel, Grumpier Old Men (and played a satisfying straight man throughout). Yet the high profile of the Old Men releases made them exceptions to the actress's output in the mid-late nineties and early 2000s, which - though of varying quality - placed infinitely greater weight on television work than Ann-Margret had at any earlier point in her career. (In fact, for a period of about ten years, she became a veritable telemovie staple on par with Mary Tyler Moore and Meredith Baxter-Birney). These titles include but are not limited to: Nobody's Children (1994), Scarlett (1994), Seduced by Madness: The Diane Borchardt Story, Life of the Party: The Pamela Harriman Story (1998), Happy Face Murders (1999), Blonde (2001) and A Place Called Home (2004).
One big-screen exception arrived in the late 1999 football drama Any Given Sunday, where Oliver Stone gave Ann-Margret her meatiest role since Carnal Knowledge, as the alcoholic mother of team owner Christina Pagliacci (Cameron Diaz. It entailed only a small part amid a massive ensemble cast (Dennis Quaid, Al Pacino, Jamie Foxx, James Woods, others), but provided an excellent showcase for the actress's craftsmanship. She landed a bit part as Wendy Meyers, the mother of Jennifer Aniston's character, in the Aniston-Vince Vaughn romantic comedy The Break-Up, and joined Tim Allen and Martin Short for that same year's Buena Vista holiday sequel Santa Clause 3: The Escape Clause. ~ Hal Erickson, All Movie Guide
Wealthy metallurgist Harry Mitchell (Roy Scheider) lives to regret his extramarital affair with pretty young Cini (Kelly Preston). A trio of vicious blackmailers (John Glover, Robert Trebor, Clarence Williams III) show Mitchell a videotape of his most recent roll in the sack with Cini. They demand a huge amount of hush money, but Mitchell calls their bluff, going so far as to tell his politicially ambitious wife Barbara (Ann-Margret) about the affair. But the extortionists haven't even gotten started yet. Tying Mitchell to a chair, they force him to watch a tape of Cini being horribly murdered-with the evidence arranged so that Mitchell will be accused of the crime. But Mitchell remains firm in his refusal to pay up, whereupon he mounts a "fight fire with fire" plan all his own. 52 Pick Up was based on a novel by Elmore Leonard, which was previously filmed in 1984 as The Ambassador. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Ann-Margret, (more)
- 1988
- PG13
After 20 years of marriage, Steve Giardino (Alan Alda) and his wife Jackie (Ann-Margret) agree to a divorce in this situation comedy. The focus is on both of them as they suffer through matchmaking, blind dates, and their new life as eligible singles. Donna (Mary Kay Place) is Jackie's friend, while Mel Arons (Hal Linden) is the confidante of the vain but likeable Steve. Steven worries that he will never find anyone decent to date until he meets the pretty Dr. Kay Hutton (Veronica Hamel). Jackie is enamored with a sculptor (John Shea) before his glaring faults become too much for her. While Jackie's new relationship is on the outs, Steve prepares for a new life with Kay. ~ Dan Pavlides, All Movie Guide
- Starring:
- Alan Alda, Ann-Margret, (more)
Michael Tuchner's A Place Called Home stars Ann-Margret as Tula Jeeters, a woman who is going blind. Her conniving nephew and niece are attempting to take possession of her estate so they can sell it for a small fortune. She fights for her own independence with the help of a father and daughter who she has taken in, and a social worker who discovers that she is attracted to the father. ~ Perry Seibert, All Movie Guide
- Starring:
- Ann-Margret
- 1984
Ann Margret looks too healthy to portray Blanche DuBois, the physically and mentally fragile Southern-belle protagonist of Tennessee Williams' A Streetcar Named Desire, but we forget this discrepancy five minutes into her marvelous performance. This TV-movie version of Streetcar costars Treat Williams as faded aristocrat Blanche's rude 'n' crude brother-in-law Stanley Kowalski; Williams is persuasive, though he tries so hard not to be Marlon Brando that he comes off as a bit mechanical. The 1984 Streetcar is more realistically staged than the near-impressionistic 1951 Vivien Leigh/Marlon Brando filmization. The storyline, concerning the battle of wills between the earthy, pragmatic Stanley and the delusional Blanche, remains the same in both films, as does the script's tendency to avoid the homosexual elements that were so important to Williams' original play. The newer film's photography is bathed in an ambler tint throughout, conveying both nostalgia for the era in which it is set (the late 1940s) and a visual literalization of Blanche's "yellowed with antiquity" former lifestyle. The 1984 Streetcar Named Desire is less a remake of the 1951 version than a companion piece--a praiseworthy alternate version of the same sturdy material. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann-Margret, Treat Williams, (more)
- 1987
- R
Set in a small town in Texas, a young man begins to lose interest in his sex-brained girlfriend and begins falling for her mother instead. This romantic comedy-drama features C. Thomas Howell, Ann-Margret, Kelly Preston and Charles Durning. ~ Kristie Hassen, All Movie Guide
- Starring:
- Ann-Margret, C. Thomas Howell, (more)
A comedy detailing the war of the sexes with some new twists, this film stars Angus MacFadyen as Houston Blackett, a men's magazine owner whose mother suddenly dies in the Rocky Mountains. His mother has evidently left the estate not to her estranged son, but to her lover, a local girl named Zane (Penelope Ann Miller). Houston is aghast at the news, and his machismo is put to the test in the form of Zane, who takes no guff, especially from an objectifying type, as well as the people near him, who also begin to turn on him, including a reporter (Kathryn Harrold) and her tough assistant (Mary Kay Place). The film also features Ann-Margret as Houston's unforgiving, harsh mother-in-law, veteran actress Millie Perkins as his housekeeper, and writer/director Karen Leigh Hopkins as a single mother caught up in Houston's dilemma. ~ Jason Clark, All Movie Guide
- Starring:
- Angus MacFadyen, Penelope Ann Miller, (more)
Oliver Stone takes on professional football, a sport whose grace and delicacy are a good match for his filmmaking style. Tony D'Amato (Al Pacino), the head coach of the Miami Sharks, won back-to-back championships four years ago. But new team owner Christina Pagniacci (Cameron Diaz) has little enthusiasm for the finer points of the game and is concerned only with the bottom line. The longtime strongman of Tony's team has been "Cap" Rooney (Dennis Quaid), a 39-year-old quarterback, but Christina balks at renewing his contract. When Cap is injured during a game, third-string rookie quarterback Willie Beaman (Jamie Foxx) goes on in his place and becomes a major star. But Beaman is mostly interested in fame and money, and he has little regard for Tony and his teammates. Any Given Sunday also stars James Woods as the team's doctor, LL Cool J as a star running back, Jim Brown as a former football great turned Sharks' defensive coordinator, Ann-Margret as Christina's alcoholic mother, Bill Bellamy as a wide receiver, Elizabeth Berkley as Tony's favorite prostitute, and Charlton Heston as the football commissioner. ~ Mark Deming, All Movie Guide
- Starring:
- Al Pacino, Cameron Diaz, (more)
The remarkable life and tragic death of Marilyn Monroe has fascinated film fans for decades, but this two-part TV miniseries, based on a novel by Joyce Carol Oates, takes an unusual approach, using dramatic license (the film announces itself as a work of fiction using the names of real people) to look inside the minds of Monroe and those around her to ponder the circumstances of her rise and fall. Young Norma Jeane Baker (Skye McCole Bartusiak) is raised by single mother Gladys (Patricia Richardson), who is unstable, uncaring, and poorly equipped to deal with the responsibilities of parenthood. As Norma Jeane grows up without a father and with little affection from her mother, she suffers from a poor self-image and craves attention; when she grows into a beautiful young woman who is unusually attractive to men, she falls into a number of romances and a short-lived marriage in search of the approval she needs so desperately. When Norma Jeane (now played by Poppy Montgomery) turns 20, she meets a photographer, Otto (Eric Bogosian), who sees star potential in her beauty. Otto's cheesecake pictures catch the eye of I.E. Shinn (Wallace Shawn), an agent who in turned introduces her to Mr. R (Richard Roxburgh), the head of a movie studio, who offers to make Norma Jeane a star -- if she would be willing to have sex with him. Norma Jeane unenthusiastically agrees, and Mr. R proves good to his word; renamed Marilyn, she becomes an major film star and an international sex symbol. But the adulation proves to be a poor substitute for the love she craves, and as she falls into relationships with any man who treats her with a modicum of respect -- including a famous baseball player (Titus Welliver) and an acclaimed author (Griffin Dunne) -- her life begins to spiral out of control. Blonde also stars Ann-Margret, Kirstie Alley, and Patrick Dempsey; the series first aired May 13 and May 16, 2001, on the CBS television network. ~ Mark Deming, All Movie Guide
- Starring:
- Poppy Montgomery, Patricia Richardson, (more)
- 1996
When Maggie Yearwood (Ann-Margret) threw her cheating husband out of the house, her son Peter (Corbin Allred) became so distraught that he attempted to kill himself--and after emerging from a coma, Peter had totally lost his hearing. Now enrolled in the Riverwall School for the Deaf in Arizona, Peter is a surly, resentful loner, as angry at his mother as he is at his current lot in life. Hoping to mend fences with Peter, Maggie pulls up stakes and moves to the town of Blue Dog, some 25 miles from Riverwall. Here she meets an enigmatic rodeo cowboy who calls himself Owen Wister (Kris Kristofferson)--and who has more than his own share of emotional baggage. How the fates of Maggie, Peter and Owen are interwined provides the dramatic substance of the made-for-TV Blue Rodeo, which was based on a novel by Jo-Ann Mapson and which originally aired October 20, 1996 on CBS. ~ Hal Erickson, All Movie Guide
- 1965
William Inge co-wrote this story about a young man who may have outgrown the straight-laced boundaries of his home town. After a hitch in the Navy, Bus Riley (Michael Thomas Parks) comes home to the staid Midwestern town of his birth; however, home doesn't feel quite like it used to, and Riley is looking for a new sense of purpose in his life. While his girlfriend Judy (Janet Margolin) tries to offer him the love and understanding he needs, she just isn't enough any more, and Riley soon starts looking for thrills with Laurel (Ann-Margret), a local floozy. Michael Thomas Parks, better known simply as Michael Parks, first put his James Dean-esque loner persona to work in this film; he'd get the most use out of it three years later, when he was top-billed in the briefly popular TV series Then Came Bronson. ~ Mark Deming, All Movie Guide
- Starring:
- Ann-Margret, Michael Parks, (more)
George Sidney's adaptation of the satiric Broadway musical smash by Michael Stewart, Charles Strouse, and Lee Adams -- about an Elvis Presley-inspired rock star, who is drafted into the army and who creates a near-riot in a small Midwestern town when he stops there for one last publicity junket -- takes good-natured swipes at popular culture, rock n' roll, and American family life. Dick van Dyke re-creates his Broadway role of Albert Peterson, a down-on-his-luck songwriter for the rock-n'-roll idol Conrad Birdie (Jesse Pearson). When Birdie is drafted into the army, Peterson is worried about his future as a songwriter. His secretary, Rosie (Janet Leigh in a brunette wig), with whom Albert has long been romantically attached, convinces Albert to write a farewell song for Birdie that he will sing on The Ed Sullivan Show to a specially selected fan. The lucky fan turns out to be Kim McAfee (Ann-Margaret) of Sweet Apple, Ohio. When Birdie arrives in this hick town, the population goes crazy and in the ensuing madness, Albert must deal with the celebrity-fawning population, Kim's manic father (Paul Lynde, also re-creating his Broadway role), and his own domineering mother (Maureen Stapleton), while he loses Rosie to the Shriners. ~ Paul Brenner, All Movie Guide
- Starring:
- Janet Leigh, Dick Van Dyke, (more)
C.C. Ryder (Joe Namath) is a biker who rescues Ann McCalley (Ann-Margret) from a rape attempt by a gang of malevolent hippies. She makes love with him to show her appreciation, but their romance meets with obstacles when gang-leader Moon (William Smith) seeks revenge for C.C.'s interference. They battle for control over both the gang and Ann in this truly bad biker movie. Namath was chosen because of his hero status as a football player in the 1970 Super-Bowl upset by the New York Jets over the highly favored Baltimore Colts. Brash Broadway Joe predicted a win and made sure it was not an idle boast. One of the producers of this dog was Margret's husband Roger Smith which explains her appearance in this forgettable film. ~ Dan Pavlides, All Movie Guide
- Starring:
- Joe Namath, Ann-Margret, (more)
"Maybe you're not supposed to like it with someone you love." With a script by satirist and cartoonist Jules Feiffer, Mike Nichols's Carnal Knowledge (1971) ruthlessly exposed the damage wrought by pre-1960s sexual mores. From their post-World War II college years at Amherst through the Vietnam era, buddies Jonathan (Jack Nicholson) and Sandy (Art Garfunkel) are a catalogue of male sexual dysfunction. Sensitive Sandy falls in love with and marries college sweetheart Susan (Candice Bergen) only to wonder years later if he missed out on finding the perfect sex/love partner. Jonathan lives for aggressive sexual conquest (starting with Sandy's Susan in college), even as he rails against female "ballbusters," finally guilt-marrying his tiredly voluptuous mistress Bobbie (Ann-Margret, in an Oscar-nominated performance) after she tries to kill herself. By the late '60s, Sandy has moved on to a hippie chick girlfriend (Carol Kane) who can raise his consciousness about the sexual revolution, and Jonathan is single again, but Sandy is a little too old for the peace-and-love generation, and Jonathan bitterly faces emasculating impotence. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jack Nicholson, Art Garfunkel, (more)
- 1976
- NR
French New Wave director Claude Chabrol steps away from his usual style of mysteries and psychological dramas for the sex comedy Folies Bourgeoises, based on the novel Le Malheur Fou by Lucie Faure. Bruce Dern is the American writer William Brandels and Stephane Audran is his French socialite wife, Claire Brandels. The story follows the confusion of the infidelities of the wealthy upper class. Also starring Ann-Margret and Maria Schell. This film was also released in an English-language dubbed version titled The Twist. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Bruce Dern, Stéphane Audran, (more)
Ann-Margret stars as a recently widowed woman who pursues her dream of becoming a country singer by heading to Nashville on a bus tour. ~ Carly Wray, All Movie Guide
- Starring:
- Ann-Margret, George Segal, (more)
- 1998
One of the most highly touted projects of the 1997-1998 TV season, Four Corners was introduced by CBS as a four-part miniseries, debuting February 24, 1998. Ann-Margret heads the cast as Amanda "Maggie" Wyatt, the headstrong widowed matriarch of a once-powerful California rancing family. Despite the encroachment of housing developments and ski resorts, Maggie is determined to keep Four Corners up and running. Unfortunately for her, Maggie's son Alex (Doug Wert) has evinced sympathy for the land developers; also, her best friend Carlota Alvarez (Sonia Braga) has cast her lot with a group of local migrant workers. In other intrigues, Maggie's amorous daughter Kate (Megan Ward) still hopes to get her lunchhooks into Carlotta's son Tomas (Kamar De Los Reyes), and never mind that he has become a priest; and Maggie's foreman Sam (Raymond J. Barry must deal with the return of his jailbird son Caleb (Justin Chambers). The plan was to follow the pattern set by the classic prime time soap opera Dallas by introducing Four Corners as a limited series, then go to a full weekly program once it had won the viewers' hearts. But those hearts turned cold in a hurry--and as a result only three of the four completed episodes had been telecast when CBS abruptly axed the project on March 3, 1998. Since that time, Four Corners has been rebroadcast as a two-part TV movie by the Lifetime cable network, under the title Homestead. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann-Margret, Sonia Braga, (more)
In this sequel to the surprise hit Grumpy Old Men, life goes on much as it usually does in Wabasha County, Minnesota, with the only notable differences being that John Gustafson (Jack Lemmon) and Max Goldman (Walter Matthau) are getting along all right (or at least to the extent that they're capable of getting along with each other), and that John's marriage to free-spirited Ariel (Ann-Margret) is working out quite nicely. John and Max's great obsession in life remains fishing, and both are vying to reel in "Catfish Hunter," a trophy fish that local anglers have been trying to catch for ages. However, Max is outraged when Maria Ragetti (Sophia Loren) and her mother Francesca (Ann Morgan Guilbert) arrive in town and take over the local bait and tackle shop, only to announce that they're going to close it down and open an Italian restaurant in its place. Max goes to remarkable lengths to foil Maria's plans, but John thinks that his friend needs a wife, and that Max and Maria might make a good match. Grandpa Gustafson (Burgess Meredith) seems to think he'd be a good mate for Francesca, but then again he's not known for being very fussy about women. John's daughter Melanie (Daryl Hannah) and Max's son Jacob (Kevin Pollak) are trying to work out their own plans to get married, and they might just make it to the altar if John and Max can stop interfering. Grumpier Old Men proved to be the last role for veteran actor Burgess Meredith, who died two years after it was released. ~ Mark Deming, All Movie Guide
- Starring:
- Jack Lemmon, Walter Matthau, (more)
This cheerful holiday comedy, a surprise box office smash, featured a generous dollop of raunchy, crude humor and was greatly elevated by the presence of masterful performers in the lead roles. Jack Lemmon is John Gustafson, an ice-fishing Minnesota native who has been feuding with his neighbor and former best friend Max Goldman (Walter Matthau) for decades. The battle of wills between John and Max is characterized by crude name calling and harmless practical jokes. Max is unaware that John is having serious problems, chiefly that his daughter Melanie (Daryl Hannah) is experiencing marital woes and that his house is about to be confiscated by an officious IRS agent (Buck Henry). When it seems that John and Max may finally put aside their childish rivalry, however, sexy new neighbor Ariel (Ann-Margret) arrives and dates both men, pitting them against each other more fiercely than ever before. Despite their mutual loathing, the death of a friend, John's problems, and a budding romance between Max's son Jacob (Kevin Pollak) and Melanie may force the two old friends to reconcile. ~ Karl Williams, All Movie Guide
- Starring:
- Jack Lemmon, Walter Matthau, (more)
- 1999
Ann-Margret and Nicholas Campbell star in this suspense story based on actual incidents. Lorraine, a woman who enjoys mystery novels, is tired of being slapped around by her boyfriend and decides to tell the police he's guilty of murder. However, the detectives looking into the case are a bit confused when certain details in Lorraine's story keep changing. However, the real murderer, who is still at large, is even more puzzled by these events, which leads to danger Lorraine wasn't expecting. ~ Mark Deming, All Movie Guide
- Starring:
- Ann-Margret, Nicholas Campbell, (more)
This video compiles screen tests of actor and actresses that went on to become icons and stars. Included is footage of Dustin Hoffman, Julie Andrews, Ann-Magret, Raquel Welch, and Sean Connery. The DVD release of this collection offers interviews. ~ Perry Seibert, All Movie Guide
- 1982
- PG
Neil Simon based his screenplay for I Ought to Be in Pictures on one of his more serious theatrical pieces. Walter Matthau is top-billed as Herbert Tucker, a struggling screenwriter who suddenly finds his 19-year-old daughter, Libby(Dinah Manoff), on his Hollywood doorstep. Having deserted his family years earlier, Herbert isn't keen on having his daughter around to cramp his lifestyle, which at this point consists of drinking his meals and telling lies to his faithful girlfriend, Stephanie (Ann-Margret). Libby takes it upon herself to put Herbert's life in order. There are plenty of angry outbursts and recriminations between father and daughter before the tearful, upbeat conclusion. Incidentally, Dinah Manoff is the daughter of actress Lee Grant, who'd previously co-starred with Walter Matthau in Neil Simon's Plaza Suite -- which, like I Ought to be in Pictures, was directed by Herbert Ross. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Matthau, Ann-Margret, (more)
- 1967
In this comedy, a guru's groupie plans to seduce him so she can number him among her many conquests. ~ Sandra Brennan, All Movie Guide
At the beginning of Interstate 60, Neal Oliver (James Mardsen) has more questions about his future than answers. Though he would rather pursue a career in art, Neal debates whether or not he should set his goals towards a law degree, as his father would greatly prefer. He has a girlfriend, but he wonders if he should search for the mysterious woman (Amy Smart) who visits his nightly dreams and inspires his artwork. By the time his 23rd birthday roles around, Neal is no closer to choosing his life's path. He feels empty and unsatisfied, despite lavish birthday gifts, and wishes only for clarity as he blows out the candles on his cake. Rather than instant answers, Neal is given the opportunity to take a journey on a highway that doesn't exist on any map; a highway where the past, present, and future converge. Alongside him is One Wish Grant (Gary Oldman), the immortal offspring of a leprechaun and Cheyenne Indian, who has the unique ability to grant wishes to those he believes deserve them. Thus begins Neal's surreal road trip through the uncharted territories of his own potential destiny. Interstate 60 features a stellar cast with supporting performances and cameos from Kurt Russell, Michael J. Fox, Liv Tyler, and Christopher Lloyd. Bob Gale, co-writer/producer of Used Cars, I Wanna Hold Your Hand, and, most notably, the Back to the Future trilogy, directs. ~ Tracie Cooper, All Movie Guide
- Starring:
- James Marsden, Gary Oldman, (more)
Tony Richardson attempts to re-create the glory days of Tom Jones in this adaptation of the 1742 Henry Fielding novel. Peter Firth stars in this picaresque tale as Joseph Andrews, a young servant switched at birth who undergoes a series of romantic escapades. Joseph even has the fortune of becoming the personal footman to Lady Booby (Ann-Margaret). Joseph's romantic peccadilloes cause consternation among a collection of stuffy noblemen and women in 18th-century England. ~ Paul Brenner, All Movie Guide
- Starring:
- Ann-Margret, Peter Firth, (more)
