Ann-Margret Movies
Swedish siren Ann-Margret immigrated to the U.S. with her family at the age of seven, settling in a Chicago suburb and later studying Drama at Northwestern University. Despite an innate bashfulness, the girl set out to become a musical entertainer, making her professional debut as a singer at the age of 17. Fortunately, she was spotted by comedian George Burns, who hired her for his Las Vegas show and arranged for several professional doors to be opened for his protégée. Her first film was Pocketful of Miracles (1961), in which she played Bette Davis' daughter; this was followed by a lead in State Fair the following year. Ann-Margret tended to be withdrawn when interviewed, which earned her the media's "Sour Apple" award as least cooperative newcomer. But she was able to overcome this initial bad press via a show-stopping appearance at the 1962 Academy Awards telecast, which turned her into an "overnight" national favorite and encouraged the producers of Bye Bye Birdie (1963) to build up her role. Perhaps the best indication of her total public acceptance was her animated appearance in a 1963 episode of The Flintstones (as Ann Margrock).Ann-Margret's career faltered in the mid-'60s thanks to a string of forgettable pictures like Made in Paris (1966) and Kitten With a Whip (1964). (One of the few highlights of this period, however, was her appearance in Elvis Presley's Viva Las Vegas in 1964, which led to an offscreen relation with The King.) Her career in doldrums, Ann-Margret marshalled a comeback in the early '70s thanks to the tireless efforts of her husband and manager, former actor Roger Smith. Sold-out Las Vegas and concert performances were part of her career turnabout, although the most crucial aspect was her Oscar nomination for a difficult role in 1971's Carnal Knowledge. But the comeback nearly ended before it began in 1972 when the entertainer was seriously injured in a fall during her Vegas act. With the help of physical rehabilitation and plastic surgery (not to mention the loving ministrations and encouragement of Smith), the actress made a complete recovery and went on to even greater career heights. She received her second Oscar nomination for her bravura performance in the rock-opera film Tommy (1975), where, in one of the high points of '70s cinema bizarre, she sang a number while swimming in baked beans. Ann-Margret was equally impressive (though in a less messy manner) in such powerhouse TV movies as Who Will Love My Children? (1983) and A Streetcar Named Desire (1984).
The low point of Ann-Margret's early-80s career doubtless arrived when she agreed to act in Hal Ashby's lousy 1982 gambling drama Lookin' to Get Out (aside a scream-happy Jon Voight) -- and probably regretted it for years afterward. A few triumphs marked the 1980s as well, however, such as the actress's turn as Steffy Blondell in Neil Simon's enjoyably bittersweet comedy-drama I Ought to Be in Pictures, and her role as a barmaid who strikes up an extramarital affair with - and later weds - Gene Hackman, in Bud Yorkin's finely-wrought domestic drama Twice in a Lifetime (1985).
After Newsies (1992), Disney's glaringly awful attempt to revive the period musical, Ann-Margret took time out of her packed schedule to write her 1993 autobiography Ann-Margret: My Story, a work revelatory about herself and her own personal demons that nonetheless evinces respect toward her show-business mentors and co-workers. She exuded warmth as the bon vivant who falls in-between bickering Walter Matthau and Jack Lemmon in the 1993 box office hit Grumpy Old Men and its lackluster 1995 sequel, Grumpier Old Men (and played a satisfying straight man throughout). Yet the high profile of the Old Men releases made them exceptions to the actress's output in the mid-late nineties and early 2000s, which - though of varying quality - placed infinitely greater weight on television work than Ann-Margret had at any earlier point in her career. (In fact, for a period of about ten years, she became a veritable telemovie staple on par with Mary Tyler Moore and Meredith Baxter-Birney). These titles include but are not limited to: Nobody's Children (1994), Scarlett (1994), Seduced by Madness: The Diane Borchardt Story, Life of the Party: The Pamela Harriman Story (1998), Happy Face Murders (1999), Blonde (2001) and A Place Called Home (2004).
One big-screen exception arrived in the late 1999 football drama Any Given Sunday, where Oliver Stone gave Ann-Margret her meatiest role since Carnal Knowledge, as the alcoholic mother of team owner Christina Pagliacci (Cameron Diaz. It entailed only a small part amid a massive ensemble cast (Dennis Quaid, Al Pacino, Jamie Foxx, James Woods, others), but provided an excellent showcase for the actress's craftsmanship. She landed a bit part as Wendy Meyers, the mother of Jennifer Aniston's character, in the Aniston-Vince Vaughn romantic comedy The Break-Up, and joined Tim Allen and Martin Short for that same year's Buena Vista holiday sequel Santa Clause 3: The Escape Clause. ~ Hal Erickson, All Movie Guide
Ed "Big Daddy" Roth was a genius of outlaw art who took America's obsession with all that is fast, loud and streamlined and built it into an empire. In the 1950's, Roth was a hot-rodder who moved from body work and helping guys fine-tune the look of their jalopies to building unique custom machines. Roth threw out the rule book of conventional automotive design and created fantastic visions of chrome, fiberglass and supercharged engines which took one of America's most conventional consumer items and turned it into a freaked-out vision of post-adolescent cool. Roth was also a gifted cartoonist, and along with his cars he also created freaked-out automotive cartoons which made the artwork in Mad Magazine look sedate; his trademark character was Rat Fink, a maniacal, grinning rodent who was usually seen popping the clutch behind the wheel of one of Roth outlandish cars. Between Roth's crazed automobiles which drew thousands of fans to auto shows, the reproductions of them (in the form of model kits) which sold in the millions, and the Rat Fink and Monster T-shirts (which are still on the market today), Roth was one of the most influential figures in popular culture in the 1960's, and Tales Of The Rat Fink is a documentary by Ron Mann which features interviews with Roth's friends and fans as well as animated sequences that bring his cars and creatures to life on screen. John Goodman, Tom Wolfe, Brian Wilson, Matt Groening, Jay Leno and Ann-Margaret are among those who contributed their voices to the project; acclaimed indie-rockers the Sadies composed and performed the musical score. ~ Mark Deming, All Movie Guide
Michael Tuchner's A Place Called Home stars Ann-Margret as Tula Jeeters, a woman who is going blind. Her conniving nephew and niece are attempting to take possession of her estate so they can sell it for a small fortune. She fights for her own independence with the help of a father and daughter who she has taken in, and a social worker who discovers that she is attracted to the father. ~ Perry Seibert, All Movie Guide
- Starring:
- Ann-Margret
The remarkable life and tragic death of Marilyn Monroe has fascinated film fans for decades, but this two-part TV miniseries, based on a novel by Joyce Carol Oates, takes an unusual approach, using dramatic license (the film announces itself as a work of fiction using the names of real people) to look inside the minds of Monroe and those around her to ponder the circumstances of her rise and fall. Young Norma Jeane Baker (Skye McCole Bartusiak) is raised by single mother Gladys (Patricia Richardson), who is unstable, uncaring, and poorly equipped to deal with the responsibilities of parenthood. As Norma Jeane grows up without a father and with little affection from her mother, she suffers from a poor self-image and craves attention; when she grows into a beautiful young woman who is unusually attractive to men, she falls into a number of romances and a short-lived marriage in search of the approval she needs so desperately. When Norma Jeane (now played by Poppy Montgomery) turns 20, she meets a photographer, Otto (Eric Bogosian), who sees star potential in her beauty. Otto's cheesecake pictures catch the eye of I.E. Shinn (Wallace Shawn), an agent who in turned introduces her to Mr. R (Richard Roxburgh), the head of a movie studio, who offers to make Norma Jeane a star -- if she would be willing to have sex with him. Norma Jeane unenthusiastically agrees, and Mr. R proves good to his word; renamed Marilyn, she becomes an major film star and an international sex symbol. But the adulation proves to be a poor substitute for the love she craves, and as she falls into relationships with any man who treats her with a modicum of respect -- including a famous baseball player (Titus Welliver) and an acclaimed author (Griffin Dunne) -- her life begins to spiral out of control. Blonde also stars Ann-Margret, Kirstie Alley, and Patrick Dempsey; the series first aired May 13 and May 16, 2001, on the CBS television network. ~ Mark Deming, All Movie Guide
- Starring:
- Poppy Montgomery, Patricia Richardson, (more)
This made-for-TV miniseries recounts the muddled criminal investigation of the JonBenet Ramsey murder -- one of the most luridly publicized crimes in recent memory. As the crime unfolds, the Boulder police squad grow increasingly swamped by the elusive details of the crime and the unprecedented media attention. ~ Jonathan Crow, All Movie Guide
- Starring:
- Kris Kristofferson, Marg Helgenberger, (more)
This ten-hour mini-series extravaganza originally aired on February 26, 2000 on NBC, and concerns the fate of a janitor, Tony (John Larroquette), and his lovely daughter Virginia (Kimberly Williams), who mysteriously find themselves in a land where fairies, trolls, and elves live. Their attempts to return home are thwarted by an evil witch (Diane Wiest). Appearing in supporting roles are Rutger Hauer, Warwick Davis, and Camryn Manheim as Snow White. The 10th Kingdom was rebroadcast on August, 2000, with a substantially trimmed running time of eight hours, which was shortened even further to six hours for the video release, after all commercials had been removed. ~ Jonathan Crow, All Movie Guide
- Starring:
- Kimberly Williams, John Larroquette, (more)
- 2000
As New Year's Eve of 1999 approaches, a woman named Angela (Ann-Margret) dreads the inevitable moment that her longtime boyfriend Nick (James Read) intends to propose marriage. Not only is Angela pathologically incapable of making a commitment, but she also is unable to let go of her painful past. Posing as employees at a New Year's party, Monica (Roma Downey) and Andrew (John Dye) do their best to help Angela shed her past and look forward confidentally to her future--but first she is required to remember a promise made to her father made way back in 1955, and to honor that promise no later than January 1, 2000. ~ Hal Erickson, All Movie Guide
This video compiles screen tests of actor and actresses that went on to become icons and stars. Included is footage of Dustin Hoffman, Julie Andrews, Ann-Magret, Raquel Welch, and Sean Connery. The DVD release of this collection offers interviews. ~ Perry Seibert, All Movie Guide
- 1999
Ann-Margret and Nicholas Campbell star in this suspense story based on actual incidents. Lorraine, a woman who enjoys mystery novels, is tired of being slapped around by her boyfriend and decides to tell the police he's guilty of murder. However, the detectives looking into the case are a bit confused when certain details in Lorraine's story keep changing. However, the real murderer, who is still at large, is even more puzzled by these events, which leads to danger Lorraine wasn't expecting. ~ Mark Deming, All Movie Guide
- Starring:
- Ann-Margret, Nicholas Campbell, (more)
- 1998
One of the most highly touted projects of the 1997-1998 TV season, Four Corners was introduced by CBS as a four-part miniseries, debuting February 24, 1998. Ann-Margret heads the cast as Amanda "Maggie" Wyatt, the headstrong widowed matriarch of a once-powerful California rancing family. Despite the encroachment of housing developments and ski resorts, Maggie is determined to keep Four Corners up and running. Unfortunately for her, Maggie's son Alex (Doug Wert) has evinced sympathy for the land developers; also, her best friend Carlota Alvarez (Sonia Braga) has cast her lot with a group of local migrant workers. In other intrigues, Maggie's amorous daughter Kate (Megan Ward) still hopes to get her lunchhooks into Carlotta's son Tomas (Kamar De Los Reyes), and never mind that he has become a priest; and Maggie's foreman Sam (Raymond J. Barry must deal with the return of his jailbird son Caleb (Justin Chambers). The plan was to follow the pattern set by the classic prime time soap opera Dallas by introducing Four Corners as a limited series, then go to a full weekly program once it had won the viewers' hearts. But those hearts turned cold in a hurry--and as a result only three of the four completed episodes had been telecast when CBS abruptly axed the project on March 3, 1998. Since that time, Four Corners has been rebroadcast as a two-part TV movie by the Lifetime cable network, under the title Homestead. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann-Margret, Sonia Braga, (more)
- 1998
This film is based on the extraordinary and at times outrageous life of Pamela Digby Churchill Hayward Harriman (aptly played by Ann-Margret), who arrived in America from her native England. During her 40 years in the U.S. she managed to marry powerful and wealthy men and work her way into the highest echelons of New York and Washington's society. Part of her success was due to her ability to periodically reinvent herself to meet the changing face of society and the men she needed to feed her considerable ambitions. It was not until much later in her life that she discovered that she could find success on her own, without a man. The highlight of her new life was when President Bill Clinton appointed her the ambassador to France. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ann-Margret, David Dukes, (more)
- 1997
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This video charts director John Frankenheim's rise from working as an assistant director in television to directing such classics as The Manchurian Candidate and Seven Days in May. ~ Jonathan Crow, All Movie Guide
- 1996
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Inspired by a true story, director John Patterson's made for television thriller stars ageing screen siren Ann-Margaret the titular black widow, a deeply-disturbed, part-time Wisconsin schoolteacher who manipulates her students into killing her husband under the false pretences that he is an abusive tyrant who is about to end their marriage and send her packing from their lavish suburban home. The truth, however, is that Diane's husband Ruben (Peter Coyote) is just a regular guy who realized that his marriage was a mistake when his irrationally jealous wife fails to prevent signs of her acute instability from bubbling to the surface. While Ruben staunchly opposes divorce, he is increasingly drawn to the beautiful Claire (Leslie Hope), a married woman who effectively signs his death warrant after luring him into an adulterous affair. Meanwhile, back in study hall, Diane plies impressionable sixteen year-old student Doug Vest (Christian Campbell) with elaborate yarns of abuse and mistreatment, eventually spurring him into action lest she lose everything in the impending divorce. ~ Jason Buchanan, All Movie Guide
- Starring:
- Ann-Margret, Peter Coyote, (more)
- 1996
When Maggie Yearwood (Ann-Margret) threw her cheating husband out of the house, her son Peter (Corbin Allred) became so distraught that he attempted to kill himself--and after emerging from a coma, Peter had totally lost his hearing. Now enrolled in the Riverwall School for the Deaf in Arizona, Peter is a surly, resentful loner, as angry at his mother as he is at his current lot in life. Hoping to mend fences with Peter, Maggie pulls up stakes and moves to the town of Blue Dog, some 25 miles from Riverwall. Here she meets an enigmatic rodeo cowboy who calls himself Owen Wister (Kris Kristofferson)--and who has more than his own share of emotional baggage. How the fates of Maggie, Peter and Owen are interwined provides the dramatic substance of the made-for-TV Blue Rodeo, which was based on a novel by Jo-Ann Mapson and which originally aired October 20, 1996 on CBS. ~ Hal Erickson, All Movie Guide
- 1994
This much-ballyhooed TV miniseries sequel to Gone with the Wind finds former Agent 007 Timothy Dalton reprising the tough-to-fill shoes of Clark Gable's Rhett Butler, and former Val Kilmer spouse Joanne Whalley-Kilmer beating out thousands of hopefuls to play what was once Vivien Leigh's Scarlett O'Hara role. Loosely based on Alexandra Ripley's sequel novel, the film finds our heroine traversing the country to win back Rhett but inadvertently becoming pregnant with Rhett's baby and absconding to Ireland to raise the tyke. There, she becomes indoctrinated into a royal clan. ~ Michael Hastings, All Movie Guide
- Starring:
- Joanne Whalley, Timothy Dalton, (more)
Ann-Margret stars as a recently widowed woman who pursues her dream of becoming a country singer by heading to Nashville on a bus tour. ~ Carly Wray, All Movie Guide
- Starring:
- Ann-Margret, George Segal, (more)
- 1994
Ann-Margret stars in the made-for-cable movie Nobody's Children, filmed on-location in Bucharest, Romania, and based on a true story. Ann-Margret and Jay O. Sanders star as the real-life Carol and Joe Stevens, a married couple from Detroit who are unable to conceive a child of their own. They travel to Bucharest in 1990, just following the end of Ceausescu's regime, where a secret police controls the populace and state institutions are filled with abandoned children. The Stevenses bear witness to the deplorable conditions under which the unwanted babies must live as well as the extreme poverty and illness of the other Romanian children. French doctor Stephanie Vaugier (Dominique Sanda) helps Carol wade through the bureaucracy so she is able to adopt two children and return to the States. Originally aired on the USA television network in March of 1994. ~ Andrea LeVasseur, All Movie Guide
In 1977, Alex Haley's groundbreaking mini-series Roots became one of the most watched programs in television history, telling the story of seven generations of the author's mother's family, from their capture in Africa and enslavement in the United States to their eventual emancipation more than a century later. With 1992's Queen, Haley, who passed away before completing the source material, presents the story of his father's family, focusing on his paternal grandmother, a mulato. Halle Berry stars as the title character, the daughter of a slave and a plantation owner. Amidst the Civil War and up through the turn of the century, Queen finds herself struggling to find acceptance from blacks as well as whites. With an all-star cast that also features Martin Sheen, Danny Glover, Dennis Haysbert, Ossie Davis, and Ann-Margret, Queen was directed by John Erman and originally aired in February of 1993. ~ Matthew Tobey, All Movie Guide
- Starring:
- Halle Berry, Tim Daly, (more)
Julie Andrews and Ann-Margaret combine their not inconsiderable talents for Our Sons. In her TV-movie debut, Ms. Andrews plays a San Diego businesswoman and self-styled liberal whose open-mindedness is put to the test when she discovers that her son (Hugh Grant) is homosexual. This brings Andrews in reluctant contact with Ann-Margaret, a brash Arkansas cocktail waitress whose own son (Zeijko Ivanek) is Andrews' son's lover. The occasion for the meeting between the two mothers is the revelation that Ann-Margaret's son has AIDS. Andrews and Ann-Margaret go through a lengthy period of self-denial and self-blame before coming to grips with the tragedy now facing them. William Hanley's screenplay for Our Sons was supposed to spotlight the mothers, but the strong rapport between the sons throws the emphasis off at times. The director was John Erman, whose previous successful collaborations with Ann-Margaret included Who Will Love My Children and A Streetcar Named Desire. ~ Hal Erickson, All Movie Guide
- 1987
Claudette Colbert made her first screen appearance in 25 years in the 2-part TV movie The Two Mrs. Grenvilles. The story involves social-climbing actress (read: "chorus girl") Ann-Margret, who marries American-aristocrat naval ensign Stephen Collins, the son of Ms. Colbert (the two female stars, you see, are the "two Mrs. Grenvilles"). Try as she might, Ann-Margret can neither assimilate herself to her husband's lifestyle, nor overcome the animosity of her mother-in-law. Collins starts cheating on his new wife....and before long, Ann-Margret is standing trial for the fatal shooting of her husband. Marvin Hamlisch wrote the music for the sumptuously stylish The Two Mrs. Grenvilles, which was based on novelist Dominick Dunne's a clef rehashing of the 1955 murder of Long Island millionaire William Woodward Jr. ~ Hal Erickson, All Movie Guide
Wealthy metallurgist Harry Mitchell (Roy Scheider) lives to regret his extramarital affair with pretty young Cini (Kelly Preston). A trio of vicious blackmailers (John Glover, Robert Trebor, Clarence Williams III) show Mitchell a videotape of his most recent roll in the sack with Cini. They demand a huge amount of hush money, but Mitchell calls their bluff, going so far as to tell his politicially ambitious wife Barbara (Ann-Margret) about the affair. But the extortionists haven't even gotten started yet. Tying Mitchell to a chair, they force him to watch a tape of Cini being horribly murdered-with the evidence arranged so that Mitchell will be accused of the crime. But Mitchell remains firm in his refusal to pay up, whereupon he mounts a "fight fire with fire" plan all his own. 52 Pick Up was based on a novel by Elmore Leonard, which was previously filmed in 1984 as The Ambassador. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Ann-Margret, (more)
- 1984
Ann Margret looks too healthy to portray Blanche DuBois, the physically and mentally fragile Southern-belle protagonist of Tennessee Williams' A Streetcar Named Desire, but we forget this discrepancy five minutes into her marvelous performance. This TV-movie version of Streetcar costars Treat Williams as faded aristocrat Blanche's rude 'n' crude brother-in-law Stanley Kowalski; Williams is persuasive, though he tries so hard not to be Marlon Brando that he comes off as a bit mechanical. The 1984 Streetcar is more realistically staged than the near-impressionistic 1951 Vivien Leigh/Marlon Brando filmization. The storyline, concerning the battle of wills between the earthy, pragmatic Stanley and the delusional Blanche, remains the same in both films, as does the script's tendency to avoid the homosexual elements that were so important to Williams' original play. The newer film's photography is bathed in an ambler tint throughout, conveying both nostalgia for the era in which it is set (the late 1940s) and a visual literalization of Blanche's "yellowed with antiquity" former lifestyle. The 1984 Streetcar Named Desire is less a remake of the 1951 version than a companion piece--a praiseworthy alternate version of the same sturdy material. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann-Margret, Treat Williams, (more)
- 1983
Ann-Margret is beyond praise in her TV movie debut as the real-life Lucile Frey. A poor, minimally educated rural Iowa mother, Lucile learns on the occasion of the birth of her tenth child in 1952 that she is dying of cancer. Reasoning that her husband (Frederic Forest) is not responsible enough to take care of her children on his own, Lucile takes upon herself the task of finding suitable foster parents for her soon-to-be motherless brood. Not as depressing as it might have been, Who Will Love My Children? closes with the implication that Lucile's children were able to retain their family ties even after being separated for 29 years. The real-life Frey children were showcased the same evening that Who Will Love My Children premiered (February 15, 1983) on an installment of the ABC TV series That's Incredible. ~ Hal Erickson, All Movie Guide
- 1973
This French-produced thriller was shot entirely in English. Jean-Louis Tritignant stars as Lucien, a hit man who goes to Los Angeles to end the life of an important local mobster. The mobster's heirs, who hired Lucien, had already hired yet another hit man (Roy Scheider) to kill him. He speaks very little English, and the lifestyles and customs of Los Angelenos puzzle him completely. One of the films highlights is its use of many unusual decayed and shabby sites in the Los Angeles area, such as Venice Beach. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jean-Louis Trintignant, Ann-Margret, (more)
- 1967
Dino Risi directed this bittersweet comedy about a 45-year-old man, Francesco Vincenzini (Vittorio Gassman), who becomes a grandfather for the first time and begins to fret about old age. When his son is rejected by the flirtatious Carolina (Ann-Margaret) and tries to kill himself, Francesco pays Carolina a visit to lambaste her for her treatment of his son. Carolina responds to his tongue-lashing by seducing him. Feeling young again, he plunges whole hog into an affair with Carolina, rejecting his job and his family and devoting all his attention to her. Finally, Carolina demands that he abandon his family and take off to Paris with her. While on the train to meet Carolina, Francesco has to decide whether he is using his best judgment leaving his family for Carolina. ~ Paul Brenner, All Movie Guide
- Starring:
- Vittorio Gassman, Ann-Margret, (more)
