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Joaquim Pedro de Andrade Movies

Brazilian filmmaker Joaquim Pedro DeAndrade was a leading member of his country's Cinema Novo movement. His 1969 black comedy Macunaima has become a prime example of the uniquely Brazilian film genre. ~ Sandra Brennan, Rovi
1979  
 
Ranging from ribald and erotic to exceedingly explicit, these four stories are each rather brief and to the point. The first is a tale about a unfulfilled housewife and what happens when her uninterested husband brings a dashing young student home for lunch. The next segment is about a young woman who is sent to live with her celibate elderly aunts so she will not continue to pursue the sexual side of her nature. The result is not what her parents expected. The third story is about love in the vegetable patch, and the last is graphic enough to get Contos Eroticos banned in Brazil. ~ Eleanor Mannikka, Rovi

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Starring:
Joana Fomm
 
1975  
 
Sexual fantasies among middle-class Brazilians are the material out of which this black comedy has been formed. The adventures of three people are followed to a (usually) humorous or dire conclusion. In the first story, a lawyer who misuses his position for erotic gain finds one client even more determined than himself. The second story tells of a neurotic lad who cannot bring himself to remove his coat and glasses for his erotic encounters, but he is sufficiently chivalrous to leave an aged old prostitute grateful for his attentions. The last story tells a mysterious, symbolic tale of a married couple whose feuding ends in death. ~ Clarke Fountain, Rovi

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Starring:
Itala NandiLima Duarte, (more)
 
1972  
 
Revolutionaries in 16th-century Brazil come in for close study in this 1972 Brazilian/Italian film. A group of intellectuals, with the exception of a Corporal Tiradentes, these revolutionaries plotted the overthrow of the Portuguese colonial government. In a compelling scene, an informer slips into the governor's bathtub to tell him of the group's plans. The entire group was rounded up and put in prison where, Inquisition-like, they were tortured until they recanted. Only Tiradentes refused, and was killed. One of the film's ironic moments is a shot of modern Brazil officially celebrating the dedication of this lone patriot. It is ironic, because the country was under the control of an undemocratic, strict military government at the time. ~ Clarke Fountain, Rovi

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1969  
 
Macunaíma is a black native from the forests of Brazil in this satirical comedy. When he bathes in a magic stream, he is turned into a white man. He goes into town and becomes the lover of a female revolutionary. She is killed by her own time bomb and her good-luck charm is found by an Italian. The man becomes a millionaire. Macunaíma goes to visit the lucky man and almost ends up on the menu. He returns to the jungle where he is abandoned by his followers and family for lying about food. The once-fortunate man sits alone as he tells his story to the only creature who will listen, a parrot. ~ Dan Pavlides, Rovi

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Starring:
Grande OteloPaulo José, (more)
 
1965  
 
Helena Ignez and Paul Jose star in this plodding melodrama from Brazil. A dedicated priest tries to help a young girl from the village escape from an unwanted suitor. He succeeds but the two are soon surrounded by an angry mob. ~ Dan Pavlides, Rovi

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Starring:
Helena IgnezPaulo José, (more)