Jean Genet Movies

A sailor learns to take, and give, it like a man in this surrealistic adaptation of writer and thief Jean Genet's novel Querelle de Brest by avant-garde German director Rainer Werner Fassbinder. In a colorful brothel in the port of Brest, proprietor Nono (Gunther Kaufmann) is known for wagering with his customers. Win a throw of the dice, and they get to make love with his wife, Lysiane (Jeanne Moreau); lose, and they must take it from behind by Nono himself. One day, Lysiane reads the tarot for her lover, Robert (Hanno Poschl), and learns in the cards of his intense passion for his brother, Querelle (Brad Davis). Querelle himself soon arrives, and the brothers enact a bizarre greeting halfway between a hug and a wrestling match. Querelle, it seems, is looking for partners in a drug deal; Robert points him in the right direction. An argument about the merits of sex between men soon leads Querelle to murder his fellow smuggler, Vic (Dieter Schidor). Back at the whorehouse, Querelle loses on purpose to Nono and finds he has a taste for passive gay sex. Meanwhile, fellow sailor Gil, who looks exactly like Querelle's brother (and is played by the same actor), murders one of his compatriots after the brute publicly impugns his manhood. Wanted by the police for both his own crime and Querelle's, Gil goes on the lam. Querelle soon crashes his hideout, and an intense bond develops between the two murderers -- a friendship that will lead Querelle to the greatest love, and the greatest treachery, of his life. Director Fassbinder was in the process of editing Querelle when he died of a drug overdose in June 1982. Gunther Kaufmann, who plays Nono, was Fassbinder's ex-lover; the film is dedicated to another former lover, El Hedi Ben Salem, the news of whose suicide had just reached the director. Critically derided even by many of Fassbinder's admirers, Querelle earned a Golden Raspberry award for Worst "Original" Song for "Each Man Kills the Thing He Loves," an Oscar Wilde poem set to music by Peer Raben and sung repeatedly by Jeanne Moreau. Moreau had previously starred in Mademoiselle, a Tony Richardson effort co-scripted by Genet. Look for Frank Ripploh, another pioneering German director, in a cameo. ~ Brian J. Dillard, All Movie Guide

Directed by Christopher Miles, The Maids is a 1974 film version of the play by French absurdist writer Jean Genet. Solange (Glenda Jackson) and Claire (Susannah York) are two sisters who work as servants for a strict Madame (Vivian Merchant). When Madame and Monsieur (Mark Burns) leave the house, the two women enact dramatic role playing games. To get out their sexual frustrations against their boss and each other, they alternate the parts of master and servant. They both love and hate the Madame passionately enough to plot her murder. During a particularly intense game of play, Claire accidentally drinks the poison that was meant for the Madame. The Maids is part of producer Ely Landau's American Film Theatre Series, which ran in select theaters from 1973-1975. In 2003, all 14 films in the series were given a wide release on home video from Kino International. ~ Andrea LeVasseur, All Movie Guide

In 1951, French writer Jean Genet presented a screenplay called "Les Rêves Interdits/L'Autre Versant du Rêve" to actress Anouk Aimée as a wedding gift. He then proceeded to sell the rights three times without telling her. Eventually the script was reworked by Marguerite Duras and filmed by British director Tony Richardson as Mademoiselle, with Jeanne Moreau in the title role. In its final form, Mademoiselle tells the story of a repressed schoolteacher who visits a veritable plague of deliberate "accidents" on the people of her rural French village. She sets fires, poisons animals, and causes floods -- all in a fit of thwarted passion for an immigrant woodcutter. Though Marlon Brando was originally set to play the role of the Italian craftsman, the part went to Ettore Manni when the production schedule shifted. Umberto Orsini plays Antonio, the woodcutter's forlorn son, whom Mademoiselle maliciously humiliates out of perverse desire for his father. A notoriously difficult shoot, Mademoiselle was filmed consecutively with The Sailor From Gibraltar, another collaboration between Richardson, Moreau, and Duras. As for Genet, he despised the casting of Moreau; nevertheless, she would go on to star in Querelle, another adaptation of the author's work. ~ Brian J. Dillard, All Movie Guide

The denizens of a sordid brothel become embroiled in a bloody coup in this arty political satire adapted from the Jean Genet play. Shelley Winters stars as the cathouse's madam, a stern woman who supervises the fantasy role-playing of her beautiful employees and their well-heeled customers, including the local police chief (Peter Falk). As various whores and their johns dress up like judges, penitents, bishops, and generals, a revolution rages outside in the streets. The leaders of society -- including the queen -- are done away with by an angry mob. Soon, the madam and her compatriots find themselves ordered to impersonate the slain bigwigs in order to restore law and order. Shot in black-and-white by cinematographer George Folsey and producer/director Joseph Strick, The Balcony features a number of future stars in its cast, from Ruby Dee and Lee Grant to Leonard Nimoy. Nimoy would go on to produce and star in Deathwatch, another Genet adaptation. Unlike the later film, Genet was actually involved in the film version of The Balcony, collaborating with Strick on the original treatment but leaving the final screenplay to poet and novelist Ben Maddow. Strick acquired the rights to The Balcony from Genet only after failing to mount another literary adaptation, of James Joyce's Ulysses. ~ Brian J. Dillard, All Movie Guide