Robert Arthur Movies

Juvenile delinquents run afoul of big-league dope dealers in this low-budget crime thriller. Frankie (Robert Arthur) is a hotheaded teenager whose impulsive streak has led him to the State Honor Farm for wayward boys. Frankie engineers an escape with the help of his curvaceous girlfriend, Donna (Jan Brooks), but he makes the mistake of bringing along fellow delinquent Switch (Steve Rowland), who's behind bars for attacking his father with a knife. Switch doesn't make a secret of his attraction to Donna, which slowly infuriates Frankie, and things become no more comfortable when their car breaks down and they're forced to hitchhike. The three teenagers catch a ride with Rivas (John Goddard) and his wife, Madge (Carol Ohmart), but this isn't the stroke of good fortune it might seem. Rivas is a ruthless criminal who has killed a narcotics agent en route from Mexico while smuggling a large parcel of heroin into the United States. When the delinquents discover they're dealing with a bona fide mobster, they part company with Rivas but inadvertently steal his stash, which is hidden in a large doll, putting the bloodthirsty gangster on their trail. Naked Youth was originally released as Wild Youth, but received more play under its more exploitive title, though doubtless a few viewers were disappointed that it didn't actually feature any youths naked. ~ Mark Deming, Rovi

Set in the American West after the Civil War, this drama is the pull-no-punches story of a lethal family feud. Colt Saunders (Charlton Heston) fought for the Confederacy in the war, and he returns to his family's Texas cattle ranch after impulsively marrying Lorna Hunter (Anne Baxter) following a very short courtship. During the war, Mexican foreman Innocencio (Gilbert Roland) and his sons have run the ranch. Colt's one-armed brother, Cinch (Tom Tryon), who hasn't been much of a help, wants Colt to give him money for his part of the land. When Colt refuses to give him gold in exchange for his share of the inheritance, Cinch launches a scheme to sell the place to a wealthy Northerner. Colt chafes at the notion of selling to a former enemy. Lorna gets pregnant with their first child, and Colt then discovers that she once worked as a prostitute. Soon after, a plot to kill Colt is unleashed. ~ Michael Betzold, Rovi

The title refers not to James Cagney's curtain line in White Heat but to Northern Alaska, where this film is set. Dale Robertson plays an Air Force jet pilot who resents the fact that he's been transferred from Hawaii to the frozen north. He changes his mind when he meets his ex-wife (Evelyn Keyes), now the proprietress of an Alaskan nightclub. Alas, Evelyn is planning to get married again -- and her intended is none other than her ex-husband's commanding officer (Frank Lovejoy)! Hostilities build to a fever pitch, but all petty differences are forgotten when the commander oversees a rescue mission to save the pilot and his crew from a floating glacier. The aerial photography is the most entertaining ingredient of Top of the World. ~ Hal Erickson, Rovi

"You guys will never be soldiers!" With these words, Richard Widmark opens and closes Take the High Ground. Widmark plays tough drill sergeant Thorne Ryan, whipping his recruits through basic training in preparation for shipment to Korea. Merton Tolliver (Carleton Carpenter) is the standard-issue private who just can't seem to cut it, despite Ryan's (Widmark) relentless special attention. To prove that the behemoth sergeant has a tender side, the script contrives a romantic triangle involving Ryan, Julie Mollison (Elaine Stewart), and Sgt. Laverne Holt (Karl Malden). The film is an amalgam of rugged realism and Hollywood hokiness, with Widmark terrific as the topkick you love to hate. Filmed at Fort Bliss, TX, Take the High Ground utilizes several real-life soldiers in the drill sequences (you can recognize the real ones; they aren't afraid of Richard Widmark). ~ Hal Erickson, Rovi

The System was one of several "exposé" films inspired by the Kefauver crime committee. The title refers to the manner in which a major gambling syndicate can so insinuate itself in "respectable" business circles that it becomes virtually impossible for justice to prevail. Big-city syndicate head John Merrick (Frank Lovejoy) is targeted for investigation by a crusading newspaper. The publisher (Fay Roope) uses this opportunity as a means to squelch his daughter's (Joan Weldon) romance with the unscrupulous Merrick. Called to testify before a crime commission, Merrick at first invokes the Fifth Amendment. But a series of crushing personal blows, coupled with the realization that his fellow hoods have left him to twist slowly in the wind, leads to an abrupt change of heart on the witness stand. The System boasts one of the most impressive supporting casts in any 1953 film, including virtually every actor who's ever played a thug or lowlife: Dan Seymour, Frank Richards, Vic Perrin, Henry Corden, Bruno VeSota, etc. etc. etc. ~ Hal Erickson, Rovi

The Ring was directed by Kurt Neumann in a style best described as Hollywood neorealist. Based on a novel by Irving Shulman, the film focuses on a Mexican-American youth named Tommy (Lalo Rios). Unable to make any headway in a prejudicial, white-dominated society, Tommy turns to boxing, where he makes quite a name for himself. Just when he thinks he's gained the respect of the "Anglos," however, he discovers that they're only interested in his reputation, and still consider him an outsider because of his ancestry and skin color. Even the two white men who treat him decently -- his manager Pete (Gerald Mohr) and trainer Freddy (Robert Osterloh) -- have a vested interest. In danger of ending up a disillusioned, punch-drunk bum, Tommy is rescued by the unconditional love of his girl Lucy (Rita Moreno). Filmed entirely on location in greater Los Angeles, The Ring is for the most part an uncompromising glimpse at institutionalized bigotry. ~ Hal Erickson, Rovi

On the Loose was produced by the Filmakers Organization, consisting of producer Collier Young and director Ida Lupino (Mrs. Young at the time). Joan Evans stars as Jill Bradley, a teenager with an undeserved reputation as a "bad girl." No one -- not even her parents Melvyn Douglas and Lynn Bari -- will give Jill the benefit of the doubt. Only when the girl attempts suicide are her selfish parents awakened to her plight. Intriguingly, On the Loose was scripted by the husband-and-wife team of Dale Eunson and Katherine Albert, who happened to be the real-life parents of star Joan Evans. Though most Filmakers productions were directed by Ida Lupino, On the Loose was helmed by screenwriter Charles Lederer. ~ Hal Erickson, Rovi

Billy Winder directed and co-wrote this bitterly satiric comedy-drama which turns a jaundiced eye towards both the news media and its consumers. Chuck Tatum (Kirk Douglas) is a talented but short-tempered reporter whose fondness for booze and unwillingness to bow to authority has cost him jobs at some of America's most prestigious newspapers. When Tatum's car breaks down in Albuquerque, New Mexico, Tatum persuades the editor of the local paper (Porter Hall) to give him a job until he can make enough to get his jalopy running and find a story that will put him back in the good graces of the Big City journals. After a year in Albuquerque, Tatum begins to wonder if a big scoop will ever cross his path, but when he's sent to Los Barios to cover the annual rattlesnake hunt, he lucks into a great human interest story -- Leo Minosa (Richard Benedict), who runs a local diner, motel and curio emporium, is caught in an abandoned mine shaft after a rockslide, which some superstitious locals attribute to an Indian curse. Tatum writes up the story with all the flourish he can muster, and portrays Leo's wife Lorraine (Jan Sterling) as a devoted spouse fearful for her husband's life, even though she can barely stand Leo and is planning to leave him. Tatum's story is picked up by the wire services and he makes friends with local sheriff Kretzer (Ray Teal) to insure he has an inside line on updates on Leo's rescue. When Tatum learns that Leo can be freed in a mere twelve hours, he persuades Kretzer and his men to adopt another rescue method that will take several days, which will generate more copy for Tatum, more press attention for Ketzer's re-election campaign, and more business for Lorraine's diner. Soon Los Barios is the biggest tourist attraction in the state, but as the media circus mounts, Leo begins to fall seriously ill. Also released as The Big Carnival, Ace In The Hole was a major box-office disappointment upon its original release in 1951, even though it was sandwiched between two of Wilder's biggest hits, Sunset Boulevard and Stalag 17. Despite never being released in home video until 2007, Ace In The Hole's bitter tone earned it an enthusiastic cult following, and it's now regarded as one of Wilder's best films of the Fifties. ~ Mark Deming, Rovi

Even allowing for the fact that it owed its existence to the popularity of Life with Father (1947), Cheaper by the Dozen is one of the freshest, funniest and most enduring "family" films ever to emerge from Hollywood. Based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey, this is the mostly true story of famed efficiency expert Frank Bunker Gilbreth. As played by Clifton Webb, Gilbreth is a benevolent despot in his own home, managing to keep order and (sometimes) sanity despite the presence of twelve children (hence the title). Myrna Loy co-stars as Gilbreth's wife Lillian, who provides balance to her lively household, while Jeanne Crain is allotted the somewhat thankless role of eldest daughter Ernestine (who also narrates the story). The original book was basically a series of non-chronological anecdotes: Lamar Trotti's screenplay provides a throughline in the form of Gilbreth's ongoing ambition to deliver a series of lectures in Europe. The best moments (taken almost verbatim from the novel) include: Papa Gilbreth's insistence upon filming his family's tonsillectomies, including his own; a cruel but undeniably funny vignette wherein the Gilbreths flummox a lady advocate of planned parenthood (Mildred Natwick); Mr. Gilbreth giving an impromptu demonstration on how to take a bath in the least amount of time; and daughter Ernestine's senior prom, where her father ends up as the life of the party (appearing in this sequence as a Southern belle is Betty Lynn, who later played Thelma Lou on TV's Andy Griffith Show). The decision to retain the book's surprisingly downbeat ending provides a poignant coda to this heartwarming comedy. Cheaper by the Dozen was followed in 1952 by a sequel, Belles on their Toes. ~ Hal Erickson, Rovi

The same studio that brought forth Father Was a Fullback was responsible for Mother is a Freshman. Loretta Young stars as Abbigail Abbott, the widowed mother of coed Susan Abbott (Betty Lynn). In order to legally validate Susan's scholarship fund (a legacy of her late grandmother), Abigail enrolls in the university as a freshman. Here she is wooed by Professor Richard Michaels (Van Johnson)--much to Susan's dismay, since she'd set her cap for the professor herself. Rudy Vallee reprises the "stuffy middle-aged suitor" characterization he'd essayed in such previous comedies as The Palm Beach Story and Bachelor and the Bobby-Soxer. Mother is a Freshman afforded audiences the opportunity of glimpsing 20th Century-Fox's familiar "college campus" sets in full Technicolor (these standing sets were also seen in black & white in such 1949 releases as Mr. Belvedere Goes to College and It Happens Every Spring). ~ Hal Erickson, Rovi

In this drama, based on a novel by Mary O'Hara, the relationship between humans and animals is paralleled as they struggle to live and find love on a wild ranch in Wyoming. The human story centers around a rancher's niece who falls in love with a neighboring rancher's son. The equine story follows the romantic exploits of a wild-eyed black mare and a wild white stallion, Thunderhead. One night, the sly stud sneaks upon the other's land and steals the mare. The rancher's boy brings them back. The rival ranchers get involved in a horse race and the niece's uncle wins over the other's pregnant mare. The two youngsters find love and as Thunderhead's baby is foaled, happiness ensues. ~ Sandra Brennan, Rovi

In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, Rovi