Kenny Baker Movies

In this Republic musical, all heck breaks loose when the girlfriend of an aspiring composer becomes a model for the starving artist who lives next door. The story takes place at the turn of the 19th century and is set in Miss Rich's boardinghouse, the temporary home of many young artists and performers hoping to make it big in New York. Songs include "Have I Told You Lately?" and "A Bluebird Is Singing to Me." ~ Sandra Brennan, All Movie Guide

According to Doughboys in Ireland, there were those who sang their way through WW2. Radio tenor Kenny Baker plays Manhattan orchestra leading Danny O'Keefe, who is drafted into the army along with a Ritz Brothers-like quartet called The Jesters. Stationed in Ireland, Danny believes that his New York sweetheart Gloria (Lynn Merrick) has forgotten about him, thus he inaugurates a romance with Irish colleen Molly Callahan (Jeff Donnell). It looks bad for Molly when Gloria shows up in the Auld Sod as a USO entertainer, but by film's end Molly is back in in Danny's arms. The Columbia Pictures backlot doesn't really resemble Ireland, but entertainment-hungry wartime filmgoers weren't bothered by such details. ~ Hal Erickson, All Movie Guide

In this musical, the second entry in a five-film series, a thrift shop owner sells his business and buys a small time radio station. He begins looking for sponsors. He finds one with a department store owner who will only lend him the money if he will allow his daughter, an aspiring tap-dancer and singer, to perform on the air. This is unfortunate as she is tone-deaf. To compensate, the owner hires a real singer to dub the daughter's voice. The singer and the owner's nephew fall in love and mayhem ensues. Songs include: the Oscar nominated "Who Am I?," "Swing Low Sweet Rhythm," "In The Cool of the Evening," "Make Yourself at Home," "The Swap Shop Song," "The Trading Post," "Sally," "Ramona," "Sweet Sue," "Dinah," "Margie," and "Mary Lou." ~ Sandra Brennan, All Movie Guide

A distinct letdown from their previous MGM films, the Marx Bros.' At the Circus nonetheless contains intermittent moments of high hilarity. When Jeff Wilson (Kenny Baker) is in danger of losing his circus to crooked creditor Carter (James Burke), Jeff's faithful roustabout Antonio (Chico Marx) enlists the aid of seedy attorney J. Cheever Loophole (Groucho Marx). Despite the best efforts of Loophole, Antonio and general hanger-on Punchy (Harpo Marx), Jeff is robbed of the circus payroll by two flies in the ointment, Goliath the Strong Man (Nat Pendleton) and Little Professor Atom (Jerry Marenghi, later known as Jerry Maren). Also in on the plot to wrest control of the circus is aerialist Peerless Pauline (Eve Arden), with whom Loophole has a cozy tete-a-tete while walking on the ceiling (no kidding!) In a last-ditch effort to raise the necessary funds, Loophole romances Jeff's wealthy aunt Mrs. Dukesbury (Margaret Dumont). The finale takes place at a fancy society party at the Dukesbury mansion, with Punchy and Antonio hijacking the scheduled entertainment and replacing it with a full-fledged circus performance. Weighed down by an excess of plot and a surfeit of misfire gags, not to mention one of sappiest romantic subplots in film history (involving sappy tenor Kenny Baker and sappier ingenue Florence Rice), At the Circus still keeps audiences happy with Groucho's rendition of the deathless "Lydia the Tatooed Lady" (by Harold Arlen and E. Y. Harburg) and the zany denoument, wherein pompous conductor Fritz Feld and his orchestra are set adrift in the middle of the ocean and the magnificent Margaret Dumont is shot out of a cannon. Best gag: When Eve Arden stuffs the circus payroll into her blouse, Groucho turns to the camera and whispers "There must be some way of getting that money back without offending the Hays Office." ~ Hal Erickson, All Movie Guide

Set in New York City's famed music hall and featuring an all-star cast, this musical chronicles the desperate search of two bungling aspiring songwriters who are looking for the tune that will make them stars. They hear the sweet sound of opportunity's knock when they find a naive country boy who can literally come up with hit tunes in his sleep. Jack Oakie and Milton Berle play the songwriters. ~ Sandra Brennan, All Movie Guide

This musical chronicles 15 years in the life of a New York City Street. In 1912, 52nd Street is a peaceful residential neighborhood and by 1937 it has become a bawdy red-light district. As the street changes, so do the lives of a brother and his two sisters who become estranged when he marries an actress at the beginning of the film. The two snooty sisters find their brothers' actions distasteful and consider the lowly actress unworthy of their high-born brother. Songs include: "I Still Love to Kiss You Goodnight," "Nothing Can Stop Me Now," "52nd Street," "23 Skiddoo," "Let Down Your Hair and Sing," and "We Love the South." ~ Sandra Brennan, All Movie Guide

Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes). Problem is, Dinwiddy's dependence upon the stars to dictate his fate has a negative trickle-down effect on his impending marriage to his secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley). Most of the plot is forgotten during the climactic floor-show celebrating the 25th anniversary of Dinwiddy's store, with specialties from pantomimist Ben Blue (cast as night watchman Luke) and Jack Benny Show regulars Kenny Baker and Phil Harris. The film's best moment finds store detective Dugan (Romo Vincent) cutting loose with a Charles Laughton impression. The film editor for Turn off the Moon was Edward Dmytryk, who later went on to a prestigious directorial career. ~ Hal Erickson, All Movie Guide