Sasha von Scherler Movies

1995  
R  
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The debut feature from director Daisy von Scherler Mayer, Party Girl pretty much cemented Parker Posey's status as the indie-film "it girl" of the 1990s. Posey stars as Mary, a fun-loving and irresponsible twentysomething New Yorker who prefers throwing bashes at her loft to pay the rent over getting a real job. But when one of her shindigs gets broken up by the cops, Mary lands in the slammer and is forced to enlist the help of her librarian godmother, Judy (Sasha von Scherler, the director's mother). In order to prove that she's not the layabout she seems to be, Mary begins working at the library with Judy. Party Girl was nominated for the Grand Jury Prize at the 1995 Sundance Film Festival and was later turned into a short-lived Fox sitcom. ~ Matthew Tobey, All Movie Guide

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Starring:
Parker PoseyOmar Townsend, (more)
1979  
 
Made for TV, The Man in the Santa Claus Suit jumped the gun a bit by premiering December 23, 1979. The title "character" is threefold: John Byner, Gary Burghoff and Bert Convy all don Santa suits for various reasons. Byner is a fugitive tramp, Burghoff a lonely schoolteacher, and Convy a divorced father estranged from his young son. Unifying their three stories is top-billed Fred Astaire, who pops up in eight different roles (or seven different roles, if you don't count his "surprise identity") and sings the title song. The moral, as ever, is that Christmas is what you make of it: if you're merry, then you'll have a merry Christmas. ~ Hal Erickson, All Movie Guide

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1979  
R  
In 1979, Jonathan Demme was still a cutting-edge director and The Last Embrace was his first effort at a completely commercial assignment. Very much in the Hitchcock vein, The Last Embrace is an intense suspense film concerning Harry Hannan (Roy Scheider), a government agent recovering from a catatonic collapse after the murder of his wife. After Harry's recovery, he is back on the job, but he can't figure out whether he is suffering from self-induced paranoia or if his former employers want to kill him. These conflicting feelings are exacerbated when he forms a connection with a nervous graduate student, Ellie Fabian (Janet Margolin), whom he discovers is living in his apartment. ~ Paul Brenner, All Movie Guide

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Starring:
Roy ScheiderJanet Margolin, (more)
1976  
R  
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A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide

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Starring:
Faye DunawayWilliam Holden, (more)
1974  
 
In a strange blending of reality and fantasy, this is the story of F. Scott Fitzgerald's use of the creative process to try to work out and ameliorize his own marital difficulties, writing the fictional "The Last of the Belles" while trying to work out his own relationship with Zelda during WWI. ~ Tana Hobart, All Movie Guide

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