William Devane Movies

The misfit kiddie baseball team from the first film is given the opportunity to play in a Junior League match between double-header games at the Houston Astrodome. Two obstacles stand in their way: beloved teammate Timmy Lupus (Quinn Smith) has broken his leg, and the team has no adult coach. Attempting to change their luck, star player Kelly Leak (Jackie Earle Haley) tries to talk his estranged dad (William Devane) into coaching and locates a self-proclaimed hotshot pitcher named Carmen Ronzonni (Jimmy Baio). Watch for quickie cameos by real-life Houston Astros members Robert J. Watson, Enos Cabell, Roger Metzger, James Richard, Joe Ferguson, Ken Forsch, William Virdon, and Cesar Cedeno. ~ Hal Erickson, All Movie Guide

Comedian Freddie Prinze appeared in his only TV movie (in fact, his only movie of any kind) when he starred in The Million Dollar Rip-Off. Prinze plays an ex-convict who happens to be an electronics genius. He woos four toothsome young ladies and convinces them to participate in robbing the payroll of the Chicago Transit Authority. The girls have a little conference among themselves, decide they're all being taken by Freddie, and vow to bollix up the job. Million Dollar Rip-Off was written by character actors William Devane and John Pleshette, both of whom may have harbored hopes of starring in the project themselves. ~ Hal Erickson, All Movie Guide

William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, All Movie Guide

A young NYPD detective learns (the hard way) about the politics that govern a big-city police department. He kills a lady-detective/colleague whose undercover garb concealed her profession and he gets caught up in a department cover-up. ~ All Movie Guide

In the conclusion of a two-part story, Ironside (Raymond Burr) has degenerated from a respected law enforcement officer to a seedy skid-row bum, apparently because 10-year-old murder witness Jerry Abbott (Lee H. Montgomery) was killed while in the Chief's protective custody. What even Ironside's loyal assistants are unaware of is that little Jerry is still alive, and that the Chief is only posing as a derelict to flush out the murderer. The situation reaches the crisis stage when two attempts are made on Ironside's alive--and the Chief can't summon the aid of his associates without blowing his cover. This episode features two original songs by David and Marty Paich: "Street Song", peformed by Carol Carmichael; and "Way Up Here", sung by Marty Paich. ~ Hal Erickson, All Movie Guide

Donna Mills was still in her "imperiled heroine" career stage when she starred in the made-for-TV The Bait. Mills is a policewoman who goes incognito to solves a baffling series of rape-murders. Almost as deadly as the rapist is the sexism Mills must suffer from her superior officer (Michael Constantine)--which at times is played for laughs. Based on a novel by former policewoman Dorothy Uhnak, who must have been appalled at the liberties taken with her work by this film, The Bait was the pilot for an unlaunched weekly TV series. Sidenote (courtesy of TV-movie historian Lee Goldberg): Noam Pitlik, a guest star in The Bait, would later direct several episodes of the police sitcom Barney Miller. ~ Hal Erickson, All Movie Guide

The well-known short-story writer Ring Lardner, Jr. wrote the screenplay for La Mortadella, an Italian/French production with mostly English dialogue. The story concerns the difficulties and reactions of Madelena (Sophia Loren), an Italian visitor to New York City. She has come to the country carrying a huge mortadella sausage which she intends as a gift for her fiancé. U.S. Customs has other ideas, however, and she is detained until she hits upon the idea of sharing the offending foodstuff with the customs officers. Finally allowed entry into the U.S., she grows disenchanted with her fiancé and other men she meets and is only with difficulty able to make her escape to a more agreeable location. ~ Clarke Fountain, All Movie Guide

Adjustment to civilian life after participating in the Vietnam War does not prove easy for an old rancher's son. The boy (Michael Moriarty) returns to his father's ranch in the Pacific Northwest and brings along two of his war-time buddies to help out. One of them is a little slow on the uptake (William Devane), the other is a former sergeant who is a little too tightly sprung (Mitchell Ryan). After some initial conflicts, they seem to get along until the sergeant goes into flashback mode, believing he is back in Vietnam. ~ Clarke Fountain, All Movie Guide

Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe & Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's business partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company that wants to buy McCabe out. Filmed on location in Canada, McCabe & Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, René Auberjonois, John Schuck, and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe & Mrs. Miller joined such other Altman efforts as M*A*S*H, The Long Goodbye, and Thieves Like Us in radically revising familiar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, All Movie Guide

The most horrifying part of this British spooker is seeing former clean-cut teen idol Frankie Avalon cast as Chris, a London hooligan who with his druggie friends decides to spend the night in a supposedly haunted house and hold a seance. The seance is a bust, so the buddies decide to do a little exploration and split up. Unfortunately, one of them gets brutally killed, leaving Chris and his surviving pals to wonder who did the deed. Was it one of them, or was it a monstrous demon? Not wanting to attract undue attention, the punks decide to hide the body, zip their lips, and split from the house. Unfortunately, the cops find out and begin questioning everyone, causing Chris and his friend to return to the house and look for clues. For poor Chris, it is a fatal mistake. Just for the record, though he plays a teen, Avalon was 30 years old when this film was made. In Britain the film was released as The Haunted House of Horror. ~ Sandra Brennan, All Movie Guide