Ernst Deutsch Movies

In this Cold War spy classic, Holly Martins (Joseph Cotten), a third-rate American pulp novelist, arrives in postwar Vienna, where he has been promised a job by his old friend Harry Lime (Orson Welles). Upon his arrival, Martins discovers that Lime has been killed in a traffic accident, and that his funeral is taking place immediately. At the graveside, Martins meets outwardly affable Major Calloway (Trevor Howard) and actress Anna Schmidt (Alida Valli), who is weeping copiously. When Calloway tells Martins that the late Harry Lime was a thief and murderer, the loyal Martins is at first outraged. Gradually, he discovers not only that Calloway was right but also that the man lying in the coffin in the film's early scenes was not Harry Lime at all--and that Lime is still very much alive (he was the mysterious "third man" at the scene of the fatal accident). Thus the stage is set for the movie's famous climactic confrontation in the sewers of Vienna--and the even more famous final shot, in which Martins pays emotionally for doing "the right thing." Written by Graham Greene, The Third Man is an essential classic, made even more so by the insistent zither music of Anton Karas. The film is currently available in both an American and British release version; the American print, with an introduction by Joseph Cotten, is slightly shorter than the British version, which is narrated by director Carol Reed. Nominated for several Academy Awards, The Third Man won Best Cinematography for Robert Krasker. ~ Hal Erickson, All Movie Guide

Inspired by Swiss artist Arnold Böcklin's famous painting, this seminal horror film marked the first of three collaborations between RKO producer Val Lewton and British genre star Boris Karloff. Set during the 1912 Balkan Wars, Isle of the Death featured Karloff as Greek general Pherides who, along with an American journalist (Marc Cramer), visits the gravesite of his late wife on a deserted island. They find the grave desecrated and a group of travelers held hostage by the superstitious beliefs of Kyra (Helene Thimig). One by one, the inhabitants of the island are felled by what Dr. Drossos (Ernest Dorian aka Ernst Deutsch) terms the plague, but what Kyra insists is the work of Thea (Ellen Drew), a young nurse she believes to be a "varvoloka," an ancient Greek vampire. Thea's patient, Mrs. St. Aubun (Katherine Emery), suffers from death-like trances and, sure enough, during one of her spells, she is pronounced dead by Swiss archeologist Albrecht (Jason Robards Sr. and is interred alive. ~ Hans J. Wollstein, All Movie Guide

An adequate wartime filler, Night Plane from Chungking features Robert Preston as the captain of the titular aircraft. En route from Chungking to India, the plane crashes, leaving captain and passengers stranded in a jungle surrounded by Japanese troops. It has been learned that one of the passengers is a Nazi spy; Preston hopes it isn't the lovely Ellen Drew. Night Plane from Chungking was a remake of the earlier, and more expensive, Paramount adventure Shanghai Express, substituting planes for trains. When movie villains shifted from Nazis to Communists in the 1950s, the story was filmed once more as Peking Express (53). ~ Hal Erickson, All Movie Guide

Better known as Reunion in France, this women's-magazine-style romantic melodrama was the first major production for director Jules Dassin -- who was promptly demoted back to the MGM "B" department when the picture tanked at the box office. Joan Crawford stars as Frenchwoman Michele de la Becque, who comes to believe that her fiancé, wealthy munitions manufacturer Robert Cortot (Philip Dorn) is a Nazi collaborator. When her suspicions are apparently corroborated, Michelle falls in love with Pat Talbot (John Wayne), a downed American aviator stranded in occupied Paris. Only then does Michelle discover that she's been all wrong about Cortot -- but what to do about Talbot, who has been marked for death by the Gestapo? Ava Gardner has a tiny role as a Parisian shopgirl. ~ Hal Erickson, All Movie Guide

The Nazis are clearly the villains in So Ends Our Night, but since the film was made before America's entry into World War II, Adolph Hitler goes unmentioned (we wouldn't want to lose those foreign markets, would we?) Based on Erich Maria Remarque's novel Flotsam, the film zeroes in on three German refugees. Frederic March despises the Nazis on ideological grounds; Margaret Sullavan, a Jew, is fleeing for her life; and Glenn Ford, born of a Jewish mother and Aryan father, is racked with confusion and torn loyalties. The three separate as they move from country to country in Europe, just a step or so ahead of the advancing Nazis. As Sullavan and Ford fall in love, March puts his life on the line by trying to arrange a reunion with his ailing wife Frances Dee, who has remained in Germany. Had So Ends Our Night been released a few months after the US entry into the war, it might have done better at the box office. ~ Hal Erickson, All Movie Guide

Many of the "preparedness" films of the years just prior to World War II sidestepped censorship by depicting past outrages of the Germans. Such a film was British producer Herbert Wilcox's Hollywood production Nurse Edith Cavell, in which Wilcox's future wife Anna Neagle portrayed the titular martyred Englishwoman. Ms. Neagle plays the legendary Ms. Cavell as a candidate for Canonization. Her selfless efforts to rescue refugee soldiers from World War I Belgium results in her being arrested on charges of espionage. Despite international pleas for clemency, the dastardly Deutschlanders sentence Edith to death. She faces the firing squad with a courageous serenity that makes Joan of Arc look like a hysterical schoolgirl. An earlier, silent version of Nurse Edith Cavell had caused turmoil in England due to its unadorned depiction of war's horrors. In 1939, however, audiences inundated by reports of Hitler's latest outrages were more receptive. Ironically, the film opened in the US a scant few days before war broke out in Europe. ~ Hal Erickson, All Movie Guide