Morris Ankrum Movies

Based on an idea by Will Rogers, the story concerns the efforts by the President of the United States to get the public's mind off the Depression. To this end, he appoints Broadway impresario Lawrence Cromwell (Warner Baxter) to the new cabinet position of "Secretary of Amusement." Wasting no time, Cromwell sets about to nationalize the entertainment industry, organizing singers, dancers, actors and other variety artists into batallion-like touring units. Cromwell is fought at every turn by a cartel of wealthy industrialists, who've been profiting from the Depression and have no desire to see America pull itself upward. Happily, every effort to bribe or cajole Cromwell into giving up his mission is thwarted and the Department of Amusement goes on to help the the country at a time when its citizens most needed it. Among the highlights are an energetic "revival-meeting" musical number by Aunt Jemima (Theresa Gardella), and 6-year-old Shirley Temple's rendition of "Baby Take a Bow." Originally released at 80 minutes, Stand Up and Cheer was edited to 69 minutes for reissue, then to 65 minutes (removing most of Stepin Fetchit's scenes) for television: it was this last version which was computer-colorized in 1987. ~ Hal Erickson, All Movie Guide

The seventh of the "Hopalong Cassidy" westerns, Hopalong Cassidy Returns stars, as always, William Boyd as the black-stetsoned hero. This one is a surprisingly sadistic item, in which a mysterious predator forces various ranchers off their land through rather direct means. In the opening scene, a wheelchair-bound victim is roped and dragged to his death! Hopalong Cassidy discovers that the instigator of these attacks is a woman, played by one-time silent star Evelyn Brent. She is killed in an appropriately gruesome manner by her disgruntled henchman--whereupon upstanding Mr. Cassidy shoots the killer twice at point blank range. ~ Hal Erickson, All Movie Guide

An above-average "Hopalong Cassidy" series entry, Borderland has Hoppy (William Boyd) going undercover as a bandit in a tough Mexican border town in order to trap a notorious bandit known only as The Fox. Not even sidekicks Johnny Nelson (James Ellison) and Windy (George "Gabby" Hayes) are in on the scheme, concocted jointly by Mexican Army Colonel Gonzales (Trevor Bardette) and Texas Ranger Major Stafford (Earle Hodgins). Lodging with widowed Grace Rand (Nora Lane) and her small daughter, Molly (Charlene Wyatt), both of whom he abuses in order to protect his cover, Hoppy learns that The Fox (Stephen Morris aka Morris Ankrum) is himself performing a bit of masquerade, in this case as a halfwit known as Loco. Windy, however, innocently spills the beans and is promptly kidnapped along with Molly. Chased by Hoppy, who is himself tailed by the villain's henchmen, Gonzales' troops, and a wounded Johnny Nelson, The Fox (alias Loco) escapes to his secret hideaway, a cabin stocked with dynamite. There, Hoppy catches up with him and in an exciting finale keeps the master villain at bay until help arrives. ~ Hans J. Wollstein, All Movie Guide

Superior locations, above-average direction, better than usual lighting and competent acting were the ingredients that made producer Harry Sherman's Hopalong Cassidy vehicles perhaps the finest series of B-Westerns of its time. The fifth in the series, North of the Rio Grande introduced former grip Russell Hayden in the continuing role as young Lucky Jenkins and remains one of the best of the early entries. When Hopalong's brother Buddy is murdered during a train holdup, and it is pronounced an accidental death by the town's kangaroo court, Cassidy (William Boyd) and sidekick Windy (George Hayes) hasten back to Cottonwood Gulch. The former arrives disguised as Wild Bill Dynamite McGrew, a "notorious" train robber, while Windy obtains a job tickling the ivories at the local saloon. Hayes' stint as an Irish-accented bar pianist leads to one of the film's many delights, as veteran silent screen villain Walter Long leads the assembly in a sing-along of Wearing of the Green. Hopalong, meanwhile, robs a train to get the attention of the mysterious Lone Wolf, the master criminal responsible for his brother Buddy's death. Lone Wolf is soon revealed to be leading citizen Henry Stoneham (Stephen Morris alias Morris Ankrum), who in desperation kidnaps Windy and the train. With Hopalong, Lucky, and the posse in hot pursuit, the chase ends with Windy making the unwanted acquaintance of a painful-looking cactus. Saloon Belle Bernadene Hayes, the film's otherwise rather superfluous leading lady, is awarded the closing line: "Funny, all my life, men like Cassidy have been saying goodbye to me." Lee J. Cobb (billed simply as "Lee Cobb") made his screen debut as a railroad president, and Bernadene Hayes' sister Lorraine played Hopalong's grieving sister-in-law. With one "Hayden" and two "Hayes" already in the cast, producer Sherman renamed the actress Lorraine Randall for the occasion. North of the Rio Grande was filmed on locations at Sonora, California, with interiors done at the Grand National studios in Hollywood. ~ Hans J. Wollstein, All Movie Guide

Previous filmed three times (most recently in 1930), the 1940 Paramount production Light of Western Stars was the latest in the studio's "Zane Grey" series. Victor Jory earns a rare top-billing slot as Gene Stewart, a hard-drinking Westerner who is reformed through the love of Boston debutante Majesty Hammond (Jo Ann Sayers). Along the way, he tries to help Majesty prevent the marriage of her headstrong brother Alfred (Russell Hayden) to the blowzy Flo Kingsley (Ruth Rogers). Noah Beery Jr. offers an unusual characterization as Stewart's Mexican (!) sidekick, while veteran Western hero Tom Tyler essays a meaty character role as a small-town sheriff. Also on hand in a teeny-tiny role is Alan Ladd, on the verge of bigger and better things. ~ Hal Erickson, All Movie Guide

The Showdown was the second 1940 entry in Paramount's "Hopalong Cassidy" western series. William Boyd (who else?) stars as Hoppy, while his sidekicks on this trip are Russell Hayden as Lucky Jenkins and Britt Wood as Speedy. When his rancher friend dies of a heart attack after being swindled by a gang of crooks, Hoppy vows to see that justice is done for the sake of the dead man's niece (Jane Clayton, aka Jan Clayton, who at the time was Mrs. Russell Hayden). There's action aplenty in Showdown, ranging from a burning barn to a runaway train, but the film's highlight is a rigged poker game, wherein supposed tenderfoot Hoppy flummoxes the bad guys. Perennial "Cassidy" heavy Morris Ankrum seems to be having a wonderful time posing as a European count, though he reverts to his usual Ugly-American self in the final scenes. ~ Hal Erickson, All Movie Guide

To fully appreciate Buck Benny Rides Again, one must have some familiarity with Jack Benny's radio programs of the 1939-40 season. During this period, Jack's broadcast costars included bandleader Phil Harris, announcer Don Wilson, singer Dennis Day and comedians Eddie "Rochester" Anderson and Andy Devine. All five supporting players appear in this film, all playing "themselves" just as Benny does. Falling in love with aspiring singer Joan Cameron (Ellen Drew), Jack vows to go out of his way to impress her. When he learns that Joan is headed for a western dude ranch, he poses as "Buck" Benny, a rootin'-tootin'-shootin' 100% genuine cowboy. In truth, both Jack and his valet Rochester are terrified at the Wide Open Spaces, certain that they'll be scalped by Indians at the first opportunity, but through a series of silly coincidences Benny manages to convince Joan that he's an honest-to-goodness frontiersman. The plot thickens when a pair of modern-day desperadoes (Ward Bond and Morris Ankrum) plot to rob the dude ranch's safe, but our hero saves both the day and his girlfriend, with the unsolicited but very welcome assistance of his pet polar bear Carmichael (the same bruin who allegedly ate the gas man on Jack's radio show). Benny fans will get an extra kick out of seeing his legendary Maxwell in all its sputtering, backfiring glory, while old-time radio aficionados will enjoy hearing the voices of Mary Livingstone (Mrs. Benny) and Jack's "friendly enemy" Fred Allen. Frank Loesser's musical score includes such hit-parade favorites as "Say It (Over and Over Again)" and "My! My!", the latter sung by Rochester to his sweetie Josephine (Theresa Harris). ~ Hal Erickson, All Movie Guide

This Hopalong Cassidy western finds Hoppy (William Boyd), Lucky (Russell Hayden) and California (Andy Clyde) trying to save Minna Gombell's wagon-freighting line. Bad guys Morris Ankrum and Trevor Bardette (five points to anyone who can tell these mustachioed miscreants apart) plan to sabotage Ankrum's operation so they can take over the franchise. The climax is a rousing wagon chase, which came in handy as stock footage in later years. Ingenue Georgia Hawkins attracted warm praise from reviewers, but she disappeared from films shortly afterward. Co-written by Johnston McCulley of Zorro fame, Doomed Caravan was the 32nd "Hopalong Cassidy" entry. ~ Hal Erickson, All Movie Guide

Producer Harry Sherman once again brought the "Hopalong Cassidy" unit to picturesque Lone Pine, CA, and the result was yet another tidy little sagebrush oater about the search for a missing gold mine. California Carlson (Andy Clyde) learns that his only remaining relative, Ben Pendleton (Britt Wood), may have struck gold just prior to being murdered in his isolated cabin. But when California and his two friends, Hoppy (William Boyd) and Lucky (Russell Hayden), arrive to learn more about the claim, they find the place already occupied by Trudy (Eleanor Stewart), Ben's niece. The old prospector's murderer, gambler Ace Gibson (Morris Ankrum), befriends Trudy and persuades her that the newcomers are outlaws out to jump the claim. Of course, the smooth-talking heavy has no idea who he is up against and is soundly beaten in a final confrontation with Hoppy. ~ Hans J. Wollstein, All Movie Guide

Border Vigilantes was the 34th entry in the "Hopalong Cassidy" western series, with 32 more still on the way. William Boyd stars once more as black-clad champion of justice Hopalong Cassidy, while Andy Clyde and Russell Hayden tag along as California Carson and Lucky Jenkins. This time our heroes ride into a town bedevilled by outlaw raids, despite the existence of a local vigilante committee. Sensing that something's wrong with this set-up, Hoppy does a bit of digging and discovers that the outlaw chieftan is actually the head of the vigilantes (talk about conflict of interests!) The strong supporting cast includes Frances Gifford, Victor Jory, Morris Ankrum, and former cowboy stars Tom Tyler and Hal Taliaferro (aka Wally Wales). With Border Vigilantes, the series' assistant director Derwin Abrahams was promoted to the director's chair, with splendid results. ~ Hal Erickson, All Movie Guide

In one of his best early Westerns, Tim Holt avenges the accidental shooting of his father by robbing the Cedar Fork bank, who owes him 20,000 dollars. With his uncle Red Haggerty (Morris Ankrum) and old friend, Whopper (Lee White), in tow, Tim then plans to take on the bank in Remington. The Haggerty gang, however, arrives just in time to see the bank getting robbed by a gang controlled by saloon owner Joel Nebitt (Roy Barcroft) and Tim and Whopper instead join the sheriff's posse. The grateful citizenry elects Tim marshal and with the help of Red, the youngster manages to clean up the lawless town. ~ Hans J. Wollstein, All Movie Guide

One would never know it from the title, but This Woman is Mine is a virile seafaring yarn dealing with the northern fur trade. Based on a sprawling novel by Gilbert W. Gabriel, the film takes place during a trading expedition from New York to Oregon, bankrolled by John Jacob Astor (played by Sig Ruman!) Ship's captain Jonathan Thorn (Walter Brennan) is a stern taskmaster in the Captain Bligh tradition, who demands 110 percent from his passengers and crew members, among them bookkeper Robert Stevens (Franchot Tone), French-Canadian adventurer Ovide de Montigny (John Carroll) and pretty stowaway Julie Morgan (Carol Bruce). The anticipated romantic triangle develops, but this is forgotten when Thorn's vessel is besiged by hostile Indians on the banks of the Columbia River. A literally explosive conclusion more than compensates for the narrative silliness that precedes it. ~ Hal Erickson, All Movie Guide

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide