Bastian Trost Movies

In this German comedy-drama, adapted from a Dietrich Schwanitz novel, Hamburg sociology professor Hanno Hackmann (Heiner Lauterbach) pleases his social-climbing wife Gabrielle (Sibylle Canonica) when he reveals he intends to compete against corrupt Schacht (Rudolf Kowalski) for position of university president. But what about his affair with drama student Babsi (Sandra Speichert)? Babsi, portraying a rape victim in a college play, is dropped from the cast, has a breakdown, and lands in a psych ward. This chain of events prompts rumors she was sexually harassed and innocent Hackmann is the suspect. Naturally, Schacht latches onto the rumor in order to crush his opponent prior to the university president election. Shown at the 1998 Berlin Film Festival. ~ Bhob Stewart, All Movie Guide

German filmmaker Rudolf Thome writes, directs, and produces the comedy drama Red & Blue, the first film of a proposed trilogy. Following the death of her father, twentysomething Ilke (Serpil Turhan) takes the train from Turkey to Berlin with a suitcase full of money. She soon hires her father's friend, detective Samuel Eisenstein (Hanns Zischler), to help her locate her real mother. Meanwhile, Ilke's successful professional mother Barbara Baerenklau (Hannelore Elsner) is enjoying a break at her summer cottage with friend Samantha (Adriana Altaras) away from businessman husband Gregor (Karl Kranzkowski) and two kids (the director's children Joya and Nicolai Thome). After a series of near-misses, mother and daughter finally get together. Red & Blue was shown at the 2003 Karlovy Vary Film Festival. ~ Andrea LeVasseur, All Movie Guide

A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman's girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however (from a secret surveillance station in the gentleman's attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide