Tony Leung Chiu-Wai Movies

This is the third in a series of movies featuring creatures from Chinese ghost stories. It begins with a scene from the first movie of the series, which shows the hero in an epic conflict with something called the Tree Devil, which has been put to sleep for a hundred years. Now it is "later," and the story focuses on two traveling monks, a scholarly disciple and his aged master, who are traveling the countryside bearing an image of the Buddha to be given to a particular shrine. One night they stay at a haunted temple and become the focus of the amorous attentions of two sexy ghosts, who are in league with the Tree Devil. ~ Clarke Fountain, All Movie Guide

Master Hong Kong filmmaker Wong Kar-Wai directed this lyrical, dream-like martial arts epic. A famously troubled shoot, the film took two years and 40 million dollars to produce (a shocking sum for a national cinema populated with low-budget quickies) and features a virtual who's who of the Hong Kong film world. Conceived as a prequel to the popular martial arts novel The Eagle-Shooting Hero by Jin Yong, the movie is less a straightforward action thriller than a visually striking meditation on memory and love. It nominally centers on Ouyang Feng (Leslie Cheung), who ekes out a lonely existence as an itinerant hired sword. Getting on in years and tormented by memories of a lost love, he also works an agent for other mercenary assassins from his remote desert abode. Ouyang's old friend and fellow swordsman, Huang Yaoshi (Tony Leung Kar-Fai, who starred in the The Lover) drowns his lovelorn misery in a magical wine that makes him forget. Later, a mysterious young man named Murong Yang (Brigitte Lin) hires Ouyang to kill his sister's unfaithful suitor, Huang Yaoshi. The following day, that spurned sister, Murong Yin (Lin again), hires Ouyang to protect her dearly beloved. Meanwhile, Hong Qi (pop star Jacky Cheung) finds some redemption for a life of killing by accepting a poor girl's offer to avenge her brother's death -- a task that Ouyang brusquely shunned. In another subplot, a master swordsman (Tony Leung Chiu-Wai) is slowly going blind. He agrees to defend a village from horse thieves so that he can afford to go home and see his wife before his eyesight fails completely. This film is one of the most celebrated examples of 1990s Hong Kong cinema: it won multiple awards in its native Hong Kong, along with a Golden Osella for Best Cinematography at the 1994 Venice Film Festival.

In the years following Ashes of Time's initial theatrical release, the original negatives were lost and multiple versions of the film began to crop up all across the globe. As a result, director Wong Kar-wai longed to compile these various versions into a restored, remastered, and definitive final cut. With Ashes of Time Redux, the director restructures the film according to seasons, effectively clarifying the central narratives, and digitally colorizes the film to render cinematographer Christopher Doyle's masterful imagery all the more lavish and intoxicatingly gorgeous. ~ Jason Buchanan, All Movie Guide

Michelle Yeoh (aka Michelle Khan) began her comeback bid with this flamboyant Hong Kong action film from director Michael Mak and choreographer Ching Siu-tung. Based on a novel by Ku Long, previously filmed in 1976 as Killer Clans, the film stars Yeoh as Sister Ko, part of the Happy Forest clan led by the dying eunuch Tsao. Before he expires, Tsao orders Ko and her friends to kill the head of the Elite Villa clan, Master Suen (Elvis Tsui), and steal a precious scroll. Yip Cheung (Donnie Yen) leads the first assault and fails, so Ko gets the skilled killer Sing (Tony Leung), whom she has a crush on, to help. Sing is engaged to Butterfly (Joey Wang), who has no idea that he is actually a trained assassin. When Sing infiltrates Master Suen's clan, he meets his childhood friend, Ho Ching (Yeh Chuan-chen), who is also working undercover for Sister Ko. Ho Ching's murder sets the stage for an angry encounter between Sing and Sister Ko, the final assault on the Elite Villa clan, and the revelation of a secret betrayal. Pop singer Jimmy Lin appears as Prince Cha; some of the fight scenes were later re-used in Chu Yen-ping's erotic Category III melodrama Slave of the Sword, which was filmed on the same sets later in the year. ~ Robert Firsching, All Movie Guide

A Hong Kong fast food restaurant acts as the link between two unusual stories of police officers in love in this eccentric, stylish comedy-drama. Director Wong Kar-Wai plays freely with traditional narrative structure, dividing his film into two loosely connected segments. The first centers on a depressed cop struggling to come to terms with a recent break-up. His sad isolation is transformed when he encounters a beautiful, mysterious femme fatale, whose involvement with the criminal underworld proves troublesome for both. The second story explores the odd relationship between a female restaurant worker and another recently jilted police officer. The strange woman decides to regularly clean and redecorate the man's apartment in his absence, allowing the two to form a close intimacy without meeting face to face. Both stories present a beautifully atmospheric look at modern urban life and romance, with its combination of isolation and casual, unexpected meetings. Chungking Express came to the attention of American audiences thanks to the efforts of director Quentin Tarantino, whose own brand of fractured storytelling and urban cool owes a debt to Wong Kar-Wai. ~ Judd Blaise, All Movie Guide

A man trying to run away from a personal tragedy finds out the hard way how much one of his best friends has changed in this action drama. In 2003, Lau Ching-hei (Tony Leung Chiu-wai) and Bong (Takeshi Kaneshiro) are a pair of police detectives who are both partners and close pals. While Bong respects Lau's abilities as a detective, he's wary of his friend's uncertain temper, and he has enough problems of his own to deal with after the suicide of his long-time girlfriend. Three years later, Bong has left the force to become a private investigator and has developed a serious drinking problem, while Lau is one of the top detectives with the Hong Kong police and has married Susan (Xu Jinglei), a respected reporter. Susan and Lau approach Bong and ask him for help with a case -- Susan's father Chow (Yueh Hua) was murdered, and while the team investigating the crime has found two of the men responsible, a third culprit is still at large. Bong agrees to help, but what he and Susan don't know is that Lau is the missing man who helped kill Chow, and he's playing an elaborate game of cat and mouse with his fellow police officers as well as his best friend. Also featuring Shu Qi, Emme Wong and Chapman To, Seung Sing (aka Confession Of Pain) was directed by Andrew Lau and Alan Mak and written by Mak and Felix Chong, the same team responsible for the international hit Infernal Affairs. ~ Mark Deming, All Movie Guide

Hou Hsiao-hsien (Goodbye South, Goodbye) directed this Taiwanese-Japanese period drama set in the British section brothels of 19th-century Shanghai. Chu Tien-wen's screenplay was adapted from Han Ziyun's 1894 novel Haishang Huia Liezhuang (Biographies of Flowers of Shanghai), translated from the original dialect to Mandarin during the '30s by Shanghai writer Eileen Chang. Around 1884, during the closing years of Imperial China, Crimson (Japanese actress Michiko Hada) worries that she's about to be dropped by civil servant Wang (Tony Leung Chiu-wai), since he's spending so much time with Jasmin (Wei Hsiao-hui). Emotions escalate when word arrives that Wang will relocate to another post in the Canton province. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

International action star Jackie Chan shifts gears in Bolei Cheun, in which martial arts are put on the back burner and romantic comedy is in the forefront. Bu (Shu Qi), the daughter of a pair of Taiwanese restaurant owners, one day finds a bottle floating near the docks with a message inside. The note reads, "Do you know I'm waiting for you?" and is signed "Albert," with an address in Hong Kong attached. Bu, convinced this is her destiny, flies to Hong Kong to meet the mysterious Albert, only to find he's a gay cosmetologist (Tony Leung Chiu-wai) who intended for the note to be found by his ex-boyfriend. But Albert is understanding and lets Bu stay at his apartment. Albert lets Bu tag along for a photo shoot he's working and she meets multi-millionaire C.N. Chan (Jackie Chan) when she helps him ward off a gang of toughs hired by L. W. Lo (Emil Chow), who became Chan's enemy in their schooldays and is still out to make his life miserable. Chan is single and a bit lonely, and quickly finds himself attracted to Bu. Bu discovers she likes Chan as well, but things become sticky when her boyfriend flies in from Taiwan to find out what she's done -- and Lo sends an American martial arts champion out to kidnap Chan's new love. While Bolei Cheun does feature a few sequences displaying Jackie Chan's unique fighting style and acrobatic dexterity, the emphasis is on the story and characters rather than the action, with Chan in a rare romantic lead, Leung cast against type and Shu Qi dominating most of the film's first act. ~ Mark Deming, All Movie Guide

Hong Kong filmmaker Wong Kar-Wai directs the strange, intimate drama Cheun Gwong Tsa Sit (Happy Together). Australian cinematographer Christopher Doyle employed multiple film speeds and different color film stock during the shooting. Ho (Leslie Cheung) and Lai (Tony Leung) are lovers from Hong Kong who have run away to live in Buenas Aires, Argentina. However, Ho is immature and unwilling to settle down, which makes Lai depressed. When they break up, Lai works as a doorman in a tango bar in order to save money and go home. The restless Ho becomes a prostitute. After Ho is beaten and injured in an attack, Lai takes him to his apartment to recover. Ho tries to rekindle the romance, but Lai isn't interested. He leaves the tango bar and works in a kitchen, where he meets the young Chang (Chang Chen) from Taiwan. ~ Andrea LeVasseur, All Movie Guide

Intended as the pilot for a an E.R.-style medical drama set in Hong Kong, Healing Hearts features Tony Leung as Lawrence, a doctor whose personal life has been left in shambles after the tragic hit-and-run death of his wife. As Lawrence sets off to find the driver and bring him to justice, one of his colleagues finds himself distracted by a beautiful coma patient. Healing Hearts was directed by Gary Tang and features Leung Chiu-Wai, Michelle Reis, Kenny Bee, Stephen Fung, and Jackie Lui. ~ Tracie Cooper, All Movie Guide

Hero is two-time Academy Award nominee Zhang Yimou's directorial attempt at exploring the concept of a Chinese hero. During the peak of their Warring States period, China was divided into seven kingdoms all fighting for supremacy. Most determined to dominate China was the kingdom of Qin, whose king (Chen Daoming) was wholly obsessed with becoming the first emperor of China. Though he was an assassination target for many, none of his would-be killers inspired as much fear as the legendary assassins Broken Sword (Tony Leung), Flying Snow (Maggie Cheung), and Sky (Donnie Yen). In hopes of thwarting his death, the king has promised endless wealth and power to anyone who defeats his would-be murderers. No results come until ten years later, when a man called Nameless (Jet Li) brings the weapons of the three assassins to the Qin king's palace. Nameless claims to be an expert swordsman who had defeated Sky and destroyed the famed duo of Flying Snow and Broken Sword by using their love for one another against them. Once Nameless comes face to face with the king, however, it looks as if the situation is more complicated than he had thought. Also featured in Hero is actress Zhang Ziyi (The Road Home, Crouching Tiger, Hiden Dragon) as Broken Sword's devoted servant, Moon. ~ Tracie Cooper, All Movie Guide

As Infernal Affairs opens, Ming (Andy Lau of Full-time Killer) is being initiated into the criminal underworld by triad boss Sam (Eric Tsang of The Accidental Spy), who ends his speech to his young charges by wishing them success in the police department. Ming enters the police academy, where he excels, but sees his classmate, Yan (Tony Leung Chiu-Wai of In the Mood for Love), expelled for "breaking the rules." It turns out that Yan wasn't actually drummed out of the force, but recruited by Superintendent Wong (Anthony Wong of Hard-Boiled) as an undercover operative. Just as Ming is achieving success in the police department while secretly working for Sam, Ming is gaining Sam's trust as a triad member, while reporting to Wong. Ten years later, both men, still undercover, have grown confused about their true identities, while their bosses, Sam and Wong, wage a battle of wits against each other. Each boss learns that the other has a mole working for him, and unwittingly entrusts the mole himself to ferret out the culprit. Ming and Yan scramble to expose one another's identity in an effort to save their own skins. Infernal Affairs was co-directed by Andrew Lau (who worked as a cinematographer on several of Wong Kar-Wai's films) and Alan Mak. Renowned cinematographer Christopher Doyle served as "Visual Consultant." The film was shown at New Directors/New Films in 2003. ~ Josh Ralske, All Movie Guide

Billie (Irene Wan) is a beautiful model who falls for Tony (Tony Leung) in this engaging crime drama. The playboy son of a wealthy rice merchant, Tony has a penchant for nightclubs and drinking when his daily work with his father is complete. Jade Screen (Elaine Jin) is a starlet who comes home to find that her roommate, singer Jane (Tsai Chin), has been murdered. Sergeant Lau (Chop Yun Fat) is the methodical detective called in to unravel the twisted case. ~ Dan Pavlides, All Movie Guide