Sylvie Testud Movies

A French chef and former assassin wrestles with his failing memory while fighting to avenge the murder of his daughter's family in Hong Kong in director Johnny To's stylish, action-packed meditation on the true nature of revenge. Her Chinese husband and their two young children brutally gunned down during a gangland hit, a mortally wounded French woman clings to life in a Hong Kong hospital. Upon arriving at his daughter's bedside, the shooting victim's father, Costello (Johnny Hallyday), vows to put the triggermen in the ground despite the vehement objections of police investigating the case. Before Costello became a cook, he too was a killer, but these days his past is just a distant blur. However, when Costello happens across a trio of hitmen (Anthony Wong, Lam Ka-tung, and Lam Suet) with the resources to strike back at his daughter's attackers, his killer instinct returns, and he begs their arrogant boss, Fung (Simon Yam), to help him seek revenge. As the operation gets under way, Fung and his men discover that Costello was once much more than a humble cook, but that his rapidly fading memory now makes him a vulnerable target to anyone who knows the secret to his treacherous past. ~ Jason Buchanan, Rovi

A woman searching for a miracle seemingly finds one -- but what comes next? Christine (Sylvie Testud) has spent most of her life confined to a wheelchair, unable to use her arms and legs, and while she has a keen mind and the means to seek treatment, she looks for a solution to her condition in faith as well as medical science. Christine has made a pilgrimage to Lourdes, the village in Southwestern France where a celebrated miracle is said to have occurred, and she checks into an upscale clinic where a young nurse named Maria (Léa Seydoux) is assigned to look after her. Christine imagines that she and Maria are becoming fast friends, but the nurse prefers to spend her time with her co-workers rather than her patients, and she often flirts with Kuno (Bruno Todeschini), a handsome man who also works at the clinic. Christine finds herself having several conversations with Mme. Hartl (Gilette Barbier), who has a powerful belief in the healing powers of the waters of Lourdes, and after several days of treatment, Christine is amazed to find that she's regained the full use of her arms and legs. But once she's experienced the miracle she hoped for, Christine's interest is less in thanking the Lord and more in pursuing Kuno. Lourdes was written and directed by Jessica Hausner, and received its world premiere at the 2009 Venice International Film Festival. ~ Mark Deming, Rovi

Writer/director Olivier Dahan (Crimson Rivers II) helmed La Vie en Rose, the screen biopic of tragic French songstress Edith Piaf. Marion Cotillard portrays Piaf, the superstar once raised as a young girl by her grandmother in a Normandy bordello, then discovered on a French street corner -- as a complete unknown -- by cabaret proprietor Louis Leplée (Gérard Depardieu). The film segues breezily between various episodes from Piaf's life -- such as her lover, French boxer Marcel Cerdan's (Jean-Pierre Martins) championship bout in mid-'40s New York; her period in Hollywood during the '50s; Piaf's abandonment as a young girl by her contortionist father (and earlier by her mother, a street singer); her brushes with the law as an adult; and her 1951 car accident and subsequent morphine addiction that caused her to age well beyond her years and left her barely mobile; and, through it all, her ability (like Billie Holiday) to funnel personal tragedy and emotional struggles into her vocalizations -- dazzling audiences in the process. ~ Nathan Southern, Rovi

This way-offbeat comedy from Gallic director Jeanne Labrune concerns two young French women, best friends Léa and Jacinthe. While Jacinthe develops a fixation with the moths that begin to cluster in frightening quantities throughout her apartment, Léa finds herself drawn to a dim-witted fellow employed by a local supermarket, then impulsively decides to follow him home via train. When Léa mysteriously disappears during the days that follow, Jacinthe naturally grows concerned about her friend and decides to investigate. ~ Nathan Southern, Rovi

French filmmaker Pierre Jolivet directs the offbeat comedy Filles Uniques (Sole Sisters). Upper-class attorney Carole (Sandrine Kiberlain) meets working-class Tina (Sylvie Testud), who has been arrested twice for shoplifting expensive shoes. The two women start up an unlikely friendship after Tina proves herself particularly valuable to a certain case. Carole then takes her on board for another case involving corrupt casino player Mermot (Francois Berleand) and local cop (Roschdy Zem). Filmed on-location in Paris and Annecy, Sole Sisters was screened at the 2003 Cannes Film Festival. ~ Andrea LeVasseur, Rovi

French director Alain Corneau delves into the painfully irrational world of office politics, which are further complicated by a severe case of culture clash in his 2003 comedy, Stupeur et Tremblements (Fear and Trembling). Based on the similarly titled memoirs of author Amélie Nothomb and her employment experiences with a Japanese mega-corporation, Fear and Trembling begins with Amélie (Sylvie Testud) landing in Tokyo shortly after receiving her college education. The young Belgian chose to return to Japan -- where she spent the first five years of her life before her family relocated back to Europe -- for her first job in an entry-level position with the Yumimoto Corporation. Amélie diligently accomplishes her daily tasks with invention and ambition, but her work ethic proves threatening to her immediate supervisors who single her out as a deviant within the corporation's firmly entrenched power hierarchy. As she is led through a series of humiliations and demotions designed to destroy her individuality, Amélie is forced to submit to an endless stream of unreasonable demands issued by nearly every supervisor with seniority over her. Determined to complete her one-year contract with the company in spite of the vicious power struggles, Amélie wages a kind of culture war from her irreversible position as lowest rung on the power ladder. ~ Ryan Shriver, Rovi

French filmmaker Manuel Poirier directs the comedy drama Femmes... ou les Enfants d'Abord... (Women or Children First). Middle-aged Tom (Sergi Lopez) lives in Brittany with his wife, Sylvie (Marilyne Canto), and their children. He leads a very tedious existence that may be headed toward a mid-life crisis or divorce. One day, his ex-girlfriend Virginie (Sylvie Testud) arrives with the news that he had fathered a child with her eight years ago. Needing a break to get herself together financially, she unloads the little girl on Tom. ~ Andrea LeVasseur, Rovi

A father and his estranged son hit the road under less than ideal circumstances in Jacob Berger's 2002 film A Loving Father. Famed novelist Leo Shepherd (Gérard Depardieu) has just been notified, via his daughter Virginia (Sylvie Testud), that he is to be awarded the Nobel Prize for Literature. His son Paul (Guillaume Depardieu) also learns of his father's good fortune and attempts to call with his congratulations -- adulations that fall on deaf ears due to a falling out Paul had with his father several years previously. Leo, rather rashly, mounts a motorcycle to make the journey northward from his remote domicile in Switzerland to Sweden to collect the prize, against the advice of his family and close advisors. Paul, still wishing to connect with his father, attempts to catch up with him on the road -- doing so at the scene of an accident that Leo has barely managed to survive. Paul stows his dazed father into his car and sets out to find a hospital. Leo, ever the curmudgeon, strongly denies any need for the hospital and insists he be let on his way, forcing Paul to harness his father to the back seat of his car. Now provided with the opportunity to reach out to his father, Paul continues the voyage his father started and the two are forced to reconcile their differences along the way. A Loving Father was screened at the 2002 Locarno International Film Festival. ~ Ryan Shriver, Rovi

Two siblings with practically nothing in common are brought together by a real estate deal that threatens to leave them even more at odds than they were before in this semi-improvised comedy. Graham (Paul Rudd) and Rex (Romany Malco) are about as different as two brothers can get -- Graham is sloppy, lackadaisical, and in a state of puzzled wonderment about the world around him, while Rex (his real name is Alan, but he thinks Rex sounds better) is a tightly focused aspiring e-commerce tycoon. Graham and Rex also don't look much like brothers; Rex is adopted, which explains why he's black and Graham isn't. Graham and Rex don't see much of each other, but when a distant relative passes on and bequeaths them joint ownership of a home in the South of France, they fly out together to take a look at their new property. Graham and Rex discover that the estate is in dire need of repair and that the house's domestic staff -- butler Jean (Didier Flamand), cook Sabrine (Maria Verdi), caretaker Pierre (Philippe Mahon), and pretty maid Isabelle (Sylvie Testud) -- is still on hand and expecting to be kept on. Graham magnanimously promises the staff that they'll still have their jobs, but Rex discovers that the previous owner was deep in debt, and the only way to pay off the bills is to sell the place. So now they have to find a buyer who is willing to take the employees along with the home, none of which is helped by the fact that both Graham and Rex are vying for the attentions of Isabelle. The Chateau was shot using digital video equipment, then transferred to 35 mm film for its theatrical engagements. ~ Mark Deming, Rovi