Delphine Rich Movies

This gentle French comedy, set in Paris around 1960, follows the tribulations of an upper-crust Catholic family who finds itself suddenly living in a humble working-class apartment. After the Baron Guidon de Repeygnac loses his money from a stock swindle, he is force to move himself, his wife the baroness, their eight children, and the maid from their tiny Parisian apartment and into a humble, efficiency apartment in a government-subsidized low-income housing project. The baron tries to become a traveling salesman. The baroness, unable to adapt, begins to have regular nervous breakdowns while her children become street-wise urchins. Their new life is hard, but they quickly discover that there are benefits from it. ~ Sandra Brennan, Rovi

Is Nosfer Arbi a vampire? Or is he just a very emaciated, very strange and possibly quite lonely young man from an Arabic country with an obsession with death? On the other hand, why is the previously cheery Parisian teenager Nathalie Belfond throwing fits and speaking in Arabic? Her strange behavior began with the appearance of a caped and cadaverous man outside her window. Mr. & Mrs. Belfond have their hands full trying to sort this mess out, in this extremely unusual and award-winning comedy which puts a new wrinkle on the vampire mythos. ~ Clarke Fountain, Rovi

Danny Huston's Becoming Colette purports to be an account of the early formative years of French author Gabrielle Colette (Mathilda May) and her evolution from naive country bumpkin to a Parisian socialite in a George Sand suit. The film turns up the heat with Colette as a teen with a crush on her father. This desire is then transferred to the suave and cosmopolitan Villars (Klaus Maria Brandauer) -- a fatherly twenty-five years her senior. The two start their hanky-panky on her father's country estate, resulting in a whirlwind courtship and marriage. Their honeymoon night is a succession of passionate unbuttonings. Colette writes in detail about it the next day in her diary. Villars then takes Colette to the Moulin Rouge to meet his mistress, the bisexual Polaire (Virginia Madsen). Polaire and Colette hit it off and soon are taking it off in a lesbian embrace. Meanwhile, Villars has taken to publishing Colette's diaries and is making money hand over fist. But finally Colette catches on after realizing that while she is toiling away at home cranking out Claudine books, Villars is busy taking her earnings and spending the cash on a succession of frilly mistresses. Making her stand in pants, she decides to abandon Villars and go out on her own. ~ Paul Brenner, Rovi

An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, Rovi