Pamela Rabe Movies

In her feature film directorial debut, Samantha Lang offers a subtle and moving psychological portrait of a female friendship and the effects of an unexpected tragedy upon it. Dowdy, tired, middle-aged and sexually frustrated Hester Harper and free-spirited, young, beautiful dancer Katherine are an unlikely pair of friends, but somehow the relationship works. In the prologue the two are seen at a local community dance. Katherine is having too much fun dancing crazily by herself in front of everyone. Hester, who is lame, watches her silently. Tired, she decides it's time to leave and must wrest Katherine away from the crowd. Katherine ignores Hester's protestations and insists on driving the narrow, winding road home. Unfortunately, Katherine isn't paying attention, disaster strikes and the screen goes black. After the credits, the story shows how Katherine and Hester became friends and then roommates. Eventually the story jumps past the beginning incident to chronicle the aftermath of the accident which left a stranger dead. The women decide to dispose of the body in a deep, dry well near their cottage. They return home and discover that someone has stolen the small fortune they'd been saving. Could the thief be the man in the well? While wrestling with the logistics of whether they can or should get him out, cracks appear in their friendship that are only worsened when the two find themselves plagued by supernatural occurrences. ~ Sandra Brennan, All Movie Guide

In this Australian comedy, adapted by Louis Nowra from his own play and updated from a '70s to a '90s setting, a Sydney slacker gets the chance to stage an opera, but his cast is assembled from the ranks of the mentally ill. After a long stretch sponging off his law-student girlfriend Lucy (Rachel Griffiths), college dropout Lewis (Ben Mendelsohn) fakes his way into a job doing occupational therapy with a group of asylum inmates. Although his original assignment is to stage a variety show, manic-depressive patient Roy (Barry Otto) soon hijacks the project and convinces Lewis to helm an adaptation of his favorite opera, Mozart's Cosi Fan Tutti. Lewis' unlikely cast ranges from psycho firebug Doug (David Wenham) and scruffy loudmouth Sandra (Kerry Walker) to depressive, dirt-obsessed Ruth (Pamela Rabe) and self-effacing drug addict Julie (Toni Collette). Given the dearth of acting and singing experience among these players, Lewis opts to translate the piece from Italian to English and stage it as a play with only a few pieces of music. The show still proves to be more than its director bargained for -- despite the dubious assistance of his friend Nick (Aden Young), an actor/director who's currently staging his own over-the-top production of Diary of a Madman. Although Cosi reteams Muriel's Wedding co-stars Collette and Griffiths, their characters here never share a scene. The production also includes former Men at Work singer Colin Hay in a featured role, plus cameos from Greta Scacchi and Paul Mercurio (who appeared alongside Otto in Strictly Ballroom). ~ Brian J. Dillard, All Movie Guide

Sex, religion, and morality are the key ingredients in this Australian comedy set in the 1930s. Rev. Anthony Campion (Hugh Grant) is a liberal, forward-thinking Anglican priest who is sent on an unusual assignment. Norman Lindsay (Sam Neill) is a popular and highly controversial artist whose paintings often feature voluptuous nude women; his latest major exhibition is to feature a work called The Crucified Venus, which depicts a naked female impaled on a cross. Outraged, the Anglican Bishop of Sydney wants Campion to visit Lindsay and persuade him to remove the work from his show. Rev. Campion and his wife, Estella (Tara Fitzgerald), travel to Lindsay's Blue Mountain estate, where the artist is hard at work with a bevy of lovely nude models in tow, including Sheela (Elle MacPherson), Giddy (Portia de Rossi), and Pru (Kate Fischer). The Reverend is quietly appalled by the open sensuality of Lindsay's household, and Estella is mortified; they're even more upset when Lindsay calmly but firmly refuses to remove The Crucified Venus from his show. However, the longer the Campions stay with Lindsay in hopes of changing his mind, the more they find themselves drawn into the sensuous pleasures of his world. Sirens was based on an actual incident and Norman Lindsay was a real artist of the period (his life was depicted in the film Age of Consent, in which he was played by James Mason). But audiences were probably less interested in art and cultural history than in the opportunity to see supermodel Elle MacPherson appear undraped; she also gives a fine and charming comic performance, as do Hugh Grant and Tara Fitzgerald. ~ Mark Deming, All Movie Guide