Hugh O'Conor Movies

First-time Irish writer/director Sean Walsh spent ten years making Bl,.m (Bloom), an adaptation of James Joyce's infamously difficult 1922 epic Ulysses. Set in Dublin on the day of June 16, 1904, the film attempts to make a visual reconstruction of Joyce's stream-of-consciousness style. Following all the major themes of the original novel, it's bookended by the internal monologue given by the sexually driven Molly (Angeline Ball). Stephen Rea plays her husband, the introspective Jewish-Irishman Leopold Bloom. Hugh O'Conor plays the philosophical young writer Stephen Dedalus. Bloom premiered at the 2003 Taormina Film Festival. ~ Andrea LeVasseur, All Movie Guide

The most tempting of all sweets becomes the key weapon in a battle of sensual pleasure versus disciplined self-denial in this comedy. In 1959, a mysterious woman named Vianne (Juliette Binoche) moves with her young daughter into a small French village, where much of the community's activities are dominated by the local Catholic church. A few days after settling into town, Vianne opens up a confectionery shop across the street from the house of worship -- shortly after the beginning of Lent. While the townspeople are supposed to be abstaining from worldly pleasures, Vianne tempts them with unusual and delicious chocolate creations, using her expert touch to create just the right candy to break down each customer's resistance. With every passing day, more and more of Vianne's neighbors are succumbing to her sinfully delicious treats, but the Comte de Reynaud (Alfred Molina), the town's mayor, is not the least bit amused; he is eager to see Vianne run out of town before she leads the town into a deeper level of temptation. Vianne, however, is not to be swayed, and with the help of another new arrival in town, a handsome Irish Gypsy named Roux (Johnny Depp), she plans a "Grand Festival of Chocolate," to be held on Easter Sunday. Based on the novel by Joanne Harris, Chocolat features a distinguished supporting cast, including Judi Dench, Lena Olin, Carrie-Anne Moss, Peter Stormare, Hugh O'Conor, and Leslie Caron. ~ Mark Deming, All Movie Guide

Two business rivals, a domineering careerwoman (Mary Crosby) and her rival (Peter Scolari), make life hard for each other while scratching their way to the top. ~ John Bush, All Movie Guide

In 1996, Australian director Rolf de Heer made The Quiet Room about a mentally retarded boy locked in a room by his mother. He continues to explore challenges to the human spirit, teaming here with cerebral palsy victim Heather Rose whose small role in de Heer's Bad Boy Bubby (1993) led to her interest in filmmaking. The wheelchair-bound Rose, who cannot walk, feed or dress herself, communicates via her computerized electronic voice synthesizer. She overcame these obstacles to collaborate with writer Frederick Stahl on this drama, created the lead role of Julia for herself, and brought the project to de Heer. Julia's sympathetic lesbian sister Rix (Rena Owen) is not in a position to take care of her sibling's needs. Instead, Julia depends on an abusive, short-tempered caretaker Madelaine (Joey Kennedy), who calls Julia a "spastic," abandons her on the toilet, leaves the wheels locked on the wheelchair, and devises further torment by forcing Julia to watch her intimacies with a parade of boyfriends. This pattern heads in a different direction after Julia bumps her wheelchair into Eddie (John Brumpton), who becomes her companion. But Julia wants love and sex, not just companionship -- and Madelaine is jealous. The 30-day shoot sometimes worked around Rose's usual routines, as de Heer explained, "Lunch takes her two hours, and there's no way you can make it go faster...The nature of response is different, the nature of physical handling is different, the nature of set-up time is different...It's impossible to overstate the courage of the performance you see on the screen. Rose somehow found the means to respond on cue, to maintain the concentration, to move in the desired direction, all the myriad of acting fundamentals we take for granted as normal things in our normal lives." The result brought a standing ovation at the 1998 Cannes Film Festival, where it was shown in competition. ~ Bhob Stewart, All Movie Guide

Lost deep in the enemy territory of the western front during World War I, allied soldier Private Charles Shakespeare (Jamie Bell) and eight other British soldiers from the Y Company seek refuge in maze of an abadoned German trench. Winding through the twisting tunnels through piles of corpses and hungry rats, the exhausted soldiers decide to hold thier position and await a rescue team. As the soldiers begin to fall prey to an unseen force, one by one thier numbers dwindle and thier suspicions of one another grow. A young soldier who illegally entered the armed forces at the tender age of sixteen, Private Shakespeare must now summon the courage to face an evil greater than he could ever imagine. ~ Jason Buchanan, All Movie Guide

In this comedy from New Zealand, Jodie Rimmer plays a young prostitute, who hasn't been on the job long enough to have become embittered with the world. However, she sure doesn't love her job, and when she gets wind of a major drug deal her pimp is plotting, she hatches a scheme to swipe the loot, which will give her and her fellow floozies enough of a financial cushion to quit the business once and for all. Jodie Rimmer shines here in a charming comic performance. ~ Mark Deming, All Movie Guide

An alternative to the general run of "triumph over the odds" biopics, My Left Foot is the true story of Irish cerebral palsy victim Christy Brown. Paralyzed from birth, Brown (played by Hugh O'Conor as child and Daniel Day-Lewis as an adult) is written off as retarded and helpless. But Christy's indomitable mother (Brenda Fricker) never gives up on the boy. Using his left foot, the only part of his body not afflicted, Brown learns to write. He grows up to become a well-known author, painter, and fundraiser, and along the way falls in love with nurse Mary Carr (Ruth McCabe). There's no sugarcoating in My Left Foot: Brown, a heavy drinker, was by no means lovable. Day-Lewis and Fricker both won Academy Awards for their performances, and the film was nominated for Best Picture, Best Director, and Best Adapted Screenplay. Also notable are the late Ray McAnally in his next-to-last film role as Christy's father, and venerable Cyril Cusack as Lord Castlewelland. Director Jim Sheridan co-scripted with Shane Connaughton from Christy Brown's autobiography. ~ Hal Erickson, All Movie Guide

A humble Irish farmer decides that it is high time to move that big old stone in his field that has been there seemingly since the dawn of time. This gory horror film, an adaptation from one of noted British-author Clive Barker's short stories, follows what happens next. No sooner does he move the rock when out rushes an enormous, blood-thirsty pagan demon, Rawhead Rex, who immediately goes berserk and begins biting people left and right. Among the bitten is the son of an American professor of history and anthropology. His father immediately begins researching the angry old god and plotting his demise. ~ Sandra Brennan, All Movie Guide

Tony Herbert's comedic thriller Speed Dating concerns a men who has inherited millions who decides he can end his lonesomeness through speed dating, a process where you meet a bunch of members of the opposite sex but only for a couple of minutes at a time. However the man soon becomes involved in a murder mystery, and comes down with a case of amnesia. ~ Perry Seibert, All Movie Guide

This sprightly, nostalgic and ultimately sentimental Irish drama is suitable for family viewing. It centers on an 8-year-old boy who devises an imaginative way to cope with his grief and loneliness after his father dies. Set in Dublin around 1960, the tale centers on Harry Cronin, who decides, in the face of his elder brother's neglect and his father's death that he and his dog are aliens on a special mission from Mercury. Fueled by his love of old Flash Gordon films, he constructs an elaborate scenario in which he must report on all aspects of Earthling life. Along the way, he must somehow muster his alien powers to dispatch with the school bully, whom Harry likens to Emperor Ming. Things don't get much better though and Harry gets impatient for his fellow spacemen to come and rescue him. Then he meets a wealthy young boy, who shows how wonderful family life can be. Harry's mother is naturally worried by her son's increasing emotional withdrawal, but nothing she does seems to help. Fortunately for her, weird aging biker, Uncle Tony shows up. An undisputed outsider himself, it is he who is finally able to reach Harry and help him deal with life. ~ Sandra Brennan, All Movie Guide

Based on the true story of Graham Young, a young British psychopath of the 1970s, this is the offbeat feature film debut of writer-director Benjamin Ross. Hugh O'Conor plays Young, who narrates the story in a sullen voice-over. He is an isolated, studious young adolescent who is increasingly absorbed in his chemical research projects and estranged from his annoying family. After his greatest experiment blows up, he seeks revenge on his stepmother, who has falsely accused him of hiding pornographic magazines. The boy poisons her chocolates and then his sister's eye drops, partially blinding her. He next poisons his stepmother's stomach medicine. Graham lets her discover the notebook in which he has documented his work, but she can no longer speak, and she dies unable to communicate the truth. Young then starts to poison his father -- but lets himself be discovered and is sent to an insane asylum. There, he is befriended by a psychologist, Dr. Ziegler (Anthony Sher), an optimist who hopes for a recovery by exploring Young's dreams. ~ Michael Betzold, All Movie Guide

The ghosts of Jonathan Swift and friends pay a visit to two Dublin spiritualists in this Irish drama, adapted from Yeat's one-act play. In 1928, Miss McKenna, an aging spinster and the head of the Dublin Spiritual Society invites a visiting medium, Mrs. Henderson over to try to contact Jonathan Swift. He comes with his two women in tow. ~ Sandra Brennan, All Movie Guide