Ignazio Oliva Movies

Legendary French screen actress Isabelle Huppert headlines this sumptuous, passionate tale, adapted from a novel by belletrist Pascal Quignard (All the Mornings of the World). Huppert stars as Ann, a gifted and brilliant, middle-aged musician whose sense of security falls to pieces when she stumbles onto her husband, Thomas (Xavier Beauvois), kissing another woman. Without hesitation, she abandons him and takes a headlong rush into the arms of a new life. Guided by her musical intuition and the emotional support of a male friend, Georges (Jean-Hugues Anglade), Ann suddenly realizes how necessary it is for her to latch onto a new identity. She thus embarks on a transnational journey that ultimately takes her to the island of Ischia, Italy, and a palatial house called the Villa Amalia that will change her life. ~ Nathan Southern, All Movie Guide

Based on a true story, L'Ultima Lezione is a display of the rising unease following the yet unsolved disappearance of Federico Caffe (Roberto Herlitzka), an influential and celebrated professor of Economic Theory for the past 30 years. The 73-year-old mysteriously left his home on April 14, 1987, without his passport, glasses, watch, or provisions, never to be heard from again. Along with a group of his core students, the police searched far and wide, proposing a series of unlikely possibilities which ranged from suicide to kidnap by a terrorist network, and even an unpublicized decision to join a monastery. None of these theories led to any supporting evidence. Meanwhile, the fictional character of Andrea Collati (Ignazio Oliva), who left Caffe's doctoral program in order to take a job at a prestigious financial institution, has been ordered to fudge a report on a public stock proposal. Never having been put in a position such as this, she looks to flashbacks of Caffe for guidance. L'Ultima Lezione (The Final Lesson) is writer/director Fabio Rosi's debut feature. ~ Tracie Cooper, All Movie Guide

The third feature film of Giacomo Campiotti, previously the assistant director to Mario Monicelli, Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain. In the first episode, we are in South Africa at the turn of the century during the Boer war. Martha (Juliet Aubrey), a forty-year-old English woman, is on her way to visit her brother Thomas (Tam Williams), who is in the army, when the train is attacked by Boers. Peter (Ciaran Hinds), an English soldier, saves her life. This unexpected encounter leads to an impossible love, as Peter happens to be one of Thomas' footsoldiers. In the second story, Paris is under German occupation during the Second World War. Claire (Natacha Regnier), a young French musician, meets Gabriel (Ignazio Oliva), a Russian musician, during a concert performance. Their passionate love affair has limits because of the linguistic barriers, and what begins well ends in tragedy. In the last episode, we are in present-day Italy. Teenager Guiseppe is in a coma following an accident. His classmates take turns by his bedside, but when summer arrives, they all go away. Naty (Natalia Piatti), who is much younger than Guiseppe and somewhat of a tomboy, stays behind and visits him regularly, developing an attachment to the boy even though she knows that, when he recovers, he would not look at her. Il Tempo Dell'Amore tries to create a magical atmosphere in dealing with affairs of the heart, using dreams and nightmares to interpret moods. The first episode is the least successful in terms of building the relationship to its climax. The last episode is the best one, particularly because of excellent acting by Natalia Pitti, who is a natural. Campiotti co-wrote the script with his partner in his previous film, Like Two Crocodiles, the Russian playwright Alexander Adabachian, who has also worked as a screenwriter for Nikita Mikhalkov. Il Tempo Dell'Amore was in competition at the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, All Movie Guide

This beautiful if ponderous soufflé of a film from director Bernardo Bertolucci serves more as an Italian travelogue than a drama. Liv Tyler stars as Lucy Harmon, an American teenager arriving in the lush Tuscan countryside to visit family friends residing there. Lucy visited four years earlier and exchanged a kiss with a handsome boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and the teenager also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets a variety of eccentric visitors, including a dying gay playwright (Jeremy Irons), a sculptor (Donal McCann), an entertainment lawyer (D.W. Moffet), and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing parallel between actress Tyler's role and her real life. The daughter of a famed rock and roll star, she was brought up believing that her father was someone else, a fact that Bertolucci may have had in mind when writing the story. ~ Karl Williams, All Movie Guide