Frank Dent Movies

Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love. ~ Michael Hastings, All Movie Guide

Christina Applegate stars in this convoluted comedy that comes across as a teen fantasy combination of Home Alone and Working Girl. The premise is all in the title -- when the mother (Concetta Tomei) of a sniveling group of surly kids goes on a much-deserved summer vacation, she leaves her kids under the charge of an elderly distaff granny (Eda Reiss Merin). When granny ups and dies, the kids load her dead body in a trunk and deposit the package on the steps of the local funeral home. The kids are ecstatic thinking that with the big wad of cash Mom has left, they can have a summer of consumer madness. But when they find out that the money has been buried with the baby-sitter, the kids have to fend for themselves to make ends meet. Dream teen Sue Ellen (Christina Applegate) tries working at a fast food restaurant but she can't stand the grease. So, she puts together a false resume and, posing as a twenty-eight-year old, she applies for a job as a receptionist at a garment manufacturing company. The company vice president, Rose (Joanna Cassidy), is so impressed by her resume that she hires her on the spot as her executive assistant. Her deception looks to be working out great -- Sue Ellen manages to hold off the office lady killer Gus (John Getz), avoids exposure by the embittered receptionist, borrows money from the company's petty cash box for household incidentals, and continues her relationship with restaurant employee Bryan (Josh Charles). But suddenly, the clothing firm is set to go under, and Sue Ellen must use her teen fashion sense to save the company and her job . . . and she has to get the rest of the brood involved. ~ Paul Brenner, All Movie Guide

Jonathan Kellerman's Edgar Allan Poe Award-winning novel When the Bough Breaks was evocatively adapted for the TV screen in 1986. Ted Danson plays a clinical psychologist, brought in to tend to an emotionally withdrawn little girl (Rachel Ticotin). There's a possibility that the child may have witnessed an unsolved double murder. As Danson and the girl draw closer, he becomes enmeshed in a homicidal conspiracy sparked by a clique of wealthy, well-connected men. Ted Danson also coproduced When the Bough Breaks. ~ Hal Erickson, All Movie Guide

Jeff Bridges plays an LA sheriff who loses his job due to his inability to stay away from booze. While attending an AA meeting, Bridges is invited to attend a party, where he meets the beauteous Alexandra Paul. Also at the party is an old enemy of Bridges', druggie Randy Brooks. It doesn't take long for Bridges to figure out that Brooks is a pimp and Paul is one of his hookers. She begs Bridges to help her break away from Brooks. Not long afterward, Paul is killed, and Bridges crawls back into the bottle. Eventually sobering up, he vows to avenge Paul's death. Much blood is spilled before the killer is revealed (it isn't who you think); along the way, Bridges gets a new lease on life when he falls in love with ex-hooker Rosanna Arquette. An enormous flop, 8 Million Ways to Die is redeemed by Jeff Bridges' powerful performance. One hopes that the orignal Lawrence Block novel wasn't quite as confusing as the film. ~ Hal Erickson, All Movie Guide

Blood Feud was a two-part TV drama, originally presented as an "Operation Prime Time" special. Robert Blake is disturbingly convincing as labor leader Jimmy Hoffa, engaged in a decade-long war of words with attorney (and later attorney general) Robert F. Kennedy. Cotter Smith makes his TV debut as Kennedy, a role he'd repeat on future occasions. Thoroughly compelling when sticking to the facts, the drama falls apart whenever indulging in flight of fanciful speculation (Sample: two of Hoffa's lieutenants watch the live telecast of Lee Harvey Oswald's murder, then celebrate the fact that Oswald will never be able to reveal their complicity in the JFK assassination!) Blood Feud was syndicated to local TV stations beginning April 24, 1983. ~ Hal Erickson, All Movie Guide

World War III is an ambitious if unnecessarily protracted speculative TV movie. Set in a "future December," the film prophesies an American grain embargo levied on Russia. US President Rock Hudson is entreated by the Soviet higher-ups to drop the ban; meanwhile, a group of renegade Russian military officers begin sending expeditionary forces into Alaska. While the countdown to Doomsday begins, the film insists upon cutting back to several expendable romances in both the American and Soviet camps. Boris Sagal, the original director of World War III, was killed in a freak helicopter accident while on location. To make up for lost time, the production was moved to the soundstages of Zoetrope Studios and overseen by ultra-efficient TV director David Greene. Part Two finds novice American president Rock Hudson trying to effect an honorable peace with Soviet premiere Brian Keith. But insurgent military officers endeavoring to seize the Alaska Pipeline as a bargaining chip continue to escalate the hostilities. It develops that the fate of the world may rest in the hands of American colonel David Soul. Also appearing is Cathy Lee Crosby, endearingly miscast as an intelligence officer. A heart-stopping surprise twist brings World War III to a close. While the film has its moments of genuine suspense, one can't help but feel that World War III would have been better an hour or two shorter--or at least with a few of the subplot romances removed. Originally running four hours, World War III was telecast in two parts on January 31 and February 1, 1982.
~ Hal Erickson, All Movie Guide

As if in some way Billy Wilder sensed that Buddy Buddy would ultimately turn out to be his final feature film, Wilder lets loose scatter-shot stingers at a wide range of pop-culture targets -- from sex clinics, to 60 Minutes, to movie references, to disco, to Betamax video recorders. Based on Francis Veber and Edouard Molinaro's L'emmerdeur (known in the United States as A Pain in the A. . .), Buddy Buddy concerns the unlikely pairing of a gruff hitman and a suicidal klutz. Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola (Fil Formicola), set to testify against the mob. As Trabucco heads off to a hotel across the street from the courthouse where he plans to set his hit, he runs into the depressed Victor Clooney (Jack Lemmon), who laments the fact that his wife has left him for the head of a weird Californian sex clinic. Trabucco keeps walking and sets up his rifle in a hotel room. He is disturbed by Victor trying to hang himself in the adjoining hotel room and tries to prevent him from killing himself by restraining him, but Victor breaks loose and climbs onto the ledge of the hotel window. To get Victor to come back in, he agrees to drive him to the clinic to see his wife. The two go to the clinic where Victor's wife Celia (Paula Prentiss) informs Victor that she is in love in the head of the clinic, quack Dr. Zuckerbrot (Klaus Kinski). When Victor finds out that Celia is filing for divorce, he heads back to the hotel to kill himself, with Celia and Dr. Zuckerbrot in pursuit. Arriving at the hotel, they plan to inject Victor with a sedative but stick Trabucco with the needle instead. Trabucco reveals to Victor his assignment to kill Rudy, and Victor tries to help him with the killing. ~ Paul Brenner, All Movie Guide