Chiara Mastroianni Movies

Directed by Bruno Podalydès (who helmed the "Montmartre" segment of the omnibus Paris, I Love You), Bancs Publics chronicles three intersecting stories in the city of Versailles: an office worker who hangs a banner reading "Lonely Man" beneath his window, the feuding families and couples in a busy town square, and the employees and customers of a local shop. This sprawling and droll exploration of the estrangement of modern life boasts a star-studded supporting cast that features a veritable who's who of French cinema, including Olivier Gourmet, Emmanuelle Devos, Mathieu Amalric, Chiara Mastroianni, Hippolyte Girardot, Pierre Arditi, and the grande dame herself, Catherine Deneuve. ~ Sandra Bencic, Rovi

The devastating reverberations of a profound tragedy echo through generations of a long-suffering French family in this emotional family drama from director Arnaud Desplechin. When Abel and his wife, Junon, started a family, it seemed like the seeds of true happiness had been planted. But while their daughter, Elizabeth, was healthy from the day she was born, things quickly turned dark when her brother Joseph was diagnosed with a rare and deadly genetic condition. Joseph's only hope for survival was a bone marrow transplant, but Abel, Junon, and Elizabeth were all incompatible. In one last, desperate chance to save their son's life, Abel and Junon conceived a third child. But not even little Henri could save his ailing brother's life. Joseph died at the age of seven, and neither his siblings nor his parents have ever found the strength to recover. Years later, family relations have deteriorated beyond the point of repair; the tensions between family matriarch Elizabeth and her cynical brother Henri finally culminating in a violent confrontation in which Elizabeth banishes her alcoholic brother and refuses him further contact with his troubled adolescent nephew, Paul. ~ Jason Buchanan, Rovi

Though Love Songs (aka Les Chansons d'Amour) is not a film operetta per se, director Christophe Honoré and composer/lyricist/vocalist Alex Beaupain use that film to pay homage to the French movie musical as conceived by Jacques Demy in his classic Les Parapluies de Cherbourg (1967). The Honoré film concerns a series of hopelessly romantic Parisian characters who are unable to convey their feelings to one another in everyday situations, and who thus use musical numbers as outlets -- as vehicles of emotional expression. Beaupain composed the score; a number of the songs that are included appeared on one of his solo albums. The individual stories covered in the film tell age-worn tales as old as time: the loss of love, the discovery of new love, the impossibility of mutual love. The film stars Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme, Grégoire Leprince-Ringuet, Brigitte Roüan, Jean-Marie Winling, and Yannick Renier. ~ Nathan Southern, Rovi

By the Pricking of My Thumbs director Pascal Thomas returns to the written word of Agatha Christie for inspiration, and the result is a lively whodunit centering on a deadly family gathering and the exquisite sleuthing skills of hyper-perceptive crime-fighter Superintendent Bataille. For the past twenty-odd years, elderly dowager Camilla Tresillian (Danielle Darrieux) has maintained a quiet existence in her sprawling mansion, where her every need is attended to by professional caretaker Marie-Adeline (Alessandra Martines) and stern-eyed personal maid Barrette (Carmen Durand). The familiar silence of Camilla's world is suddenly interrupted, however, when a series of relatives including her spendthrift nephew Guillaume (Melvil Poupaud) and his second wife Caroline (Laura Smet) are summoned to her mansion for a long overdue family gathering. Much to the Guillaume's dismay, his first wife Aude (Chiara Mastroianni) is also on the guest list, as is worldly adventurer Thomas Rondeau (Clement Thomas), who has always carried a torch for the pretty divorcée. Likewise, notorious ladies man Fred Latimer (Xavier Thiam) turns up casting a longing gaze at Caroline, and as the rest of the guests begin to arrive it becomes increasingly apparent that they all anticipate a hearty inheritance from their increasingly frail host. When Judge Trevoz (Jacques Sereys), a special guest of Camilla's, becomes the first victim in a painstakingly planned double homicide, it begins to appear as if Guillaume's greed has finally gotten the best of him. As with most well executed crimes, however, the truth is a far cry from initial appearances and fortunately Superintendent Bataille just so happens to be vacationing in the region. Now, as the clue-sniffing sleuth and his policeman nephew interrupt Camilla's party in hopes of ferreting out a killer, it quickly becomes apparent that everyone in the mansion has a motive for murder. ~ Jason Buchanan, Rovi

A wealthy but dysfunctional family teeters on the brink of collapse in this emotional drama leavened with a strong dose of dark comedy. Federica (Valeria Bruni-Tedeschi) is the daughter of a wealthy Italian business magnate (Roberto Herlitzka) who relocated himself and his family to France in the 1970s, after a wave of kidnappings among the rich and prominent led him to fear for their safety. Years later, Federica and her siblings -- brother Aurelio (Lambert Wilson) and sister Bianca (Chiara Mastroianni) -- still feel lost and disconnected, and with their father on his death bed, they each confront their feelings in their own way. Emotionally distant Aurelio plans a long and expensive vacation, while Bianca is in a sour mood that refuses to lift. Federica, who is attempting to establish herself as a playwright, tries to focus on her work, but she finds herself romantically torn between her current beau, down to earth Pierre (Jean-Hugues Anglade) and her former lover Philippe (Denis Podalydes), who despite his infatuation with her can't tear himself away from his wife and child. Il Est Plus Facile Pour un Chameau... was the first feature film from Valeria Bruni-Tedeschi, who wrote and directed the film as well as playing Federica. ~ Mark Deming, Rovi

Carnage, an example of what the French call un film chorale, tells several intertwining stories. In the central tale, a young second-generation bullfighter, Victor (Julien Lescarret), is gored, and is rushed to the hospital in critical condition. A little girl, Winnie (Raphaëlle Molinier), sits next to a massive Great Dane and watches the fateful bullfight on television, and becomes obsessed with the bull. A university researcher, Jacques (Jacques Gamblin of Safe Conduct), cheats on his massively pregnant wife, Betty (Lio), who hides a critical fact about her pregnancy from him. Jacques' brother, Luc (Bernard Sens), an amateur taxidermist, lives with their mother, Rosie (Esther Gorintin), who loves him, but withholds a family secret. Winnie's teacher, Jeanne (Lucia Sanchez), struggles to understand her neurotic mother, Alicia (Ángela Molina), when she visits. When her car is dented by a shopping cart, Carlotta (Chiara Mastroianni), a struggling actress, meets Alexis (Clovis Cornillac), a suicidal philosopher/skater who offers to lead her to the culprits. Carnage, the debut feature from writer/director Delphine Gleize, won the Sutherland Trophy at the 2002 London Film Festival and Best Screenplay at the 2002 Stockholm Film Festival. It was also shown at the 2002 Cannes Film Festival and at Lincoln Center in New York as part of their 2003 Rendez-Vouz with French Cinema. ~ Josh Ralske, Rovi

A young man who was an outcast in his own family finds himself embraced by another, with troubling results, in this drama based on a novel by Italo Svevo. Zeno (Fabrizo Rongione) is the son of a wealthy family whose father (Toni Bertorelli) did not place much faith in the young man's abilities; during their final moments together, the father's parting gesture was a literal slap in the face, and as a condition of his father's last will and testament, Zeno will not receive his share of the family fortune until he's shown the ability to hold down a job for an entire year. Zeno finds employment at an art gallery owned by Giovanni Malfenti (Mimmo Calopresti), a longtime friend of the family, and Giovanni grows fond enough of Zeno that he brings him home to meet his four daughters. Shy Zeno soon becomes infatuated with Giovanni's oldest daughter Ada (Chiara Mastroianni), but when he fails to make the first move, Ada does it for him, and before long she's talked Zeno into her bed. But Ada quickly loses interest in Zeno, and the process begins to repeat itself as Alberta (Claudia Coli), the next-oldest of the Malfenti sisters, sets her sights on the young man, who is drawn into a strange web of jealousy and competition among the various members of the family. Le Parole Di Mio Padre was screened at the 2001 Cannes Film Festival as part of the Un Certain Regard series. ~ Mark Deming, Rovi

An ambitious project of Chile-born, Paris-based Raul Ruiz, this psychological drama brings to the screen the famous classic of Marcel Proust with fidelity to its interior monologues and streams of consciousness. Proust (Marcelo Mazzarella), on his deathbed in his small apartment on Rue Hamelin, is looking through old photos and remembering his life, as real characters intermingle with fictional ones from his novels. The period is 1914-18, when WWI is raging. Hidden in Paris, thanks to his asthma, Marcel Proust wanders into the night. He finds an aging courtesan in Café de la Paix, which is deserted by the curfew. Charlus, the seducer of young boys, is at the Palais des Felicites where he meets his lovers. Gilberte returns alone to Tansonville to evade the confiscation of her chateau by the Germans after the death of her husband at the front. Famous violinist Morel is hiding in a decrepit hotel. The demoralizing effects of war affect all the characters, hastening their decadence or transforming them into caricatures. In the whirlpool of the grotesque specter of war, Marcel finds refuge in his childhood memories to escape the atrocities around him. Death and decadence, the evanescence of human existence, and the relations between space and time are some of the main themes explored in this film, which reflects the works of Marcel Proust in every detail. Raul Ruiz has on his side a very good screenwriter, Gilles Taurand, and an impressive cast: Catherine Deneuve and John Malkovich, who have collaborated with Ruiz before, Emanuelle Béart, Vincent Pérez, Pascal Greggory, and the Italian man of theatre, Marcello Mazzarella. Shown in competition at the 1999 Cannes Film Festival. ~ Gönül Dönmez-Colin, Rovi

Letitia Masson wrote and directed this tale told in flashbacks as a detective tracks a young woman. After France Robert (Sandrine Kiberlain) steals cash and then leaves Marseilles nightclub owner Pierre (Jean-Francois Stevenin) at the altar, he still yearns for her, so he puts private investigator Luigi Primo (Sergio Castellitto) on her trail. Luigi, who married a French lawyer (Mireille Perier) but is now divorced, sends regular progress bulletins on tape. He begins the quest by talking to France's small-town parents and former boyfriend, traveling about in Paris, Grenoble, and Marseilles as he assembles the jigsaw of her past life. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Marcello Mastroianni plays several different roles in this off-beat, witty exploration of a man with multiple personalities from world-class filmmaker Raúl Ruiz. Mastroianni first appears as Parisian traveling salesman Mateo Strano who suddenly shows up at the home of Maria, the wife he abandoned twenty years before. She eventually remarried Andre. Mateo begins telling the skeptical Andre that he never really left Marie. Instead he was bewitched by fairies and has been living in the apartment across the street the entire time. He seems so serious, that he is able to lure Andre to the alleged apartment. There Mateo murders him with a hammer and then calmly returns to Maria who seems nonplused by the sudden turn. With pride she shows Mateo their adopted daughter. Mastroianni next appears as Sorbonne professor of negative anthropology Georges Vickers, a grown man who still lives with his cranky mother until he inexplicably leaves to become a vagrant. Living on the streets, he encounters Tania, a streetwalker with a passion for the philosophies of author Carlos Castaneda's Don Juan. The hooker and the tramp stay together until the day that Vickers returns and he leaves. It is soon afterward that he discovers that Tania is really the president of a major corporation. When he learns that she has been jailed for attempting to murder her creepy ex-husband, Vickers uses his clout to save her. The story then jumps to a newlywed couple happily struggling in a humble garret. Their lives change dramatically when a benefactor suddenly appears and provides them with a marvelous country house. They are also given a mute butler (Mastroianni) who answers their every beck and call. It doesn't take the couple long to figure out that the sinister valet (who actually owns the chateau) is quietly poisoning them. In terror they leave, but later he finds them and demands that they give him their baby daughter. He gives the child to Maria, Mateo's wife. Mastroianni's fourth persona, that of industrial magnate Luc Alamand then appears. He is in trouble when he learns that the wife, daughter, and sister he manufactured to impress potential clients are actually coming. The stress causes the sudden emergence of his other disparate personalities. Interestingly, though each live wildly different lives, they are clearly the same mild-mannered, self-effacing character. The comedy in the story works on wildly different levels with sight gags and puns running simultaneously with literary and cultural satire. Beneath it all runs a serious message about the destructiveness and confusion caused by trying to create a single European culture. ~ Sandra Brennan, Rovi

In this satiric comedy-drama from France, Paul (Mathieu Amalric) is an assistant professor of philosophy disenchanted with teaching and distracted enough that he can't (or won't) finish the dissertation that would allow him to become a full professor. Esther (Emmanuelle Devos) has been his girlfriend for nearly a decade; while he's no longer happy with the relationship, he has trouble working up the courage to break it off. He's smitten with Sylvia (Marianne Denicourt), the lover of his best friend Nathan (Emmanuel Salinger); Paul and Sylvia had a brief fling two years ago, and he can't get her out of his mind. However, once Paul gives Esther her walking papers, he starts chasing after Valerie (Jeanne Balibar), while also keeping his eye on Patricia (Chiara Mastroianni), the girlfriend of his cousin (and roommate) Bob (Thibault de Montalembert). It's hard to imagine Paul having much time to think about anything else amidst all this romantic tumult, but when Rabier (Michel Vuillermoz), a former friend, gets a top spot in Paul's department, it leads to an ongoing argument that both adds to and reflects the turmoil of his romantic life. Amalric's performance earned him a 1997 César Award as Most Promising Young Actor. ~ Mark Deming, Rovi

This European drama is adapted from Simone de Beauvioir's novel of the same name. It is set in post WW II France and tells the story of renowned theatrical actress, Regina, a temperamental diva who feels a great hole in her life until she goes on a provincial tour and meets an enigmatic stranger who is too busy looking inward to notice the world around him. Regina becomes obsessed with this man, and learns that he is an amnesiac. She follows him, and eventually they hesitantly begin an affair. Much of the story centers around their resulting conversations about love, life and death. ~ Sandra Brennan, Rovi