Rica Martens

Craig Richardson directed this drama that begins with computer graphics recalling Nazi Germany. Taxidermist Kate (Rica Martens) is quizzed by documentary filmmaker Bill (Bray Poor), who then heads to upstate NY for an interview with taxidermy experts Sam (George Bartenieff) and Iris (Jacqueline Bertrand). Poking about, Bill begins to suspect Sam and Iris of past Nazi associations. How else to explain the couple's puppet theater in which their stuffed creatures re-create the era of the Third Reich? ~ Bhob Stewart, All Movie Guide

Twelve-year-old Dawn Wiener (Heather Matarazzo) is perhaps the most put-upon adolescent in film history in Todd Solondz's bitterly hilarious black comedy Welcome to the Dollhouse. Dawn is bright but awkward, both physically and socially, and is appallingly unpopular among her peers, to whom she's better known as "Wienerdog." Possessing little charm or grace and perhaps the most misguided fashion sense of her generation, Dawn is not an easy girl to like and practically no one seems interested in making the effort. If life is tough for Dawn at school, it's hardly any better at home. While her folks dote on her gratingly cute younger sister Missy (Daria Kalinina) and look with pride to her bookish older brother Mark (Matthew Faber), Dawn is either ignored or treated as an annoyance. Dawn has developed a crush on Steve (Eric Mabius), the hunky guitarist Mark has drafted into his rock band (significantly, Mark is less interested in making cool noise or unloading teenage angst than in having another extracurricular activity to put on his college applications); Steve is polite but obviously not interested in her. However, Dawn has attracted the attention of a boy at school -- Brandon (Brendan Sexton), a mean-spirited junior thug whose idea of a good time is threatening Dawn with rape. A painfully accurate account of life in junior high (what Matt Groening called "the lowest pit of hell"), Welcome to the Dollhouse is also very funny, but writer and director Todd Solondz never lets the film's humor dilute the agony of its leading character; anyone who has ever been 12 years old will doubtless laugh at Dawn while uncomfortably recalling the horror of their own preteen years. ~ Mark Deming, All Movie Guide

Temistocles Lopez's Chain of Desire, based on Arthur Schnitzler's La Ronde, plays like an AIDS-era version of The Yellow Rolls Royce, in which a series of unrelated amorous lovers are connected by a "chain of desire." The film begins as Alma D'Angeli (Linda Fiorentino) flees from a lover and runs into a church, where she finds solace and a young Latino worker, Jesus (Elias Koteas). They make love. Then Jesus comes home to his wife Isa (Angel Aviles) and gets intimate with her. The next morning, Isa goes off to see Dr. Jerald Buckley (Patrick Bauchau), with whom she is having an affair. After seeing Isa, Jerald heads off to visit Linda (Grace Zabriskie), a sexy dominatrix. Linda returns home to her husband, Hubert (Malcolm MacDowell), a harried television commentator. After an unsatisfactory interview with women who claim to have had affairs with John F. Kennedy, he relieves his tensions by seeking the arms of Keith (Jamie Harrold), a teenage hustler. And the trail continues on as gay social worker Ken (Tim Guinee) offers Ken a place for the night, followed by Ken's lover David Bango (Dewey Martin) and hot dancer Diana (Holly Marie Combs), who wants David to deflower her. Coming on the scene after that is famed artist Mel (Seymour Cassel), who has a tryst with Diana, but he finds that he has to answer to his vindictive wife, Cleo (Assumpta Serna). At the end, all the characters arrive at a hip nightclub, where Alma, the singer at the club, has learned that the lover she had spurned at the beginning of the film has been diagnosed with AIDS. ~ Paul Brenner, All Movie Guide