Laure Marsac Movies

This tough-as-nails, crime-themed docudrama constitutes the second installment in a four hour, two-part biopic on the doings of infamous French thug Jacques Mesrine (1936-79), officially regarded for many years as "Public Enemy #1" in Gaul. Here, he is played to the hilt by Vincent Cassel, who underwent massive weight gain and weight loss to properly evoke Mesrine. Picking up where the same year's Mesrine: L'Instinct de Mort left off, this outing covers Mesrine's life from 1973-79. The tale opens in March of '73, with Mesrine in the custody of authorities; he's accused of knowing an equally brutal and frightening mobster, Michel Ardouin (Samuel LeBihan), but aggressively denies this; a thrilling escape and an ugly shoot-out jointly perpetrated by the men, however, reveal the extent of Mesrine's deception. Mesrine, it seems, hasn't merely evolved into a legend in his own time, but a legend of his own making, aggressively feeding his own self-myth by perpetrating one outrageous criminal act after another. His latest ploy, it seems, involves donning a series of elaborate disguises (such as that of a doctor visiting his dying father, or a police inspector making inquiries) that enable him to pull off casino heists and other elaborate felonies. Eventually, Mesrine grows listless and bored with his own braggadocio and turns to extremist political factions for "inspiration," such as the Red Brigades and the Baader-Meinhof Gang, before an ugly incident with Parisian authorities brings him tumbling down from his throne. ~ Nathan Southern, All Movie Guide

Two very violent men have conspired to steal a valuable solid gold image of an African deity from the museum in Mali where it is being kept. They had it smuggled out with a number of well-made but very cheap replicas. The plan was to give each of the replicas to the members of a new squash club as a diversion, and profit from the original (worth $1 million) themselves. There is a slip-up, however, and the real statue goes to one of the players. The deliveryman now has to track down all the statues, and in this antic caper comedy, that's easier said than done. ~ Clarke Fountain, All Movie Guide

In this film, director/screenwriter Jean Teule adapts his novel Rainbow pour Rimbaud. Arthur Rimbaud (1854-1891) was a leading light in the symbolist movement of French literature, which rejected the use of realism in the depiction of emotions and ideas. In this film, Robert (Robert MacLeod) is an eccentric, oversized young man who puzzles and infuriates his parents by locking himself into a closet for long periods of time; at the same time, he loudly recites poetry by Arthur Rimbaud. Kicked out of the house by his exasperated parents, he decides to make a pilgrimage of the exotic African sites Rimbaud haunted in his final years. He meets and then travels with Isabelle (Laure Marsac), who is attempting to escape from a rejected suitor's unwanted attentions. In addition to that problem, she has another, more curious problem. It seems she is turning into a hawthorn bush. ~ Clarke Fountain, All Movie Guide

The historical novel by Alexandre Dumas was adapted for the screen with this lavish French epic, winner of 5 Césars and a pair of awards at the Cannes Film Festival. Isabelle Adjani stars as Marguerite de Valois, better known as Margot, daughter of scheming Catholic power player Catherine de Medici (Virna Lisi). Margot is an heiress to the throne during the late 16th century reign of the neurotic, hypochondriac King Charles IX (Jean-Hugues Anglade), a time when Protestants and Catholics are vying for political control of France. Catherine decides to make an overture of good will by offering up Margot in marriage to prominent Protestant Huguenot Henri of Navarre (Daniel Auteuil), although she also schemes to bring about the notorious St. Bartholomew's Day massacre of 1572, when tens of thousands of Protestants are slaughtered. The marriage goes forward but Margot doesn't love Henri and takes a lover, the soldier La Mole (Vincent Perez), also a Protestant from a well-to-do family. Murders by poisoning follow, as court intrigues multiply and Catherine's villainous plotting to place her son Anjou (Pascal Greggory) on the throne threatens the lives of La Mole, Margot and Henri. The American release version was cut to 145 minutes. ~ Karl Williams, All Movie Guide

Is Nosfer Arbi a vampire? Or is he just a very emaciated, very strange and possibly quite lonely young man from an Arabic country with an obsession with death? On the other hand, why is the previously cheery Parisian teenager Nathalie Belfond throwing fits and speaking in Arabic? Her strange behavior began with the appearance of a caped and cadaverous man outside her window. Mr. & Mrs. Belfond have their hands full trying to sort this mess out, in this extremely unusual and award-winning comedy which puts a new wrinkle on the vampire mythos. ~ Clarke Fountain, All Movie Guide

Claire (Laure Marsac) is a 16-year-old young woman who discovers her father Pierre (Bernard Giraudeau) is not a healing physician but a killer with a bloody war record in the Lebanese conflict. She runs away from home and into the arms of Kamal (Michal Albertini). While Pierre stalks two terrorists, Claire and Kamal are violently confronted by Kamal's abandoned wife and family. The ravages of the conflict extend to those who are never participants in the battle but are among the casualties of war. ~ Dan Pavlides, All Movie Guide