Winston Dennis Movies

1991  
R  
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"The Irish are the blacks of Europe, Dubliners are the blacks of Ireland, and the North Siders are the blacks of Dublin ... so say it loud -- I'm black and I'm proud!" Or so Jimmy Rabbitte (Robert Arkins) tells his slightly puzzled friends as he tries to assemble a rhythm & blues show band in a working class community in Dublin in Alan Parker's film The Commitments. Jimmy is a would-be music business wheeler and dealer, and he's decided what Dublin needs is a top-shelf soul band. However, top-shelf soul musicians are hard to find in Dublin, so he has to make do with what he can find. However, after a long round of auditions, Jimmy makes two inspired discoveries: Deco (Andrew Strong), an abrasive and alcoholic streetcar conductor who nevertheless has a voice like the risen ghost of Otis Redding, and Joey "The Lips" Fagan (Johnny Murphy), a horn player who knows soul music backwards and forwards and claims to have played with everyone from Wilson Pickett to Elvis Presley. Before long, the band -- called the Commitments -- is packing them in at local clubs. But do they have what it takes to make the big time? Based on the novel by Roddy Doyle, who also co-wrote the screenplay, The Commitments is sparked by fine performances by its young cast and enthusiastic performances of a number of '60s soul classics; the cast, who play their own instruments, reassembled the band for a concert tour after the film became a hit. ~ Mark Deming, All Movie Guide

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Starring:
Robert ArkinsMichael Aherne, (more)
1990  
PG13  
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Eric Idle and Robbie Coltrane team up for this bad boy comic burlesque, directed by Jonathan Lynn. Idle and Coltrane play Brian Hope and Charlie McManus, a pair of two-bit hoods who want to go straight, repulsed by the increasing reliance on guns and violence in their line of work. In thrall to vicious gangster Case Casey (Robert Patterson), the duo determine that their next job will be their last. When a large amount of money is extracted from a gang of Hong Kong drug dealers and it falls into the laps of Brian and Charlie, the two take off with the loot, with the Chinese Triad and Casey in relentless pursuit. When their car runs out of gas in front of a convent, Brian and Charlie run inside and disguise themselves as two of the ugliest nuns imaginable. Inside the convent, Brian and Charlie pass themselves off as nuns from a different order, assigned to the convent before leaving the country on missionary work. As the two men enjoy their undercover work with a collection of nubile nuns and coeds, the bad guys close in on their trail. ~ Paul Brenner, All Movie Guide

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Starring:
Eric IdleRobbie Coltrane, (more)
1989  
PG  
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Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the "career" of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale....In short, all of Munchausen's fabulous lies are here presented as "truth," played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli's Venus and an extended unbilled cameo by Robin Williams -- that is, by the head of Robin Williams -- as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette. ~ Hal Erickson, All Movie Guide

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Starring:
John NevilleEric Idle, (more)
1985  
R  
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Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

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Starring:
Jonathan PryceMichael Palin, (more)
1981  
PG  
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A young boy joins a group of renegade dwarves on an unpredictable journey through time in this humorous fantasy. Monty Python animator Terry Gilliam mostly achieves a tricky balancing act in his second feature as sole director, creating a dark, irreverent comedy disguised as a family adventure. Particularly amusing are the boy's encounters with various historical figures, including an entertainment-starved Napoleon (Ian Holm), a powerful Agamemnon (Sean Connery), and a surprisingly stuffy Robin Hood, embodied by Gilliam's Python cohort John Cleese. Episodic by nature, the film is less successful when dealing with the larger narrative, which concerns the pursuit of the dwarves and their time-traveling map by the Supreme Being. However, the combination of Gilliam's visual exuberance and the witty script (by Gilliam and Michael Palin) ensures an entertaining, if erratic, journey. ~ Judd Blaise, All Movie Guide

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Starring:
John CleeseSean Connery, (more)

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