Nick Dennis Movies
Greek-born actor Nick Dennis may have been short of stature, but that didn't prevent him from cutting a prominent and memorable image onscreen (and on-stage) in a career that crossed 40 years and two coasts. Indeed, his diminutive physique was more than matched by an outsized talent, and an ability to steal almost any scene he was in, working among the stars of whatever the production happened to be. Dennis was born in Thessaly in 1904, and his American stage career dated from the mid-'30s. He made his debut on Broadway in September 1935 playing a telegraph boy in the Howard Lindsay/Damon Runyon comedy A Slight Case of Murder; and in April 1936, he played a thug in the original Broadway production of Richard Rodgers' and Lorenz Hart's On Your Toes, starring Ray Bolger. His other early stage credits included On Borrowed Time and The World We Make, of which only the latter was a conspicuous success at the time. He continued to find steady work through the Second World War and beyond, including roles in José Ferrer's Broadway production of Cyrano De Bergerac. It was around the time of the latter's run that he made his big-screen debut with a role in the New York-filmed drama A Double Life (1947). But it was the part of Pablo Gonzales in A Streetcar Named Desire, directed by Elia Kazan, that brought him to Hollywood, to appear in the Kazan-directed film version. Dennis' screen credits multiplied by the dozens over the next few years, in pictures such as Sirocco (1951) and Eight Iron Men (1952), as well as television work on anthology shows such as Fireside Theatre. Kazan used him in East of Eden (1955), and Robert Aldrich gave him the role of extrovert garage mechanic and car enthusiast Nick in Kiss Me Deadly, which also offered him a prominent exit scene and key role in the plot. It was in that picture, with Dennis running on all cylinders, so to speak, that one could see him at his flamboyant best, stealing at least two key scenes from star Ralph Meeker. Aldrich also used Dennis in The Big Knife, and he would show up in numerous films and television shows across the 1950s, sometimes in delightfully bizarre moments; in a gypsy wedding scene in Nicholas Ray's Hot Blood, his character is leading a trained bear on a leash. Dennis became something of a cinematic specialty act during this period with his outsized, flamboyant persona, and he was much-loved by audiences in all genres. Additionally, he appeared in dozens of television shows over the next six years, and it was television where he made his biggest long-term impression as an actor. In 1962, he became a regular, recurring character as hospital orderly Nick Kanavaras on Ben Casey, where he frequently provided lighter moments in the drama. Following the series' cancellation, he continued to work, mostly in television, into the mid-'70s, including several made-for-TV features and a string of appearances on the series Kojak, starring Telly Savalas. ~ Bruce Eder, All Movie Guide
This truncated screen version of John Steinbeck's best-seller was the first starring vehicle for explosive 1950s screen personality James Dean, who plays Cal Trask, the "bad" son of taciturn Salinas valley lettuce farmer Adam Trask (Raymond Massey). Although he means well, Cal can't stay out of trouble, nor is he able to match the esteem in which his father holds his "good" brother Aron (Richard Davalos). Only Aron's girlfriend Abra (Julie Harris) and kindly old sheriff Sam Burl Ives) can see the essential goodness in the troublesome Cal.
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, James Dean, (more)
Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Meeker, Albert Dekker, (more)
Robert Aldrich's screen adaptation of Clifford Odets' stage play reflects the quandary of the writer's later career; the golden boy of the Group Theater in the '30s, when his plays were the toast of Broadway, his talent seemed to wither after a number of years in the screenwriting trenches, and a revulsion for what he saw as hackwork combined with his capitulation to HUAC to blight his final decade. Jack Palance stars as Charlie Castle, a major film star who has refused to sign a long-term contract for big money with a studio run by the tyrannical Stanley Hoff (Rod Steiger). This has led to the return of his wife, Marion (Ida Lupino), who had left him due to his womanizing and a willingness to kowtow to Hoff in doing bad movies only for the money. After his agent, Nat Danziger (Everett Sloane), tries unsuccessfully to get him to reconsider, Hoff himself badgers Charlie, insisting on the absolute necessity of his signing. When the star continues to resist, Hoff threatens to blackmail him with an ugly incident from his past. ~ Michael Costello, All Movie Guide
- Starring:
- Jack Palance, Ida Lupino, (more)
- 1955
The title refers not to James Cagney's curtain line in White Heat but to Northern Alaska, where this film is set. Dale Robertson plays an Air Force jet pilot who resents the fact that he's been transferred from Hawaii to the frozen north. He changes his mind when he meets his ex-wife (Evelyn Keyes), now the proprietress of an Alaskan nightclub. Alas, Evelyn is planning to get married again -- and her intended is none other than her ex-husband's commanding officer (Frank Lovejoy)! Hostilities build to a fever pitch, but all petty differences are forgotten when the commander oversees a rescue mission to save the pilot and his crew from a floating glacier. The aerial photography is the most entertaining ingredient of Top of the World. ~ Hal Erickson, All Movie Guide
- Starring:
- Dale Robertson, Evelyn Keyes, (more)
- 1953
Filmed in 3D, Man in the Dark stars Edmond O'Brien as Steve Rawley, a man with a past. Thing of it is, Rawley knows nothing about that past: a former gangster, he underwent an operation that not only altered his appearance, but also wiped out all criminal tendencies--not to mention all memory of his past misdeeds. Rawley is kidnapped by his former mob cohorts, who demand that he cough up the $130,000 that he salted away during his gangster days. Audrey Totter co-stars as Peg Benedict, who loves Rawley for what he is, not what he was. Man in the Dark is a remake of the 1936 Ralph Bellamy vehicle The Man who Lived Twice. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmond O'Brien, Audrey Totter, (more)
- 1953
The Glory Brigade is a standard Korean War combat drama with a few interesting plot wrinkles. Victor Mature stars as Lt. Sam Prior, an American of Greek extraction. While trying to cross a bridge into Red territory, Prior loses most of his men, a fact he attributes to the seeming cowardice of the Greek UN troops. Eventually he realizes that his assumptions about the Greeks were mistaken, and further proof of their courage is offered during a later confrontation with the North Koreans. Alexander Scourby co-stars as Lt. Nikias, CO of the Greek detachment, while Lee Marvin enjoys one of his best early roles as Prior's corporal. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Alexander Scourby, (more)
- 1952
Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1952
George and Helen Pasashvily's colorful memoir Anything Can Happen was delightfully brought to the screen by the Paramount producing team of William Perlberg and George Seaton. Jose Ferrer heads the cast as Eastern European immigrant Giorgi Pasashvily, whose wide-eyed innocence and uncertain grasp of the English language causes him no end of trouble during his first months in America. Things take an upward turn when Giorgi falls in love with American girl Helen Watson (Kim Hunter). The film, like the book that preceded it, is told episodically, with moments of high comedy alternating with scenes of tender pathos. As miserly-but-golden-hearted Uncle Besso, Oscar Karlweis has a death scene that is one of the best and most moving of its kind. When originally released in 1952, Anything Can Happen was heralded with a coming-attractions trailer hosted by Edmund Gwenn, which was every bit as enjoyable as the film itself. ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Kim Hunter, (more)
- 1952
Bonar Colleano, who spent the war years playing brash Americans in British films, makes his final screen appearance in the Stanley Kramer production Eight Iron Men. Set during WW II, the film follows the exploits of a small Army squadron, billeted in a bombed-out house on the front lines. Tensions mount as the men attempt to save one of their number, who is trapped behind enemy lines and heavily surrounded. Essentially a single-set film (it was based on A Sound of Hunting, a stage play by Harry Brown), Eight Iron Men works better as a character study than a war flick. Colleano dominates the proceedings as a self-styled Lothario, while Arthur Franz, Lee Marvin, Richard Kiley, Nick Dennis, James Griffith, George Cooper and former child-star Dick Moore likewise register well. For no discernible reason, the screenplay manages to include several extra characters, including Mary Castle as "The Girl" in a dream sequence. ~ Hal Erickson, All Movie Guide
- Starring:
- Bonar Colleano, Arthur Franz, (more)
- 1951
For his initial effort from his own Norma Productions, Burt Lancaster picked a winner in Ten Tall Men. Lancaster stars as "Sergeant Mike," a two-fisted Foreign Legionnaire presiding over a lovable band of mercenaries, sneak thieves and cutthroats. While sitting in the stockade for the umpteenth time, Mike learns of a Riff plan to attack his fort. He and his men break jail and embark on their own attack of the Riffian encampment. Part of their strategy (much of which is improvised on the spot) is to kidnap Mahia (Jody Lawrence), the toothsome daughter of the Riffian sheik. Understandably, Mahia despises her captors until she realizes that the film's real villain is the covetous Caid Hussan (Gerald Mohr). This one's got everything, from a campy reenactment of a key scene in Beau Geste to the old reliable threat of a red-hot iron upon female flesh. Mari Blanchard, fully clothed for a change, shows up early in the film as a coquettish French mademoiselle who foments an all-out donnybrook among Mike and his fellow legionnaires. With the exceptions of Jody Lawrence and Gerald Mohr, no one in Ten Tall Men takes the proceedings too seriously; the film has some of the cheeky insouciance of Lancaster's subsequent swashbuckler The Crimson Pirate. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Jody Lawrance, (more)
In the classic play by Tennessee Williams, brought to the screen by Elia Kazan, faded Southern belle Blanche DuBois (Vivien Leigh) comes to visit her pregnant sister, Stella (Kim Hunter), in a seedy section of New Orleans. Stella's boorish husband, Stanley Kowalski (Marlon Brando), not only regards Blanche's aristocratic affectations as a royal pain but also thinks she's holding out on inheritance money that rightfully belongs to Stella. On the fringes of sanity, Blanche is trying to forget her checkered past and start life anew. Attracted to Stanley's friend Mitch (Karl Malden), she glosses over the less savory incidents in her past, but she soon discovers that she cannot outrun that past, and the stage is set for her final, brutal confrontation with her brother-in-law. Brando, Hunter, and Malden had all starred in the original Broadway version of Streetcar, although the original Blanche had been Jessica Tandy. Brando lost out to Humphrey Bogart for the 1951 Best Actor Oscar, but Leigh, Hunter, and Malden all won Oscars. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Marlon Brando, (more)
In Sirocco Humphrey Bogart is cast as Harry Smith, a casino operator in 1925 Damascus. For a tidy profit, Smith runs guns to the Arab insurrectionists attempting to overthrow the French Protectorate. Chastised by French Colonel Feroud (Lee J. Cobb) for his lack of morals and political convictions, Smith merely sneers in agreement. Before long, he has become romantically involved with Feroud's mistress Violetta (Marta Toren), who hopes to use Harry as means of escape to Cairo. Only after being betrayed by the Arabs and roughed up by the French authorities does our "hero" begin to behave ethically -- but by then, it's too late. A weak attempt by Bogart's Santana Productions to duplicate the success of Casablanca. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Märta Torén, (more)
Ronald Colman won an Academy Award for his portrayal of an off-the-beam actor in A Double Life. A beloved stage star, Anthony John (Colman), has problems with his private life due to his unpredictable outbursts of temper. This trait has already cost him his wife, Brita (Signe Hasso), and threatens to sabotage his career. Nonetheless, Anthony makes his peace with Brita, and the two actors star in a new Broadway staging of Othello. The play is a hit, running over 300 performances, but the pressures of portraying a man moved to murder by jealousy takes its toll on Anthony. In a fit of delirium, he strangles his casual mistress, Pat (Shelley Winters), but retains no memory of the awful crime. Press agent Bill Friend (Edmond O'Brien), unaware that Anthony is the killer, uses Pat's murder as publicity for Othello. Anthony becomes enraged at this cheap ploy, and attacks Friend. At this point, Anthony realizes that he has been living "a double life" and is in fact Pat's murderer. A Double Life was written for the screen by Ruth Gordon and Garson Kanin, who occasionally digress from the melodramatic plotline to include a few backstage inside jokes. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Whit Bissell, (more)
