Nick Dennis Movies
Greek-born actor Nick Dennis may have been short of stature, but that didn't prevent him from cutting a prominent and memorable image onscreen (and on-stage) in a career that crossed 40 years and two coasts. Indeed, his diminutive physique was more than matched by an outsized talent, and an ability to steal almost any scene he was in, working among the stars of whatever the production happened to be. Dennis was born in Thessaly in 1904, and his American stage career dated from the mid-'30s. He made his debut on Broadway in September 1935 playing a telegraph boy in the Howard Lindsay/Damon Runyon comedy A Slight Case of Murder; and in April 1936, he played a thug in the original Broadway production of Richard Rodgers' and Lorenz Hart's On Your Toes, starring Ray Bolger. His other early stage credits included On Borrowed Time and The World We Make, of which only the latter was a conspicuous success at the time. He continued to find steady work through the Second World War and beyond, including roles in José Ferrer's Broadway production of Cyrano De Bergerac. It was around the time of the latter's run that he made his big-screen debut with a role in the New York-filmed drama A Double Life (1947). But it was the part of Pablo Gonzales in A Streetcar Named Desire, directed by Elia Kazan, that brought him to Hollywood, to appear in the Kazan-directed film version. Dennis' screen credits multiplied by the dozens over the next few years, in pictures such as Sirocco (1951) and Eight Iron Men (1952), as well as television work on anthology shows such as Fireside Theatre. Kazan used him in East of Eden (1955), and Robert Aldrich gave him the role of extrovert garage mechanic and car enthusiast Nick in Kiss Me Deadly, which also offered him a prominent exit scene and key role in the plot. It was in that picture, with Dennis running on all cylinders, so to speak, that one could see him at his flamboyant best, stealing at least two key scenes from star Ralph Meeker. Aldrich also used Dennis in The Big Knife, and he would show up in numerous films and television shows across the 1950s, sometimes in delightfully bizarre moments; in a gypsy wedding scene in Nicholas Ray's Hot Blood, his character is leading a trained bear on a leash. Dennis became something of a cinematic specialty act during this period with his outsized, flamboyant persona, and he was much-loved by audiences in all genres. Additionally, he appeared in dozens of television shows over the next six years, and it was television where he made his biggest long-term impression as an actor. In 1962, he became a regular, recurring character as hospital orderly Nick Kanavaras on Ben Casey, where he frequently provided lighter moments in the drama. Following the series' cancellation, he continued to work, mostly in television, into the mid-'70s, including several made-for-TV features and a string of appearances on the series Kojak, starring Telly Savalas. ~ Bruce Eder, All Movie Guide
Ronald Colman won an Academy Award for his portrayal of an off-the-beam actor in A Double Life. A beloved stage star, Anthony John (Colman), has problems with his private life due to his unpredictable outbursts of temper. This trait has already cost him his wife, Brita (Signe Hasso), and threatens to sabotage his career. Nonetheless, Anthony makes his peace with Brita, and the two actors star in a new Broadway staging of Othello. The play is a hit, running over 300 performances, but the pressures of portraying a man moved to murder by jealousy takes its toll on Anthony. In a fit of delirium, he strangles his casual mistress, Pat (Shelley Winters), but retains no memory of the awful crime. Press agent Bill Friend (Edmond O'Brien), unaware that Anthony is the killer, uses Pat's murder as publicity for Othello. Anthony becomes enraged at this cheap ploy, and attacks Friend. At this point, Anthony realizes that he has been living "a double life" and is in fact Pat's murderer. A Double Life was written for the screen by Ruth Gordon and Garson Kanin, who occasionally digress from the melodramatic plotline to include a few backstage inside jokes. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Whit Bissell, (more)
- 1951
For his initial effort from his own Norma Productions, Burt Lancaster picked a winner in Ten Tall Men. Lancaster stars as "Sergeant Mike," a two-fisted Foreign Legionnaire presiding over a lovable band of mercenaries, sneak thieves and cutthroats. While sitting in the stockade for the umpteenth time, Mike learns of a Riff plan to attack his fort. He and his men break jail and embark on their own attack of the Riffian encampment. Part of their strategy (much of which is improvised on the spot) is to kidnap Mahia (Jody Lawrence), the toothsome daughter of the Riffian sheik. Understandably, Mahia despises her captors until she realizes that the film's real villain is the covetous Caid Hussan (Gerald Mohr). This one's got everything, from a campy reenactment of a key scene in Beau Geste to the old reliable threat of a red-hot iron upon female flesh. Mari Blanchard, fully clothed for a change, shows up early in the film as a coquettish French mademoiselle who foments an all-out donnybrook among Mike and his fellow legionnaires. With the exceptions of Jody Lawrence and Gerald Mohr, no one in Ten Tall Men takes the proceedings too seriously; the film has some of the cheeky insouciance of Lancaster's subsequent swashbuckler The Crimson Pirate. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Jody Lawrance, (more)
In the classic play by Tennessee Williams, brought to the screen by Elia Kazan, faded Southern belle Blanche DuBois (Vivien Leigh) comes to visit her pregnant sister, Stella (Kim Hunter), in a seedy section of New Orleans. Stella's boorish husband, Stanley Kowalski (Marlon Brando), not only regards Blanche's aristocratic affectations as a royal pain but also thinks she's holding out on inheritance money that rightfully belongs to Stella. On the fringes of sanity, Blanche is trying to forget her checkered past and start life anew. Attracted to Stanley's friend Mitch (Karl Malden), she glosses over the less savory incidents in her past, but she soon discovers that she cannot outrun that past, and the stage is set for her final, brutal confrontation with her brother-in-law. Brando, Hunter, and Malden had all starred in the original Broadway version of Streetcar, although the original Blanche had been Jessica Tandy. Brando lost out to Humphrey Bogart for the 1951 Best Actor Oscar, but Leigh, Hunter, and Malden all won Oscars. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Marlon Brando, (more)
In Sirocco Humphrey Bogart is cast as Harry Smith, a casino operator in 1925 Damascus. For a tidy profit, Smith runs guns to the Arab insurrectionists attempting to overthrow the French Protectorate. Chastised by French Colonel Feroud (Lee J. Cobb) for his lack of morals and political convictions, Smith merely sneers in agreement. Before long, he has become romantically involved with Feroud's mistress Violetta (Marta Toren), who hopes to use Harry as means of escape to Cairo. Only after being betrayed by the Arabs and roughed up by the French authorities does our "hero" begin to behave ethically -- but by then, it's too late. A weak attempt by Bogart's Santana Productions to duplicate the success of Casablanca. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Märta Torén, (more)
- 1952
Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1952
George and Helen Pasashvily's colorful memoir Anything Can Happen was delightfully brought to the screen by the Paramount producing team of William Perlberg and George Seaton. Jose Ferrer heads the cast as Eastern European immigrant Giorgi Pasashvily, whose wide-eyed innocence and uncertain grasp of the English language causes him no end of trouble during his first months in America. Things take an upward turn when Giorgi falls in love with American girl Helen Watson (Kim Hunter). The film, like the book that preceded it, is told episodically, with moments of high comedy alternating with scenes of tender pathos. As miserly-but-golden-hearted Uncle Besso, Oscar Karlweis has a death scene that is one of the best and most moving of its kind. When originally released in 1952, Anything Can Happen was heralded with a coming-attractions trailer hosted by Edmund Gwenn, which was every bit as enjoyable as the film itself. ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Kim Hunter, (more)
- 1952
Bonar Colleano, who spent the war years playing brash Americans in British films, makes his final screen appearance in the Stanley Kramer production Eight Iron Men. Set during WW II, the film follows the exploits of a small Army squadron, billeted in a bombed-out house on the front lines. Tensions mount as the men attempt to save one of their number, who is trapped behind enemy lines and heavily surrounded. Essentially a single-set film (it was based on A Sound of Hunting, a stage play by Harry Brown), Eight Iron Men works better as a character study than a war flick. Colleano dominates the proceedings as a self-styled Lothario, while Arthur Franz, Lee Marvin, Richard Kiley, Nick Dennis, James Griffith, George Cooper and former child-star Dick Moore likewise register well. For no discernible reason, the screenplay manages to include several extra characters, including Mary Castle as "The Girl" in a dream sequence. ~ Hal Erickson, All Movie Guide
- Starring:
- Bonar Colleano, Arthur Franz, (more)
- 1953
Filmed in 3D, Man in the Dark stars Edmond O'Brien as Steve Rawley, a man with a past. Thing of it is, Rawley knows nothing about that past: a former gangster, he underwent an operation that not only altered his appearance, but also wiped out all criminal tendencies--not to mention all memory of his past misdeeds. Rawley is kidnapped by his former mob cohorts, who demand that he cough up the $130,000 that he salted away during his gangster days. Audrey Totter co-stars as Peg Benedict, who loves Rawley for what he is, not what he was. Man in the Dark is a remake of the 1936 Ralph Bellamy vehicle The Man who Lived Twice. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmond O'Brien, Audrey Totter, (more)
- 1953
The Glory Brigade is a standard Korean War combat drama with a few interesting plot wrinkles. Victor Mature stars as Lt. Sam Prior, an American of Greek extraction. While trying to cross a bridge into Red territory, Prior loses most of his men, a fact he attributes to the seeming cowardice of the Greek UN troops. Eventually he realizes that his assumptions about the Greeks were mistaken, and further proof of their courage is offered during a later confrontation with the North Koreans. Alexander Scourby co-stars as Lt. Nikias, CO of the Greek detachment, while Lee Marvin enjoys one of his best early roles as Prior's corporal. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Alexander Scourby, (more)
This truncated screen version of John Steinbeck's best-seller was the first starring vehicle for explosive 1950s screen personality James Dean, who plays Cal Trask, the "bad" son of taciturn Salinas valley lettuce farmer Adam Trask (Raymond Massey). Although he means well, Cal can't stay out of trouble, nor is he able to match the esteem in which his father holds his "good" brother Aron (Richard Davalos). Only Aron's girlfriend Abra (Julie Harris) and kindly old sheriff Sam Burl Ives) can see the essential goodness in the troublesome Cal.
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, James Dean, (more)
Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Meeker, Albert Dekker, (more)
Robert Aldrich's screen adaptation of Clifford Odets' stage play reflects the quandary of the writer's later career; the golden boy of the Group Theater in the '30s, when his plays were the toast of Broadway, his talent seemed to wither after a number of years in the screenwriting trenches, and a revulsion for what he saw as hackwork combined with his capitulation to HUAC to blight his final decade. Jack Palance stars as Charlie Castle, a major film star who has refused to sign a long-term contract for big money with a studio run by the tyrannical Stanley Hoff (Rod Steiger). This has led to the return of his wife, Marion (Ida Lupino), who had left him due to his womanizing and a willingness to kowtow to Hoff in doing bad movies only for the money. After his agent, Nat Danziger (Everett Sloane), tries unsuccessfully to get him to reconsider, Hoff himself badgers Charlie, insisting on the absolute necessity of his signing. When the star continues to resist, Hoff threatens to blackmail him with an ugly incident from his past. ~ Michael Costello, All Movie Guide
- Starring:
- Jack Palance, Ida Lupino, (more)
- 1955
The title refers not to James Cagney's curtain line in White Heat but to Northern Alaska, where this film is set. Dale Robertson plays an Air Force jet pilot who resents the fact that he's been transferred from Hawaii to the frozen north. He changes his mind when he meets his ex-wife (Evelyn Keyes), now the proprietress of an Alaskan nightclub. Alas, Evelyn is planning to get married again -- and her intended is none other than her ex-husband's commanding officer (Frank Lovejoy)! Hostilities build to a fever pitch, but all petty differences are forgotten when the commander oversees a rescue mission to save the pilot and his crew from a floating glacier. The aerial photography is the most entertaining ingredient of Top of the World. ~ Hal Erickson, All Movie Guide
- Starring:
- Dale Robertson, Evelyn Keyes, (more)
- 1956
If Hot Blood is remembered at all today, it is for its ludicrous advertising blurb "Jane Russell shakes her tambourines and drives Cornel Wilde!" Set in the gypsy community of contemporary Los Angeles, the film stars Wilde as aspiring dancer Stephen Torino, who is tricked by his brother Marco Luther Adler into an arranged marriage with tempestuous Annie Caldash Jane Russell. Annie is willing to give the union a go, but Torino wants none of it. Several risque complications and lively musical numbers later, Torino changes his mind. Nicholas Ray imbues Hot Blood with the same erotic/neurotic energy he brought to such earlier cult favorites as Johnny Guitar and Rebel without a Cause, but the magic just isn't there this time. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Cornel Wilde, (more)
- 1957
In this Award-winning episode, Paladin (Richard Boone) is extended the hospitality of Samuel Abajinian (Harold J. Stone), a prosperous Armenian winemaker. But before Paladin can partake of any vintage wine, Abarjinian asks him to track down his "helpless" daughter Helen (Lisa Gaye), who has run off with a ranchhand whom the winemaker regards as weak and unworthy. As it turns out, Helen is fiercely self-reliant--and as usual, there is more to the story than it seems at first glance. ~ Hal Erickson, All Movie Guide
- 1957
Though Slaughter on Tenth Avenue's background music relies heavily on the Richard Rodgers composition of the same name, the film itself bears no relation to the ten-minute ballet for which Rodgers wrote the piece. Instead, this Albert Zugsmith-produced crime meller attempts to expose waterfront union racketeering. In trying to solves a murder on the docks, deputy DA Richard Egan runs up against the stevedores' code of silence. It also dawns on Egan that his own boss (Sam Levene) shows little interest in pursuing justice in this instance. The DA is finally able to mount a case, but at the crucial courtroom moment he may have to pull out due to lack of evidence--a lack engineered by crooked boss Walter Matthau, who has several local politicians in his pocket. A last-minute dockside battle enables Egan to bring the racketeers to justice. Slaughter on Tenth Avenue was based on New York district attorney William J. Keating's memoirs The Man Who Rocked the Boat. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Egan, Jan Sterling, (more)
- 1959
Set in the new state of Alaska, this 1959 "B" drama features both a romantic quadrangle, if not pentagon, and a failing trucking company. Al (Bill Williams) manages the company out of a small town where the trucks make regular runs to Fairbanks. On top of rock slides and bad weather, he now has to handle the visit of his off-site partner Mason (Leslie E. Bradley) and his wife Janet (Lyn Thomas). This is more complex than usual because the company is in the red, and Janet was Al's former girlfriend -- she left him for Mason and his money. Add in the attractive Tina (Nora Hayden) who has her own interest in Al, who is interested in Janet, who is not that interested in Mason anymore, and the story could be set anywhere. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Bill Williams, Nick Dennis, (more)
Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Laurence Olivier, (more)
- 1962
After his pioneering independent film Shadows (1960), actor/writer/director John Cassavetes made his major studio directorial debut with this gritty, low-key drama about jazz musicians. Bobby Darin plays John "Ghost" Walefield, a pianist who scuffles from gig to gig with his band, trying to keep body and soul together without betraying his muse. Ghost's agent Benny (Everett Chambers) introduces him to Jess (Stella Stevens), a would-be singer who looks beautiful, even though her voice is fair at best. Ghost falls hard for her and agrees to put her in the band, though it's hard to say if he believes in her musical talent or just wants her companionship. Ghost and his band score a record deal thanks to Jess' presence, but after a humiliating fight in a pool hall and Ghost's discovery that Jess occasionally turns tricks to pay the rent, he puts his integrity up for sale, fires his band, and starts spending his time with a rich woman who likes to hang out with musicians -- and is willing to pay for the privilege. A number of real-life jazz greats appear onscreen and on the soundtrack, including Slim Gaillard, Benny Carter, and Shelly Manne; the role of Ghost was originally written for Montgomery Clift, who was forced to back out at the last minute, leading to Bobby Darin's casting. ~ Mark Deming, All Movie Guide
- Starring:
- Bobby Darin, Stella Stevens, (more)
- 1962
Alfred Hitchcock's long-running TV suspense anthology moved from NBC to CBS for its eighth season on the air, and in the process expanded from 30 to 60 minutes, necessitating a change in title from Alfred Hitchcock Presents to The Alfred Hitchcock Hour. Gig Young guest stars in the first of these "hours" as Duke Marsden, businessman by day, high-rolling gambler by night. Although his wife, Alice (Martha Hyer), has threatened to leave him if he doesn't give up poker, Duke enters into a high-stakes game in order to save his younger brother, Chuck (Robert Redford), from catching the gambling bug himself. Unfortunately, Duke's main opponent in the big game is a former gangster who is a notoriously sore loser. ~ Hal Erickson, All Movie Guide
In this film based on a true story, Burt Lancaster plays Robert Stroud, a withdrawn prison inmate who cures a sick bird that flies into his cell and eventually becomes a world-renowned ornithologist -- all while serving a life sentence. An overbearing warden (Karl Malden) eventually transfers Stroud to the notoriously brutal prison on Alcatraz, but he is able to continue his research, abort a riot, start a romance, and eventually get his story out through a determined reporter (Edmond O'Brien). Directed with his usual solid craftsmanship by John Frankenheimer, Birdman Of Alcatraz tells a quietly moving tale for which Lancaster, Telly Savalas (as one of Stroud's fellow inmates), and Thelma Ritter (as Stroud's mother) all received Oscar nominations. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Lancaster, Karl Malden, (more)
In 4 for Texas, Frank Sinatra and Dean Martin star as Zack Thomas and Joe Jarrett, a pair of rival mountebanks who spend most of the film battling over who will control the gambling and wenching in 1870 Galveston. Though they'd as soon cut each other's throats than cooperate, Zack and Joe are forced to unite against a pair of common enemies: crooked banker Harvey Burden (played by Victor Buono, a favorite of director Robert Aldrich) and cold-blooded outlaw/hired-gun Matson (Charles Bronson, virtually the only person in the film who takes his role seriously). The heroes also battle over the affections of well-endowed heroines Elya Carlson (Anita Ekberg) and Maxine Richter (Ursula Andress), both of whom are sharp-witted businesswomen who match Zack and Joe scam for scam. The Three Stooges show up for a moment, in which they repeat their "point to the right" and "State of Texas" routines, and get into a fracas with feisty little old lady Jesslyn Fax. Also making guest appearances are Arthur Godfrey and Teddy Buckner and His All Stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Dean Martin, (more)
