Alfred Dennis Movies

Fresh from her first community service stint, Rory (Alexis Bledel) is "hired" by her grandmother Emily (Kelly Bishop) to work for the local DAR chapter. Logan (Matt Czuchry) returns from Europe, prompting Rory to reconsider her vow to drop out of Yale. Lane (Keiko Agena) likewise comes back to town, hot off her band's successful tour. Luke (Scott Patterson) is driven to near insanity while Lorelai's house is renovated. And Sookie (Melissa McCarthy) frets over the fact that Luke and Lorelai (Lauren Graham) have not yet set a wedding date (she wants to cater the occasion, of course). ~ Hal Erickson, Rovi

After a bad day at work, a man suddenly gets a new job -- as the world's new Heavenly Father -- in this comedy. Bruce Nolan (Jim Carrey) is a television reporter working in Buffalo, NY, who has been growing increasingly dissatisfied with his existence, and after an especially bad day, he flies into a rage and curses God for making his life miserable. To Bruce's great surprise, the Supreme Being Himself (Morgan Freeman) appears, and tries to convince Bruce of the enormity of his task. Bruce, however, isn't buying it, so God gives him a chance to find out what he's up against; God bestows all of his powers on Bruce for a week, to see how he'd handle things. At first, Bruce has a great time bending the world around him to his will, much to the puzzlement of his girlfriend, Grace (Jennifer Aniston), but after six days God stops by to remind Bruce he hasn't done much to make the Earth a better place. Disappointed, God presents Bruce with an ultimatum -- he has one day to improve the world in a concrete way, or God will toss the planet back into the void. Bruce Almighty was directed by Tom Shadyac, who previously teamed with Jim Carrey for Liar, Liar and Ace Ventura: Pet Detective. ~ Mark Deming, Rovi

A gifted forger and confidence man attempts to stay one step ahead of the lawman determined to bring him to justice in this comedy-drama from Steven Spielberg, based on a true story. Frank W. Abagnale Jr. (Leonardo DiCaprio) is a 16-year-old high school student who finds himself emotionally cut adrift when his mother, Paula (Nathalie Baye), leaves his father, Frank Abagnale Sr. (Christopher Walken), after Frank Sr. falls into arrears with the Internal Revenue Service. One day at school, Frank Jr. attempts to pass himself off as a substitute teacher, and easily makes the subterfuge work. His small-scale success gives Frank some ideas, and he soon discovers bigger and more profitable ways of hoaxing others, passing himself off as an airline pilot, a doctor, and an attorney. Along the way, Frank learns how to become a master forger, and uses his talent and charm to pass over 2.5 million dollars in phony checks. Frank's increasingly audacious work soon attracts the attention of Carl Hanratty (Tom Hanks), an FBI agent who is determined to put Frank behind bars. Frank seems to enjoy being pursued by Carl, and even goes so far as to call Carl on the phone to chat every once in a while. While posing as a doctor, Frank falls in love with Brenda Strong (Amy Adams), a sweet girl working as a candy striper. When Frank asks Brenda to marry him, he decides to assume a new identity to impress her father, Roger (Martin Sheen) -- who happens to be the District Attorney of New Orleans, LA. Catch Me If You Can was based on the autobiography of the real Frank W. Abagnale Jr., who has a cameo in the film and today works on the side of the law as a top consultant on preventing forgery and designing secure checking systems. ~ Mark Deming, Rovi

Monica (Roma Downey) takes novice angel Gloria (Valerie Bertinelli) under her wing to show her how best to bring the love and hope of God to ordinary human motals. Just when she is making headway, Monica is literally shaken by a bomb blast in an office building which kills dozens of people (ironically, this episode originally aired several months before 9/11). Suffering a near-total loss of faith, Monica wanders aimlessly in the desert, where she hitches a ride with a handsome, charismatic stranger (Mandy Patinkin). It doesn't take long for the stranger to betray his true demonic identity as he tempts Monica with the prospect of forsaking her angelic ways by becoming a human being...and his earthly emissary. ~ Hal Erickson, Rovi

A gangster is looking to get away from crooked deals and double-crossing people but ends up in the movie business anyway in this comic crime story. Chili Palmer (John Travolta) is a Miami-based loan collector for the mob trying to collect a gambling debt. His assignment takes him to Hollywood to collect money from Harry Zimm (Gene Hackman), a mildly sleazy producer of low-budget horror movies. Although Chili intends to hurt Harry if necessary, he takes a certain liking to him and an even keener interest in Karen (Rene Russo), Harry's girlfriend, whom Chili recognizes from Harry's grade-B monster epics. It seems Harry has a script that he feels is Academy Award material, and he could get the project off the ground if he could get the right actor for the lead -- say, the well-respected but egocentric (and diminutive) Martin Weir (Danny DeVito). Chili thinks he has a feel for the movie business and decides to see what he can do to persuade Weir to get behind the project. Chili soon finds himself hip deep in the film industry, which at least puts him in contact with a higher grade of scumbags than he's used to. But Chili isn't the only criminal Harry's been dealing with; he's been obtaining financing from Bo Catlett (Delroy Lindo), a drug dealer with a highly uncertain temperament. An intelligently constructed crime story and a hilarious look at the absurdities of the film business, Get Shorty was based on the novel of the same name by Elmore Leonard; Leonard based Chili on a real-life former gangster of his acquaintance, though Chili's model never worked in Hollywood. ~ Mark Deming, Rovi

Since he owes his life to petty thief Terry Smolki (David Wohl), Hunter (Fred Dryer) feels obliged to lend a helping hand when the man is accused of murder. Though Smolki admits that he was trying to tunnel into a bank vault, he swears he knows nothing about the dead body that he found in the tunnel. Sure enough, the two-bit crook has been set up by the bank's mob-connected owner (Michael Constantine)--and it turns out that a huge cache of counterfeit currency is at the bottom of all the intrigue. ~ Hal Erickson, Rovi

This for Remembrance, the autobiography of popular singer Rosemary Clooney (1928-2002), was the source for this made-for-TV biopic. Played herein by Sondra Locke, the Kentucky-born Clooney begins her career as one-half of a musical act with her sister Betty (Penelope Milford), performing at the election rallies of her politician uncle (John Karlen). Achieving radio popularity in Cincinnati, Ohio, Rosemary goes on to enjoy nationwide fame in the 1950s with such hit recordings as "Come On A' My House", "Tenderly" and "Hey There". Though her success in movies is negligible (White Christmas notwithstanding), she makes a huge impact on television, hosting several of her own weekly series. All the while, however, Rosemary's private life is in turmoil, due in great part to a tempestuous marriage to actor-director Jose Ferrer (played by, of all people, Tony Orlando). After the assassination of her great friend Robert Kennedy in 1968, Rosemary suffers a nervous breakdown, and it is many years before she is able to make a triumphant comeback on the concert trail. Rosemary Clooney herself serves as the singing voice of Sondra Locke, and also dubs in the tunes performed by the actress playing sister Betty. Had Rosie: The Rosemary Clooney Story aired on CBS a decade or so after its original telecast on December 18, 1982, mention might have been made of the subsequent success of Clooney's actor son Miguel Ferrer and her TV-star nephew George Clooney; there might even have been a re-enactment of Rosemary's third marriage, capriciously staged at a White Castle restaurant in Cincinnati. ~ Hal Erickson, Rovi

Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn't realize he's not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his feet to an easy listening tune on the radio, instead of a low-down blues. His mother (Mabel King) tells him he's white and Navin takes to the road (in a World War II bomber helmet and goggles) to start a new life in St. Louis. A filling station owner, Harry Hartounian (Jackie Mason), give Navin his first break, hiring him to pump gas. One day at the station, Navin has a brainstorm, concocting an invention called "The Opti-grab," a combination handle and nose-brace for eyeglasses. But Navin runs into trouble when a crazed killer (M. Emmet Walsh) picks out his name at random from the telephone book and tries to kill him. Navin escapes to a traveling carnival, where he wrangles a job as the "guess-your-weight" man. At the carnival, he discovers his sexual nature, thanks to stunt rider and S&M enthusiast Patty Bernstein (Catlin Adams). But Navin meets the beautiful Marie (Bernadette Peters) and he quickly falls in love. In the meantime, the "Opti-grab" has taken off and soon Navin is a millionaire. ~ Paul Brenner, Rovi

Adapted from a lesser-known novel from SF/Horror author Dean R. Koontz, this claustrophobic thriller presents a computerized nemesis incorporating the murderous elements of 2001's HAL with the world-domination goal of the title villain in Colossus: The Forbin Project. Brilliant cybernetics expert Dr. Alex Harris (Fritz Weaver) develops a revolutionary new supercomputer dubbed Proteus IV (voice of Robert Vaughn, uncredited) which is capable of almost human self-awareness and capacity for intellectual growth. Unfortunately for Alex and his wife Susan (Julie Christie), Proteus is also imbued with a very human desire to grow beyond the limitations of his own knowledge -- as well as to escape the isolation of the laboratory -- and taps into the home terminals of the Harris' high-tech dream house, in which he makes Susan a virtual prisoner. As she is put through a tortuous series of physical and mental tests, the Proteus mainframe takes severe steps to prevent any interference -- even resorting to the murder of Harris' assistant (Gerrit Graham). Susan's confusion eventually turns to dread when she begins to realize Proteus' true intentions... to evolve beyond mere circuitry and assume a human form by impregnating her with his "seed." Despite the lurid premise, this is probably the most conventional effort from controversial director Donald Cammell (Performance, Wild Side), and the film's theme of the computer's ominously pervasive role in human affairs -- in this case forcing its way into our bodies as well as our lives -- seems oddly prescient today. Christie's convincing performance makes the most of a role which has her shouting at the walls and ceiling for two-thirds of the movie. ~ Cavett Binion, Rovi

Celebrated bullfighter El Charro (Ben Archibek) has entered convent San Tanco under an assumed name. His purpose: to learn to read and write English, without attracting the attention of his adoring fans. Sr. Bertrille enlists the aid of casino owner Carlos in helping the timid toreador keep his secret. First broadcast on March 13, 1970, "A Gift for El Charro" was written by actor Stanley Adams, in collaboration with George F. Slavin. ~ Hal Erickson, Rovi

Shirley MacLaine plays Charity Hope Valentine who, despite her job at a seedy dime-a-dance joint, is an incurable optimist. Charity never stops looking for true love and never seems to look for it in the right places. We first see her in the company of Charlie (Dante DiPaolo), a slimeball who steals her purse and pushes her into the Central Park pond. Next she stumbles into a one-night stand with Vittorio Vidal (Ricardo Montalban), an egotistical movie star; this comes to nothing when Vittorio's contrite girlfriend Ursula (Barbara Bouchet) comes calling, forcing Charity to spend the night hiding in the closet. Desperate to escape the dance hall, Charity heads to an employment agency, where a bureaucratic clerk (Alan Hewitt) informs her that she has no qualifications. Unhappily, Charity heads for the elevator, where she becomes trapped with the very shy -- and very claustrophobic -- Oscar Lindquist (John McMartin). Once they've gotten out of the stalled elevator, Charity begins dating Oscar, never telling him of her checkered past or her sordid dance-hall job. Oscar eventually finds out but assures her that it doesn't matter. However, at the engagement party held at the dance hall, Oscar's puritanical streak emerges. He walks out on Charity, leaving her alone and heartbroken once more. With the help of a group of flower children (among them Bud Cort and Kristoffer Tabori), Charity is able to pick herself up and start living "Hopefully Ever After." Sweet Charity was adapted from the 1965 Broadway musical of the same name, which in turn was inspired by the 1957 Fellini flick Nights of Cabiria. ~ Hal Erickson, Rovi