Dani Levy Movies

Thirteen noted German filmmakers offer their impressions of the past, present and future of the land they call home in this anthology. Coordinated by Tom Tykwer, Deutschland 09, 13 kurze Filme zur Lage der Nation is comprised of thirteen twelve-minute films, each from a different director and each focusing on an individual aspect of Germany's political and social reality, spanning the six decades that encompassed World War II, the post-war "Economic Miracle," the tumult of the 1960's, the fall of the Berlin Wall, the reunification of the two Germanys, and the new era of reform that emerged in the 21st Century. Featuring both dramatic and documentary segments and running the gamut from comic sketches to a fictive conversation between Susan Sontag and radical terrorist Ulrike Meinhof, Deutschland 09, 13 kurze Filme zur Lage der Nation includes contributions from Fatih Akin, Wolfgang Becker, Sylke Enders, Dominik Graf, Martin Gressmann, Christoph Hochhäusler, Romuald Karmakar, Nicolette Krebitz, Dani Levy, Angela Schanelec, Hans Steinbichler, Isabelle Stever and Hans Weingartner as well as Tom Tykwer. Deutschland 09, 13 kurze Filme zur Lage der Nation received its world premiere at the 2009 Berlin International Film Festival. ~ Mark Deming, All Movie Guide

A man gets in touch with his spiritual side for a very material reason in this comedy from Germany. Jacob Zuckermann was a young man living in Eastern Germany when the Berlin Wall divided the nation in 1961. Jacob's mother escaped to West Berlin with her other son, Samuel, in tow, but Jacob was left behind. Putting himself though school, Jacob became a lawyer, albeit one with a less than prestigious practice, and changed his name to Jaeckie Zucker. However, after Germany was reunified, Jaeckie's (Henry Huebchen) practice collapsed, and he began making a living hustling pool. Luck has not been kind to Jaeckie lately, and he owes 60,000 dollars to the bank. Jaeckie thinks he could win enough money to pay his debts in an upcoming high-stakes pool tournament, but he doesn't have the 5,000 dollars needed to enter. Bad news has a silver lining for Jaeckie when he gets word that his mother has passed on, and he and Samuel stand to inherit a fortune from her estate. However, there's a catch -- she has specified she must have an Orthodox Jewish funeral if her sons are to receive the money, and while Samuel (Udo Samel) is a strict follower of the faith, Jaeckie's religious education stopped not long after his mother left. Jaeckie and his conspicuously gentile wife, Marlene (Hannelore Elsner), head to West Berlin, where they have a less-than-joyous reunion with Samuel and attempt to help with the details of the funeral while giving themselves an overnight education in Judaism. Meanwhile, Jaeckie schemes to find a way to sit shivah and play in the pool tournament at the same time. ~ Mark Deming, All Movie Guide

Friendship turns to love, and unrequited love leads to a dangerous obsession in this moody drama. Nathalie (Emmanuelle Beart) and Louise (Pascale Bussieres) grew up together and had been close friends since childhood, but while both were studying drama in their early twenties, their friendship went through an abrupt shift -- while beautiful Nathalie enjoyed flirting with the men in her classes, Louise's interest in her best friend turned into infatuation, and when Nathalie indulged herself in a brief fling with a young actor, Louise was overcome with anger and jealousy and tried to kill herself. Nathalie was told by Louise's family that she didn't want to see her any more, and a decade passed before their paths would cross again. Louise is now married to a man named Nicolas (Sami Bouajila), and one night they go to the theater to see a touring production of a new play. To her surprise, Louise discovers the female lead is played by Nathalie; after the show, she slips backstage to say hello, and soon finds that she's as strongly attracted to Nathalie as ever -- and that Nathalie is involved with Matthias (Dani Levy), the gifted but difficult playwright who wrote and directed the production. Leaving Nicolas behind, Louise follows Nathalie to Denmark, and is able to pull a few strings to get Nathalie an audition with Walter Amar (Jean-Pierre Kalfon), a well-known and well-respected theatrical director. Nathalie soon leaves Matthias' show to star in Amar's new production of Lulu, and Louise volunteers to help Nathalie as she prepares for the role. Nathalie appreciates Louise's support and friendship, but she soon begins to chafe under Louise's obsessive attention, and she wonders if history might be repeating itself. La Repetition was shown in competition at the 2001 Cannes Film Festival, with writer and director Catherine Corsini earning a nomination for the coveted Golden Palm award. ~ Mark Deming, All Movie Guide

The opening film of the 49th International Berlin Film Festival in 1999, Aimée & Jaguar drew attention not only for the lesbian love story that it narrates, but equally for the political position of the lovers -- Aimée, the wife of a Nazi officer, and Jaguar, a Jewish journalist. The story is based on the memoirs of Lilly Wust (the Aimée character), who is 85 and still living in Germany. In 1943, as Allied bombers leave Berlin in ruins, Lilly Wust Juliane Köhler earns a Cross of Motherhood for bringing up four children while husband Günther Detlev Buck is away fighting on the eastern front. She leads a bourgeois existence, with occasional love affairs on the side, and the bust of Hitler is a prominent decoration in their flat. When Lilly receives a love letter signed 'Jaguar,' she suspects a male admirer. But it is the self-confident Felice Schragenheim Maria Schrader who initiates this forbidden romance. A passionate love affair begins amidst the bombing raids and the threat of persecution. Madly in love, Lilly wants to divorce her husband, which causes a terrible storm, not just because her lover is a woman, but because she is Jewish and fighting for the Resistance. But nothing stops the love-blind Lilly. The two women make a pact of love and marriage and try to block out the reality of war and persecution; however, the Gestapo soon catches up with them. Aimée & Jaguar is based on Erica Fischer's best-selling book, published in 1994 and translated into eleven languages; the real life Lilly Wust was 80 years old when she told Erica Fischer her story. Maria Schrader and Juliane Köhler shared the Silver Bear for the Best Actress at the 49th Berlin International Film Festival, for their roles in Aimée & Jaguar, while the film received the Teddy Award, given to films dealing with gay and lesbian issues. ~ Gönül Dönmez-Colin, All Movie Guide

A Berlin woman endeavors to choose between two lovers on a snowy Christmas Eve in this German drama. Art student Julia has been living with Christian, a policeman, for several years, but has recently embarked on an affair with Frank, a bartender. She is first seen waiting for Frank so she can tell him that she chooses Christian. Suddenly the phone rings. It is Christian calling to tell her that he is in east Germany recuperating from a skull fracture. Frank then calls for a little sex-talk, he voices his doubts about Christian's story. Sure enough, after he hangs up, Christian calls, perfectly healthy, for a little intercourse himself. Julie is naturally confused by her men and so goes to bed. No sooner does she fall asleep when Frank appears armed with body oil and a gas mask. The telephone interrupts their passion. Once again it's Christian. This time, Julia figures out that he is in their Paris love nest and so sends him a fax to tell him so. She and Frank then go frolicking in the snow while Christian gets involved with a singer. Matters are finally resolved with the revelation of Julia's closely guarded secret. ~ Sandra Brennan, All Movie Guide

An exploration of the revival of Nazi sentiment in Germany is the theme of the five short films gathered together in this anthology. In the first film, titled "Ohne Mich" (Without Me), the lead character, an aspiring documentary filmmaker named Dani Levy, tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish lad in today's Germany, his fears for the future prompt him to move to the moon.The second film captures the spirit of triumphalism in the celebrations of the reuniting of Germany, and it titled "Short Circuit." It takes the wiring difficulties of Helmut Kohl's Leipzig speech as being prophetic of difficulties to come. The third film is a surrealistic consideration of the captivity of a documentary maker by a Hitler-loving couple, entitled "Sacred Cows." The penultimate film is titled "A Place, A Suicide," and shows the suicidal reaction of a newly crippled man to the taunt by a group of boys that "Hitler would have had you gassed." The final film is a documentary featuring interviews with to punk rockers who were savagely beaten by Nazi-influenced skinheads, entitled "Victims, Witnesses." ~ Clarke Fountain, All Movie Guide

Consumed by visions of prosperity and clean, attractive cities, Silva travels to New York City from Poland with all the cash she can scrape together in her purse, speaking not one word of English. Once there, she swiftly falls prey to an aggressive con artist, and sees nothing but the dingy crime-filled streets which represent New York at its worst. Refusing to be ignored by the man who took her money, she hounds him until he takes her to bed with him, and then her relationships expand to include the creep's cousin. At no point is a good time had by anyone. ~ Clarke Fountain, All Movie Guide

Julia and Romeo are two disenchanted lovers who want to break up but are unwilling to suffer the pain. After a nasty fight, Romeo storms off and unsuccessfully vents his frustration with a black prostitute. While visiting the ramshackle brothel, he sees a strange man, who may be a government official, handing over a huge wad of money. Later, he and Julia reunite and go to an upscale golden anniversary party. There a handsome American flirts with Julia. After yet another row, Romeo and Julia retire to the balcony for a love scene. Unfortunately, their making up is interrupted by a sudden power outage. When the lights go back on, Romeo finds the knifed corpse of the party's hostess at his feet. Naturally, he's accused of the crime, but before the other partygoers can get him, he and Julia flee into the Berlin summer night. Their strange series ensuing adventures comprise the rest of the film. This low-budget debut of German director Helmut Berger (not to be confused with the actor Helmut Berger) was shot in grainy black and white and is alternately known as Du Mich Auch and So What? ~ Sandra Brennan, All Movie Guide

Sixty years after the fall of the Third Reich, German filmmaker Dani Levy takes the bold step of playing the most notorious man of the 20th century for laughs in this offbeat historical comedy. In December 1944, the war in Europe is in its final stages; Germany has been decimated by Allied attacks, and the Third Reich is fated to collapse in just a few months. With the Nazi empire in tatters, Adolf Hitler (Helge Schneider) is understandably depressed, and while he's scheduled to give a major address to the nation on New Year's Day, he can barely summon up the enthusiasm to get out of bed. Joseph Goebbels (Sylvester Groth), Hitler's propaganda czar, realizes the Führer needs some help to get out of his funk, and thinks some coaching from a trained actor would help him put on a brave face for his big speech. Goebbels approaches Adolf Grünbaum (Ulrich Mühe), one of Germany's most respected thespians, and asks him if he'd be willing to help Hitler prepare for his address; since Grünbaum is Jewish and currently residing in a concentration camp, he jumps at the chance, provided his wife and children are also released and the camp is shut down before the next round of executions. While Goebbels and his men have no intention of honoring Grünbaum's latter request, they are willing to free his loved ones, and soon Grünbaum is spending his days with the emotionally immature dictator as he tries to help him get back on his feet. Meanwhile, Goebbels and SS leader Heinrich Himmler (Ulrich Noethen) suspect that Hitler may be too far gone for help and start hatching a backup plan, in which they'll kill the Führer in a phony accident and seize control of the Reich. No stranger to controversy, writer and directory Levy's previous project was Go for Zucker, a comedy which poked fun at the division of Berlin during the Cold War and one man's opportunistic embrace of Orthodox Judaism. ~ Mark Deming, All Movie Guide