Geno Lechner Movies

A reluctant Yugoslav hitman working in New York City finds his fate inescapably tied with that of his ex-wife and her law-enforcing current boyfriend in director Vladan Nikolic's contemplative character study in which all reality is subjective. An orphan from Bosnia who has been forced to assume the role of killer for hire by a blackmailing former covert-operations agent, the man known as Uncle Vanya (Sergej Trifunovic) is told that he must complete one final job before he is permitted to retire. When the simple money-for-drugs deal goes south and Uncle Vanya is forced to take a hostage, an already complicated situation takes a further turn for the worse when it's revealed that Uncle Vanya's hostage is none other than his former wife, Anna (Geno Lechner). As Anna's current boyfriend uses his police authority to close in on the pair and Uncle Vanya's enraged boss dispatches his bumbling thugs to scour the city for the killer-in-hiding, Uncle Vanya and Anna attempt to reconcile their past while begrudgingly acknowledging that a future together is impossible. ~ Jason Buchanan, All Movie Guide

South Korean-born Wonsuk Chin, a NYC resident for eight years, made his directorial debut with this hip comedy, shown at the 1998 Sundance Film Festival. With numerous cinematic references and allusions (Bergman, Godard, Woo, Hartley), the tale begins with a black-and-white silent sequence depicting Death chasing a young man through Old Baghdad. The setting shifts to present-day New York, where a Japanese man, Kenji (Takeshi Kaneshiro of Chungking Express) is seen abed in a sparsely furnished apartment. Kinji goes to a local cafe where he chats with several others: Italian friend Fabrizio (Michael Imperioli) who proclaims, "Lubitsch is the god!"; a literary wit, Balzac Man (Jeffrey Wright); and an enigmatic German woman, Pola (Geno Lechner), who hints at a possible sexual liaison with Kinji. Death (Mira Sorvino) drifts about, assuming various forms -- disco gal, Japanese geisha, Chinese woman, devil with a red dress on, and a French-accented figure dressed as a man. The sad and lonely Death informs Kenji that she has no choice in determining her victims, and he also learns from her that he has only 12 hours left to live. She suggests that he make the most of his remaining minutes, so he sets forth on a series of brief adventures. At the cafe, he chides famous artist John Sage (Ben Gazzara) for being involved with a decades-younger girlfriend, the beautiful Korean Anouk (Hye Soo Kim). Sage invites Kenji to dinner at their home, and Death invites herself. Kenji makes the proposal that since he's due to die, he could be allowed sex with Anouk as a final act. This request isn't well received by anyone present, leaving Kenji to his own devices as the darkness closes in. Mira Sorvino wears a virtual fashion show of colorful costumes in this movie, which also provided her with the opportunity to speak Chinese onscreen for the first time. Sorvino majored in Asian studies at Harvard and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and viewed a variety of Chinese films. Too Tired to Die and The Replacement Killers both brought her several steps closer to her announced goal of making a film in Mandarin and working with a Chinese director. ~ Bhob Stewart, All Movie Guide

Not much happens in this slice-of-life romantic drama between a charisma-challenged East German archaeologist and a West German futurologist, which may in fact be the point. Both of them are single parents. They meet at a playground while tending to their children, and Elsa makes the moves for them to have a first date. Over coffee, they say little and don't seem to enjoy one another much: it's not a hilarious good time. However, perhaps their standards are much, much lower than usual, and they only want not to be grossly offended by the other. Whatever the reason, the two are soon an "item," barely speaking as they care for their children and share meals, occasionally rather dutifully making love. ~ Clarke Fountain, All Movie Guide

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

Based on a true story, Steven Spielberg's Schindler's List stars Liam Neeson as Oskar Schindler, a German businessman in Poland who sees an opportunity to make money from the Nazis' rise to power. He starts a company to make cookware and utensils, using flattery and bribes to win military contracts, and brings in accountant and financier Itzhak Stern (Ben Kingsley) to help run the factory. By staffing his plant with Jews who've been herded into Krakow's ghetto by Nazi troops, Schindler has a dependable unpaid labor force. For Stern, a job in a war-related plant could mean survival for himself and the other Jews working for Schindler. However, in 1942, all of Krakow's Jews are assigned to the Plaszow Forced Labor Camp, overseen by Commandant Amon Goeth (Ralph Fiennes), an embittered alcoholic who occasionally shoots prisoners from his balcony. Schindler arranges to continue using Polish Jews in his plant, but, as he sees what is happening to his employees, he begins to develop a conscience. He realizes that his factory (now refitted to manufacture ammunition) is the only thing preventing his staff from being shipped to the death camps. Soon Schindler demands more workers and starts bribing Nazi leaders to keep Jews on his employee lists and out of the camps. By the time Germany falls to the allies, Schindler has lost his entire fortune -- and saved 1,100 people from likely death. Schindler's List was nominated for 12 Academy Awards and won seven, including Best Picture and a long-coveted Best Director for Spielberg, and it quickly gained praise as one of the finest American movies about the Holocaust. ~ Mark Deming, All Movie Guide

This is a light comedy about Amir, a young Pakistani who has been working for Jo for six years. Jo has a ready-to-wear clothes shop in the Sentier area and his business is prospering. He promised Amir that he would help him get his legal papers, but he has never kept his promise. Now he is sending Amir to his colleague Ralph in exchange for an unpaid debt from a card game. He thinks that this is a good opportunity to get rid of the illegal worker. Ralph is a fifty-year-old baby who keeps forgetting his appointments, his bank balance, and everything else that he should remember to run his life smoothly. His business is a complete disaster. A year later, Ralph's business has picked up, but Joe's is going down the drain. Thanks to whom? It is easy to answer this question if one follows Amir during his daily chores in the shop. But neither Jo nor Ralph's bother to take the time off to notice the hard work of this poor employee. Even if they did, they would not admit that a Pakistani is behind the success of the business. Secretly, Amir hopes that one day he will finally get his legal papers, if not a simple 'thank you' from his employers. The film is another effort by one of the group of French filmmakers actively involved in the fight against racial discrimination in France. ~ Gönül Dönmez-Colin, All Movie Guide