Brian Dennehy Movies

The manager of a chemical plant and a city manager rise up against their respective bosses to keep a town safe in this ecologically conscientious made-for-TV disaster film. It all begins when the owners of Citichem order the plant manager to enact dangerous cost cuts that compromise the safety of the plant. He protests, but it is to no avail and a worker dies. At the same time, the city manager tries to warn the people that a deadly disaster is imminent, but he ends up gagged by the local politicians. Meanwhile, just when the community is at its most unprepared, a melt-down occurs and the town is drenched in deadly chemicals. ~ Sandra Brennan, All Movie Guide

A man who simulates death for a living finds himself unwittingly tied into the real thing in this New York-based suspense drama. Special effects man Rollie Tyler (Bryan Brown) makes his living simulating gory mayhem and photogenic violence for movies such as "I Dismember Mama." Tyler is given a chance to expand his professional horizons when he's approached by Lipton (Cliff DeYoung), who introduces himself as an FBI agent and makes an unusual proposal. Mob kingpin Nicholas DeFranco (Jerry Orbach) is willing to testify against his fellow gangsters, but the investigators are worried about his safety. Lipton wants Tyler to help him and his staff fake DeFranco's assassination; if everyone is convinced DeFranco is dead, people will be a lot less likely to look for him. Tyler grudgingly takes the assignment, and while he's able to realistically simulate DeFranco being shot in a crowded restaurant, after the "gag," he discovers that he's been double crossed, and he's wanted for the murder of the man he just "shot." Tyler hides out with his girlfriend Ellen (Diane Venora), but he realizes that whoever set him up wants him dead after she's killed by a bullet meant for him. With the help of fellow effects artist Andy (Martha Gehman), Tyler goes underground and tries to unravel the truth behind the Lipton murder. Meanwhile, police detective Leo McCarthy (Brian Dennehy) is convinced that something is not right when he's called to the scene of DeFranco's murder and is certain that the dead body is not the gangster. F/X was followed by a sequel, and later a short-lived TV series. ~ Mark Deming, All Movie Guide

This episode of Shelley Duvall's American Tall Tales tells the rip-roaring story of Annie Oakley, one of the Old West's greatest sharpshooters and popular star of Buffalo Bill's traveling Wild West Show. The program includes some legendary episodes -- part fact, part fiction -- and shows some actual footage of Annie Oakley in action (filmed in 1903 by Thomas Edison). Jamie Lee Curtis plays the title role. ~ Alice Duncan, All Movie Guide

This made-for-TV biography appeared as part of the Shelley Duvall series, Tall Tales and Legends, and stars Jamie Lee Curtis as Annie Oakley and Brian Dennehy as Buffalo Bill Cody, who Ms. Oakley accompanied on a hugely successful Wild West show. ~ All Movie Guide

On the occasion of his 50th birthday, blue-collar family man Gene Hackman is possessed by our old friend, The Mid-Life Crisis. Visiting a local tavern, Hackman becomes enchanted by gorgeous barmaid Ann-Margret. In less time than it takes to down his beer, he has resolved to leave his wife Ellen Burstyn, and his daughters Ally Sheedy and Amy Madigan, in favor of a fresh start with his sexy new "conquest." The film deals not so much with Hackman's impulsive decision as with the genuine pain he leaves in his wake. Madigan's vituperative lash-out at her father is one of many heartbreaking moments of truth in this refreshingly cliché-free domestic drama. The perceptive screenplay for Twice in a Lifetime was written by Colin Welland; the film's theme music was composed by Paul McCartney. ~ Hal Erickson, All Movie Guide

Inspired by the popular Clint Eastwood Dirty Harry movies, the weekly, hour-long NBC cop drama Hunter starred former NFL star Fred Dryer as the Eastwoodesque title character, LAPD detective sergeant Rick Hunter. Originally operating out of the Homicide department, Hunter spent the series' first season patrolling the mean streets of Los Angeles' less savory districts, partnered with the equally no-nonsense lady cop Dee Dee McCall (Stepfanie Kramer), aka "the Brass Cupcake." Using a Magnum revolver that he called Simon--as in "Simon says 'Freeze'!"--Hunter gave no mercy or quarter to the various thugs, pimps, pushers and lowlifes with whom he came in contact. And like Dirty Harry, our hero was given to pithy catchphrases, notably the oft-repeated "Works for me." Introduced with a two-hour TV movie on September 18, 1984, Hunter languished near the bottom of the ratings during its first season due to the stiff competition of CBS's Dallas. Things improved significantly when Roy Huggins took over as executive producer at the beginning of Season Two, primarily due to a softening of the previously grim and intractible characters of Hunter and Dee Dee, and the decision to move them to a more upscale section of LA to provide them with a wider variety of antagonists. Also, Hunter's unsavory past as the son of a mobster--and his checkered present with a slew of crooked relatives and former acquaintances--faded into the background and eventually disappeared altogether. During the first two seasons, Hunter went through several superior officers, each one of whom despised him and sought out any excuse to divest him of his badge. Finally in Season Three, the producers settled on Charles Hallahan as Charles Devane, who remained with the series for the remainder of its run. Though not much more fond of Hunter than his predecessors, Devane was at least willing to cut his most contentious cop a little slack due to the results he'd gotten with his strongarm methods. At the end of Season Six, Dee Dee McCall left the department to get married. The following season, both Hunter and Devane were moved out of Homicide and into the department's elite Metro Division, focusing on cases that warranted extra-special attention. Hunter's new partner was Officer Joanne Molinski (Darlanne Fluegel) who unfortunately was killed halfway through the season. In the series' final months on NBC, Hunter developed a romantic relationship with Sgt. Chris Novak (Lauren Lane), a former girlfriend and presently the single mom of a cute little girl named Allison (Courtney Barella). Ending its network run on August 30, 1991, Hunter was briefly revived four years later in the form of a TV movie, The Return of Hunter: Everyone Walks in L.A., then again in 2002 with another feature length episode, Hunter: Return to Justice. This last project led to a brief weekly revival of the property, reuniting Fred Dryer and Stepfanie Kramer, which ran from April 12 through May 10, 2003 on NBC. Created by Frank Lupo, Hunter was a Stephen J. Cannell pro ~ Hal Erickson, All Movie Guide

Hunter launches its seven-season run with the series' two-hour pilot, starring former football proFred Dryer as Rick Hunter, a mobster's son who has grown up to become a thoroughly incorruptible LAPD detective sergeant. Hunter's "Dirty Harry" tactics and his flagrant flouting of the rules have earned him thousands of loyal supporters and an equal number of bitter enemies--the latter on both sides of the law. Though the higher-ups would prefer that Hunter pack up his bottomless arsenal of weaponry and his pithy "Make my day"-style catchphrases (notably "Works for me") and leave town, he is obviously the one man capable of trapping an elusive murderer who is holding the city in thrall. Teaming up with Hunter for the first time in this episode is his friendly enemy, Sgt. Dee Dee McCall (Stepfanie Kramer), better known as "the brass cupcake." Michael Cavanaugh appears as Captain Lester Cain, a role taken over in subsequent episodes by Arthur Rosenberg. ~ Hal Erickson, All Movie Guide

Tommy Lee Jones plays the title character in The River Rat. Released from prison after 13 years, Jones heads south to meet his hoydenish daughter Martha Plimpton for the first time. The father-daughter relationship flounders until Jones takes the girl on a long, bonding raft trip on the river. Both Jones and Plimpton become fugitives from justice when they run afoul of crooked parole-officer Brian Dennehy. Before the film's allotted 93 minutes have passed, Plimpton has proven time and again to be truly her father's daughter. It's a toss-up as to which is more enjoyable in River Rat, the film itself or the wall-to-wall musical score by Mike Post. Screenwriter Thomas Rickman was underwritten for his directorial debut by Robert Redford's Sundance Institute. ~ Hal Erickson, All Movie Guide

The wolves of the Arctic Circle and its environs, the stunning beauty of a Northern winter, a biologist who braves it all to record the lives of the wolves, and Inuits who save the biologist's hide and share their own wisdom openly are all winners in this film that is a tribute to the skills of writer and director Carroll Ballard (The Black Stallion). Based on Farley Mowat's autobiographical novel of the same name, Tyler (Charles Martin Smith) is a normal biologist until he gets up into the Arctic winter in order to prove that the caribou herds are not being decimated by wolves; then he becomes a semi-klutz, unable to instinctively adapt to the deep freeze around him. After he sets up his first stake-out, a native Inuit named Oolek (Zachary Ittimangnaq) comes along to help him out and gets him better established in an isolated hut, where Tyler is left to fend for himself again. That he does, but not because he can see in advance what his needs or problems are going to be -- he just comes up against the worst when it happens and works from there. At the same time, Tyler gets to carefully and closely observe a wolf family he has already dubbed as George, Angeline, and the three pups, and he has several comic interactions with his distant "pets." Oolek and his friend Mike (Samson Jorah) drop by to keep Tyler company for awhile, sharing their observations on nature and life in an easy-going, non-committal manner. With Tyler's perseverance and the knowledge gained from experience and through these conversations, the real culprit in the decimation of the caribou turns out not to have four legs at all. ~ Eleanor Mannikka, All Movie Guide

I Take These Men is a variation on the 1941 Ginger Rogers theatrical feature Tom, Dick, and Harry. While being feted at a surprise 15th wedding anniversary party, Carol Sherwood (Susan St. James) startles the well-wishers by asking her dull dentist husband, Stuart (James Sherwood), for a divorce. As the party nervously continues, Carol fantasizes what her life might have been like had she married one of her three guests: pompous real-estate mogul Craig Wyler (Adam West), nerdish professor David Koenig (John Rubinstein), or good-natured truck driver Phil Zakarian (Brian Dennehy) -- who happens to be the husband of her best friend, Elaine (Dee Wallace). Just in case the viewer doesn't find all this funny, the producers have helpfully added a laugh track. I Take These Men was unveiled by CBS on January 5, 1983. ~ Hal Erickson, All Movie Guide

Sure to generate conversation, this provocative drama tells the story of how a middle-class family is torn apart when their clean-cut high-achieving son, who has the potential of making it on the Olympic gymnast team, suddenly joins a religious cult. The parents become deeply worried and try to get him back. The twist is that, unlike other movie religious cults, the leader of this one is not terribly evil even though he does strongly indoctrinate his followers. The members of his group are good people who do good deeds for others. Unfortunately, the parents don't see it this way and so hire a free-lance deprogrammer to "rescue" their son and force him through a deprogramming process that traumatizes him more than the cult did. ~ Sandra Brennan, All Movie Guide

Skokie is the true story of a critical test of Constitutional rights in Illinois. In 1977, a small band of American neo-fascists calling itself the National Socialist Party of America plans to stage a swastika-dominated demonstration and rally. Their intended site is the Chicago suburb of Skokie, a town populated predominantly by Jews--many of them survivors of the Nazi holocaust. Jewish ACLU lawyer John Rubinstein is compelled to lobby for the National Socialists' freedom to express their views, despite his own inner turmoil over defending the very people who'd destroy him. The most vocal opponent to the planned rally is Skokie senior citizen Max Liebman (Danny Kaye), who spent five years in Hitler's death camps. Ernest Kinoy's teleplay for Skokie is fair-minded to a fault, presenting all points of view with equanimity, proving that there are no simple solutions when the fundamental right of Free Speech is involved. ~ Hal Erickson, All Movie Guide