Matt Keeslar Movies

This campy series follows the wild and other-worldly adventures of the Middleman - a freelance problem solver who specializes in strange phenomena that range from the metaphysical to the intergalactic. When struggling artist Wendy is recruited to be the next Middleman - because of both her grace under pressure and her photographic memory - she finds herself the only member of this weird agency who's surprised to be dealing with such strange events as a super-intelligent ape who escapes captivity and proceeds to assassinate prominent members of the mafia. To a painter, it's stranger than fiction, but to a Middleman, it's business as usual. ~ Cammila Collar, Rovi

A successful young couple moves into a posh neighborhood inhabited by a killer who is far from the benign suburbanite that appearances would suggest in legendary horror director John Landis' second installment into Showtime's Masters of Horror series. David (Matt Keeslar) and Celia Fuller (Meredith Monroe) seem to have everything a young couple could want: good jobs, a great house, and plenty of money. David is a hardworking doctor and Celia is an investigative reporter with a knack for always getting to the bottom of the story. Upon moving into their new neighborhood, the Fullers soon make the acquaintance of their new neighbor Harold (George Wendt), an outwardly amiable single man who seems to be quietly occupied by his job and his hobbies. One night while drunkenly driving home from dinner, David and Celia jump the curb and slam into Harold's mailbox. After inviting Harold over for dinner in hopes of making amends for their clumsy transgression, the couple soon reveals that they have moved into the new neighborhood in a bid to recover from the recent loss of their young daughter. As the pair gradually becomes better acquainted with their jovial neighbor, it soon becomes obvious that all involved have their fair share of dark secrets. ~ Jason Buchanan, Rovi

Filmmaker Terry Zwigoff and comic artist and screenwriter Daniel Clowes, who collaborated for the acclaimed 2001 comedy-drama Ghost World, team up once again for this offbeat satire. Jerome (Max Minghella) is an aspiring artist who arrives at a prestigious East Coast art institute to study. While Jerome enjoys daydreams of becoming the best-respected painter on Earth and winning the hearts of his female classmates, he soon learns the sad truth -- his "cool artist" act is old hat in the big city, and as he's surrounded by every art school cliché on Earth, practically nothing about him stands out. Determined to be recognized whatever the consequences, Jerome maps out a bizarre plan to become famous that has some unexpected consequences. Loosely adapted from a story in Clowes' comic book Eightball, Art School Confidential also stars John Malkovich, Jim Broadbent, Anjelica Huston, and Sophia Myles. ~ Mark Deming, Rovi

Jonathan Silverman, Matt Keeslar, and Desmond Askew star in this modernized take on Robert Louis Stevenson's terrifying tale about a brilliant doctor haunted by his own murderous alter ego. Dr. Henry Jekyll was researching a cure for cancer when he created a computer generated avatar of his alter ego and downloaded it directly into his brain. Now, before Dr. Jekyll knows what's happening, his life has been completely taken over by a psychotic, hedonistic, violent party animal known only as Mr. Hyde. But by the time Dr. Jekyll's faithful girlfriend attempts to break through to her bipolar boyfriend, it may already be too late. As the bodies begin to pile up and Mr. Hyde's unpredictable temper grows increasingly explosive, it's up to Dr. Jekyll to regain control of his life or risk losing everything he ever cared about. ~ Jason Buchanan, Rovi

Horror specialist Stephen King claimed that his TV miniseries Rose Red was inspired by a number of sources, ranging from Shirley Jackson's The Haunting of Hill House (twice filmed as The Haunting) to Ripley's Believe It or Not to Moby Dick. Residents of San Jose, CA, however, quickly realized that King's story owed a great deal to their own city's legendary "haunted" mansion, Winchester House. Rose Red was set in motion when psych professor Joyce Reardon (Nancy Travis), defying her tongue-clucking boss Professor Miller (David Dukes, who died during production), set about to investigate reports of paranormal phenomena in Rose Red, a crumbling and foreboding Seattle mansion. According to legend -- and a great deal of physical evidence -- Rose Red was a "living" entity in its own right, adding extras wings to its structure and rearranging its furniture whenever it felt like it. There has also been a number of mysterious deaths at the mansion, which Joyce believed were the handiwork of a ghost: Ellen Rimbauer, the insane wife of Rose Red's architect. Inviting a quintet of psychics (social misfits all, of course) to spend a weekend at the mansion, Joyce was determined to solve the mystery of Rose Red -- and, she hoped, to conjure up Ellen's hostile spirit. Thereafter, the miniseries adhered to the proven formula, with characters foolishly wandering off alone to meet their individual demises, and with such time-tested lines as "Superstitious nonsense!," "Honey -- are you in there?" and "Oh, no! AIYEEEE!" wafting through the mansion's drafty corridor. The outcome of the story -- and the fate of the survivors -- seemed to rest in the hands of Annie Wheaton (Kimberly J. Brown), an autistic teenager with astonishing telepathic skills. Premiering January 27, 2002, the three-part Rose Red posted ABC's best ratings in months, despite an almost universal drubbing by the critics. ~ Hal Erickson, Rovi

One of the most talked-about movies of the 2000 Sundance Film Festival, this film, directed by Jon Shear, recalls the edgy, aggressively-political qualities of early '90s queer cinema such as Poison (1991) and Swoon (1991) -- and throws in a few nods to Martin Scorsese's late-night New York City odyssey film After Hours (1985) for good luck. Dashing young yuppie Charlie (Dan Futterman) is losing control of his life after the loss of his longtime companion Chris (Matt Keeslar). Alone in his apartment, he can hear his upstairs neighbors (Bill Sage and Megan Dodds) engage in noisy lovemaking that leaves him lonely, frustrated, and aroused. He wanders the neon-drenched streets of Manhattan at night as if he were a wraith. Later, at a bar with the amorous couple, the trio get into a loud, ugly argument about public displays of affection. Around this same time, Charlie notices a mysterious, tattooed stranger, and the two exchange looks. Intrigued, Charlie sets out looking for the man, and in the process, he launches himself on a nightmarish journey through the underside of New York. He happens upon an increasingly odd array of people, each telling progressively more bizarre tales that are purportedly true. German actress Barbara Sukowa appears in a cameo in which she tells Charlie of a sexual tryst she had in a bar's restroom. Alan Cumming appears as a friend who has a crush on Charlie, while Lothaire Bluteau plays a stammering bum. Soon reality and fiction, straight and gay all fuse and blur in Charlie's increasingly troubled psyche. ~ Jonathan Crow, Rovi

Julia (Jenny McCarthy) and Jack (Matt Keeslar) are exes who have grown blind to the fact that they're head over heels in love. Though on the surface it appears as if their relationship has failed, these two co-workers still bicker like a couple that's been together for decades. One day, as Jack looks after a golfer suffering from amnesia, divine intervention ensues. It seems that the elderly golfer is actually God in disguise. The creator is taking an earthly vacation, and once he learns about a certain troubled young couple he makes it his holy mission to help them rekindle the romance. ~ Jason Buchanan, Rovi

The Sci-Fi Channel's first miniseries production adapts Frank Herbert's esteemed futuristic novel Dune into a six-hour epic. When House Atreides lead by the noble Duke Leto Atreides (Academy award-winner William Hurt) gains control of the universe's most powerful commodity -- Spice -- rival House Harkonnen begins plotting their revenge. As a result, Duke Atreides' mistress (Saskia Reeves), a magical Bene Gesserit witch, and their son Paul (Alec Newman) must flee into the dangerous, worm-infested dunes where they find help from an ancient civilization that engages in guerilla warfare. As the political agenda of the reigning emperor unfolds, Paul is enlightened about his powers in the world and those of the mysterious Navigators of Spacing Guild. The series is written and directed by John Harrison who had considerable help from an award-winning production team including three-time Academy award-winning cinematographer Vittorio Storaro (The Last Emperor, Apocalypse Now). ~ Jessica Frost, Rovi

In this drama set in Ireland in the 1930s, Mark Doran (Matt Keeslar) is a young man who has grown up on a cattle farm and has fallen in love with lovely Annie Mullaney (Nancy St. Alban). However, Annie's father Fergus (Patrick Bergin) regards Mark as a callow youth and insists that he prove his manhood before Mark can ask for his daughter's hand in marriage. Mark sees an opportunity to prove himself and help his family at the same time when he becomes angry with the low prices offered by a local cattle broker; Mark decides that he will instead drive his herd 40 miles to the next available market, where's he's sure that they will bring in more money. Mark sets out to play cowboy with his rough-and-tumble Aunt Maeve (Brenda Fricker) in tow, but they soon run into interference from angry ranchers unhappy with Mark's stunt. Durango was produced for television as part of the acclaimed drama anthology series Hallmark Hall of Fame. ~ Mark Deming, Rovi

Sitcom veteran Larry David, the co-creator of TV's Seinfeld, made his big-screen directorial debut with this clever comedy featuring distinct Seinfeld overtones. Sour Grapes was released April 17, 1998, only four weeks prior to the last Seinfeld episode. Selma Maxwell (Viola Harris) is the adoring mother of boyish, fun-loving shoe designer Richie (Craig Bierko), who would like to see his more-mature cousin Evan (Steven Weber), a respected neurologist, enjoy himself more. So the two head for Atlantic City for a gambling weekend. They lose heavily at the tables and soon are down to pocket change at the slot machines. After Richie inserts his last quarter, he asks Evan for two coins to go a final round. The spinning cylinders land on three grape clusters, triggering alarms, flashing lights, and a $400,000 jackpot. Richie is ecstatic. But Evan feels that since the win was made with his quarters, he deserves 50%. Richie refuses, and heady with power, Richie soon turns nasty and is fired after he insults his boss. Richie's girlfriend Roberta (Robyn Peterman) suggests he settle down and give Evan something, while Joan (Karen Sillas) wants Evan to drop his money demands. An attempt to renew the friendship goes awry when Richie finds Evan's jogging-suit gift ludicrous, while Evan becomes incensed by an offer of only 3% of Richie's $400,000. The film's score punctuates the escalating conflict with witty excerpts from familiar classical compositions. ~ Bhob Stewart, Rovi

As another installment of Whit Stillman's trilogy, The Last Days of Disco fits chronologically between Metropolitan (1990) and Barcelona (1994), with several cameos overlapping and linking the films. During "the very early 1980s," friends gather at a popular Manhattan disco club reminiscent of Studio 54, where getting past the velvet ropes and inside was the first step. Edgy ad-exec Jimmy (Mackenzie Astin) can sometimes get his clients in with the help of the club's womanizing assistant manager, his pal Des (Chris Eigeman), who lets them enter via the rear door. Beautiful brunette Charlotte (Kate Beckinsale) and her former college classmate Alice (Chloe Sevigny) move about the club during the 24-minute opening club sequence. Attorney Tom (Robert Sean Leonard) takes an interest in calm, reserved Alice. Both Alice and the opinionated, assertive Charlotte hold day jobs as entry-level editorial associates at a small book publisher. With Holly (Tara Subkoff) as a third roommate, the trio rents a railroad flat in the Manhattan's Yorkville neighborhood. Charlotte throws dinner parties in an effort to solidify a social circle as an alternative to "the ferocious pairing off" around her. ~ Bhob Stewart, Rovi

Action-adventure director Stanley Tong (Supercop, Rumble in the Bronx) did a change of pace by directing this live-action adaptation of UPA's bumbling, near-sighted Mr. Magoo the animated-series character created during the '40s by John Hubley and others for the cartoon short Ragtime Bear (1949). Millionaire Quincy Magoo (Leslie Nielsen) won't admit he needs glasses, so nephew Waldo (Matt Keeslar) removes obstacles in Magoo's path. At a museum exhibition, when Magoo steps up to cut a ceremonial ribbon but instead severs a power line, it sets in motion events making Magoo the target during an international manhunt -- while he continually escapes mishaps by inches. Greg Burson does the voice of Magoo in animated sequences at the film's beginning and end. During the '50s, the animated character (voiced by Jim Backus) led to two Oscars -- for the jazz-scored Rooty Toot Toot (1952) and the CinemaScope When Magoo Flew (1955). ~ Bhob Stewart, Rovi

The city of Blaine, Missouri is celebrating its sesquicentennial, and what better reason could there be to put on a show? Corky St. Claire (Christopher Guest), current leader of Blaine's community theater group and creator of a stage musical version of Backdraft that led to the unfortunate destruction of the theater, has been commissioned to put together a musical about the city's noble history, "Red, White and Blaine," which stars a variety of the town's theatrical talent. Corky's cast includes Ron and Sheila Albertson (Fred Willard and Catherine O'Hara), a pair of married travel agents that Corky calls "the Lunts of Blaine;" Allan Pearl (Eugene Levy), a dentist who insists that he wasn't the class clown in high school but did sit next to him; Libby Mae Brown (Parker Posey), a sweet young thing who lives for her job at the Dairy Queen; and Clifford Wooley (Lewis Arquette), an "Old Blainian" who makes gun racks from deer hooves. Somehow, Corky has persuaded a major theatrical producer in New York to send a representative to look at the show -- is it possible that "Red, White and Blaine" could be headed to Broadway? Christopher Guest directed and co-wrote this very funny mock-documentary, in addition to playing the flamboyant Corky; Guests's partners from This Is Spinal Tap, Michael McKean and Harry Shearer, helped write the memorable songs for "Red, White and Blaine." ~ Mark Deming, Rovi