Maurice Denham Movies

The Spider and the Fly is set in Paris during the cloud-cuckoo days before WW I. The storyline intertwines the destinies of three people. Guy Rolfe plays Phillipe de Ledocq, a resourceful safecracker who always manages to elude arrest. Eric Portman is cast as police-chief Maubert, who will not rest until Ledocq is behind bars. And Nadia Gray is Madeleine, the woman beloved by both Ledocq and Maubert. Just as Maubert has managed to capture his man, Ledocq is released at the behest of the government, who wants him to steal secrets from the German embassy revealing the whereabouts of the Kaiser's secret agents. And just how does Madeleine figure into all of this? Spider and the Fly is a diverting precursor to the 1960s TV series It Takes a Thief. ~ Hal Erickson, Rovi

British film star Googie Withers took a break from the steamy melodramas that had previously been her specialty in Once Upon a Dream. Withers plays Carol Gilbert, happily married to Major Gilbert (Guy Middleton). One evening, Carol dreams of an extramarital affair with Gilbert's former aide Jackson (Griffin Jones). Upon awakening, she is convinced that the assignation took place, and behaves accordingly, much to the confusion of both her husband and her "lover." More silly than funny, Once Upon a Dream is kept alive by the enthusiastic performances of its leading players. ~ Hal Erickson, Rovi

Anticipating The Defiant Ones by nearly ten years, the British My Brother's Keeper concentrates on the exploits of two handcuffed-together escaped convicts. The protagonists are career criminal George Martin (Jack Warner) and terrified "first timer" Willie Stannard (George Cole). The film is one long chase, with a brief respite to establish the relationship between Martin and his girlfriend Nora Lawrence (Jane Hylton). Despite the fact that they're polar opposites, George and Willie develop a grudging friendship and dependence upon one another, broken only by the events in the final scenes. Director Alfred Roome's utilization of actual exterior locations adds a great deal of credibility to the story. ~ Hal Erickson, Rovi

British novelist Erik Linklater was well-represented in 1949, with adaptations of two of his best novels hitting the screen almost simultaneously. In Linklater's Poet's Pub, a rhyme-spinner named Saturday Keith (Derek Bond) assumes control of a rustic inn. All Keith wants is a little peace and quiet so that he can write his poems without interruption. Alas, his little Pub becomes a veritable Grand Central Station for a wide variety of eccentrics, ranging from absent-minded professors to bumbling crooks. Stealing the show is the peerless Joyce Grenfell as a toothy patroness of the arts. Poet's Pub has no real plot to speak of, just a series of vignettes unified by a central locale. ~ Hal Erickson, Rovi

Landfall takes place during the early portions of WWII. RAF pilot Rick (Michael Denison) is transferred to another squadron after sinking a British sub during a bombing raid. Disgraced, Rick has no one to turn to, save for sympathetic barmaid Mona (Patricia Plunkett). With her help, the pilot is able to find out the truth behind his "fatal error" and clear his name. Landfall was based on a novel by Nevil Shute, of On the Beach fame. ~ Hal Erickson, Rovi

Assembled for British theatrical consumption by Pathe Films, The Peaceful Years covers the era between WWI and WWII. The title is ironic: to the citizens of Manchuria, Czechoslovakia, Ethiopia and Spain, the years were anything but peaceful. Producer Peter Baylis contrasts the starkness of "real life" with the various forms of escapism pursued in the 1920s and 1930s, ranging from miniature golf to Lindbergh's flight to Paris. Providing the narration are such well-known BBC personalities as Stuart Hibbard, Maurice Denham, James McKechnie, Peter Madden, Ann Codrington and Betty Hardy. Excerpts from The Peaceful Years later popped up in the 1963 TV series Time to Remember. ~ Hal Erickson, Rovi

Blanche Fury combined two elements that were surefire moneymakers in postwar Britain: a brooding, Gothic-novel storyline and the dazzlingly handsome Stewart Granger. Heroine Blanche Fury (Valerie Hobson) is an impoverished governess who marries into wealth and sets herself up as the mistress of a vast estate. Enter Heathcliffe-like stable boy Philip Thorn (Granger), who intends to run the estate and eventually claim Blanche as his own. After a torrid, bodice-ripping romance between Blanche and Philip, the story segues into a no-names-please reenactment of the infamous 19th-century "Rush Murder." To "explain" the motives of the characters, the screenwriters deviate from the original Joseph Shearing novel by imposing all sorts of 20th-century "psychological disturbances" upon hero and heroine, with an abruptness and lack of logic that takes the viewer's breath away. Up until the end, however, Blanche Fury is a prime example of high-budget postwar British melodrama. Oddly, despite its $1.5 million price tag, con brio performances and superb Technicolor cinematography, Blanche Fury was a box-office disappointment, bringing an end to the "Gothic cycle" that had begun so promisingly with 1943's The Man in Grey. ~ Hal Erickson, Rovi

The blind goddess is justice, which may or may not be served in this British second feature. Eric Portman plays the private secretary to a celebrated public figure (Hugh Williams). Portman holds his boss in an esteem that borders on hero worship. But when his idol is brought into court, the secretary quickly learns that the Great Man is waist-deep in political corruption. Blind Goddess was based on a stage play by Patrick Hastings. ~ Hal Erickson, Rovi

Easy Money is a satire of that most venerated of all middle-class British traditions, the football pool. The film is divided into four separate episodes, illustrating the effects of the football pool on the "average chap." Among those who participate in the pool in hopes of winning the 50,000-pound jackpot are the Stafford family: husband Phillip (Jack Warner), wife Ruth (Marjorie Fielding), son Dennis (Jack Watling), and daughter Jackie (Petula Clark). Other interested parties are the Atkins clan -- Herbert ($Mervyn Johns) and Agnes ($Joan Young) -- and lovers Pat (Greta Gynt) and Joe (Dennis Price). Among the huge cast of supporting players, Edward Rigby stands out as the hapless Teddy Ball. Critics of the time noted that Easy Money was faintly reminiscent of the all-star 1932 Hollywood film If I Had a Million. ~ Hal Erickson, Rovi

Ann Markham (Margaret Lockwood) is an employee with the British Embassy in Rio de Janeiro. Though ostensibly businesslike and intelligent, Ann can't help falling in love with irresponsible Charlie Kent (Griffith Jones). On their wedding day, Ann discovers that Charlie is on the lam from fraud charges throughout the world. Still, she believes his promise that he'll mend his ways once they've tied the nuptial knot. Not unexpectedly, Charlie goes back on his word, and it is up to handsome millionaire Ashley Morehouse (Norman Wooland) to save Ann from her poor judgment. It was surprising to see the British film industry's resident "wicked lady" Margaret Lockwood playing so gullible a character -- so surprising, in fact, that audiences tended to stay away from Look Before You Love in droves. ~ Hal Erickson, Rovi

In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, Rovi

Clem Morgan (Trevor Howard), an embittered ex-RAF pilot, mistakenly believes the life of crime is for him in this exceptionally dark British film noir, directed by Alberto Cavalcanti. He joins a gang of black marketeers led by the aptly named Narcey (short for Narcissus) (Griffith Jones), an egotistical and sadistic thug. The two develop an almost immediate mutual dislike, leading Narcey to frame Morgan for killing a policeman. While serving the resulting 15-year sentence, Morgan is visited by Narcey's sometime girlfriend Sally (Sally Gray), who tells him that the thug has taken up with the prisoner's fiancée, and that a witness to the frame might come forward. This triggers an even more bitter Morgan to escape and return to London to try to clear and avenge himself. Many postwar American films noirs dealt with alienated but law-abiding veterans, some of them framed for crimes they did not commit, e.g. Alan Ladd's Johnny Morrison in The Blue Dahlia. This British effort goes a noteworthy step further by placing the protagonist in the criminal underworld. Its downbeat ending is consistent with its unrelenting cynicism. ~ Steve Press, Rovi

Holiday Camp was a British comedy that served the same purpose as Hollywood's The Egg and I--to act as the launching pad for a successful B-movie series. The film takes place at a British summer resort, where various character types interact. A murderer on the loose invades the camp, but the damage he does is slight--and in some instances, his presence is beneficial. Among the secondary characters are the members of the suburban Huggett family, headed by Jack Warner and Kathleen Harrison. They proved popular enough to be spun off into a "Hardy Family" style series of their own, with such titles as Here Come the Huggetts, Vote for Huggett and The Huggetts Abroad. ~ Hal Erickson, Rovi