John Benjamin Hickey Movies

A New York City subway dispatcher draws on his extensive knowledge of the subway system in order to outsmart a dangerous criminal mastermind who's hijacked a subway train in this remake of the 1974 thriller inspired by John Godey's best-selling book. Walter Garber (Denzel Washington) is drifting through his daily routine when he receives word that a heavily armed gang of four has hijacked a subway train and is holding all of the passengers hostage. Led by cunning master thief Ryder (John Travolta), the gunmen will begin executing everyone aboard should the authorities fail in delivering ten million dollars in the space of just one hour. With the tension in the tunnels rising, Walter races to save the hostages before the shootings start. But through it all, there's one part of Ryder's plan that Walter can't quite comprehend: even if the thieves do succeed in getting their money, how could they possibly get out of the tunnels undetected? ~ Jason Buchanan, Rovi

Two years after saving the world with the Autobots, Sam Witwicky (Shia LaBeouf) is away at college when an ancient Decepticon named "The Fallen" returns to Earth on a mission of vengeance. With the Allspark destroyed, the Autobots lose all hope of returning to their home planet of Cybertron, and begin working with an elite military known as NEST to hunt down any remaining Decepticons. But even as they fight for humanity alongside Major Lennox (Josh Duhamel) and USAF Master Sergeant Epps (Tyrese Gibson), the Autobots are acutely aware that not all humans are thrilled by their presence on planet Earth. When National Security Advisor Theodore Galloway (John Benjamin Hickey) wages a heated campaign aimed at exiling the giant robots back into space, head Autobot Optimus Prime agrees to comply with the voice of the people, while warning them of the potential consequences of leaving the planet unprotected. Meanwhile, Sam contends with an overly cocky college roommate, and attempts to remain faithful to Mikaela (Megan Fox) by fending off advances from pretty -- and persistent -- coed Alice (Isabel Lucas). Just as Sam begins adjusting to the quirks of campus life, a series of inexplicable visions leaves him convinced that the struggle between good and evil is far from over. And he's correct, too, because the Decepticons have just discovered that Sam is the one human who possesses the ability to tip the balance of power to the Autobots' advantage, and they're determined to gain the upper hand by dispensing with him once and for all. Now, as Sam and Mikaela unearth a secret about the Transformers that alters the entire course of human history, the Decepticon known as The Fallen prepares to return -- and reclaim the plant once and for all. ~ Jason Buchanan, Rovi

Producer Marc E. Platt brings author Susan Cooper's popular series of children's fantasy books to the big screen with this tale of a young boy (Alexander Ludwig) who discovers that he is the latest in a long line of immortal warriors. When the forces of darkness, led by the villainous Rider (Christopher Eccleston), threaten to overpower the forces of light, the young chosen one must venture out into the world to realize his destiny and ensure that evil is defeated. Ian McShane and Frances Conroy round out the cast. ~ Jason Buchanan, Rovi

Douglas McGrath's Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller's earlier Capote, recounting the events that belied the writer's six-year authorship of the seminal "nonfiction novel" In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote's increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, "conquer all" attitude of Capote in his early years with a seemingly endless string of poor choices in the writer's later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety. ~ Nathan Southern, Rovi

Based on a novel by Luanne Rice, this "Hallmark Hall of Fame" production begins in Manhattan at Christmastime. Christopher "Christy" Byrne (Tate Donovan), a Nova Scotian Christmas tree farmer, has arrived in the Big Apple to sell his wares, assisted by his teenaged children Danny (Michael Mitchell) and Bridget (Courtney Jines). After an argument between Christy and Danny sparked by the boy's desire to become a photographer rather than a farmer, Danny runs away, and is eventually befriended by widow Catherine O'Mara (Anne Heche), who had earlier refused to by a tree from the Byrnes family. One year later, a chance meeting brings Catherine and Christy face to face, leading to an extremely tense situation that can be alleviated only by Christy's acceptance of Danny's life goals--and by Catherine overcoming the grief attending the loss of her husband. Weaving throughout the narrative is a "silver bells" promotional stunt staged by the museum for which Catherine works, a stutnt which will (inevitably!) figure prominently in the tearful finale. Silver Bells premiered November 27, 2005, on CBS. ~ Hal Erickson, Rovi

The ABC sitcom It's All Relative had its roots in the 1920s Broadway hit Abie's Irish Rose, which chronicled the trials and tribulations of an Irish-Jewish married couple and their constantly warring parents. This time around, the wedding-bound duo were Boston bartender Bobby (Reid Scott) and Harvard medical student Liz (Maggie Lawson). Though deeply in love and committed to one another, Bobby and Liz were saddled with parents who just plain couldn't see eye to eye on anything. Bobby's blue-collar dad and mom, Mace and Audrey O'Neill (Lenny Clarke and Harriet Harris), were the Irish-Catholic, conservative-Republican owners of a Boston pub. As for Liz, she had two "daddies," wealthy gay art-gallery owner Philip (John Benjamin Hickey) and his life partner, Simon (Chris Sieber). Gloriously anti-PC, the series showed that the gay couple were equally as intolerant of the "straight" O'Neills as the O'Neills were of them. And avoiding the usual "old people can't do it anymore" sitcom cliché, it was obviously that both sets of parents enjoyed robust sex lives. Created by Anne Flett-Giordano and Chuck Ranberg and produced by Craig Zadan and Neil Meron of Chicago fame, It's All Relative proved an instant winner when the series joined the ABC Tuesday-night lineup on October 1, 2003. ~ Hal Erickson, Rovi

Director Roger Michell follows up the hit romantic comedy Notting Hill (1999) with this thought-provoking thriller. Ben Affleck and Samuel L. Jackson star, respectively, as Gavin Banek and Doyle Gibson, two New York men whose lives become accidentally intertwined in a Good Friday fender bender on the FDR Drive. Late for a crucial appointment, hotshot lawyer Gavin tosses Doyle a blank check and leaves the scene, while Doyle, whose car is inoperable, is late for a court-appointed custody hearing. A recovering alcoholic, Doyle's tardiness doesn't sit well with the judge, who - sick of waiting for Gipson - grants custody to Doyle's ex-wife in Doyle's absence. The situation worsens when it becomes evident that Doyle has an equally important file belonging to Gavin, which proves that an elderly man gave Banek's firm power-of-attorney over his foundation. So begins an escalating war of words and deeds between the two men. Soon, egged on by an associate (Toni Collette), Gavin hires a "fixer" (Dylan Baker) to destroy Doyle's credit, forcing Doyle to fire back with some cunning moves of his own. Changing Lanes co-stars William Hurt, Sydney Pollack, and Toni Collette. ~ Karl Williams, Rovi

In this Dogma 95-inspired first feature for acclaimed performers Jennifer Jason Leigh and Alan Cumming, the two star as Joe and Sally Therrian, a couple who have recently reconciled after a yearlong separation, and who decide to throw a sixth anniversary party in their honor. They invite a bevy of Hollywood types, including Skye Davidson (Gwyneth Paltrow), a young, beautiful, Ecstasy-pushing actress appointed to play a character based on
Sally in the new feature film based on Joe's successful novel. Also featured are Cal and Sophia Gold (played by real-life marrieds Kevin Kline and Phoebe Cates), the former a co-star of Sally's and the latter her best friend who has given up the business to raise a family; Mac (John C. Reilly), the director of the new film and his actress wife Clair (Jane Adams), who has continued working after the recent birth of their child; Judy and Jerry Adams (Parker Posey and John Benjamin Hickey), the Therrians' managers; and Gina (Jennifer Beals), Joe's ex-girlfriend, who is often regarded as his first big love. Things are complicated when their contentious neighbors (Mina Badie and Denis O'Hare) make an appearance, and a mystery gift causes the event to unravel over the course of one long evening. The film was also written by Cumming and Leigh, another first for both actors. ~ Jason Clark, Rovi

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, Rovi

A murder on a military base unearths a netherworld of corruption in this thriller based on the novel by Nelson DeMille. General Joe Campbell (James Cromwell) is a respected military leader with a flawless reputation; he's due to retire from the Army soon and is headed for a Vice-Presidential nomination. However, Campbell finds himself in both a personal and political crisis when his daughter is brutally murdered. Captain Elizabeth Campbell (Leslie Stefanson) was beautiful, intelligent, disciplined, and well-regarded, the very model of an ideal female officer; she was also stationed at the same base as her father. Paul Brenner (John Travolta), a warrant officer of the Army's Criminal Investigation Division, is assigned to look into the case alongside CID officer Sara Sunhill (Madeleine Stowe). Brenner and Sunhill were once romantically involved, complicating an assignment that soon offers more than enough complications of its own. Brenner and Sunhill come to realize that, for all her accomplishments, Elizabeth carried a lifetime of emotional scars from emotional abuse and sexual harassment, and that, despite the General's reputation, his relationship with his daughter was not always a happy or healthy one. It also seems possible that the General's second-in-command, General George Fowler (Clarence Williams III), a likely candidate for the Joint Chiefs of Staff, may also be implicated in the crime. The General's Daughter was the second feature film for director Simon West; his full-length debut was Con Air (1997), after a long string of successful television commercials and music videos. ~ Mark Deming, Rovi

Gene Wilder wrote and starred in this detective story produced for the A&E cable television network. Set in 1938, Wilder plays Larry "Cash" Carter, a one-time Broadway theatrical director who has moved to a quiet Connecticut town, where he oversees a community theater group and works as a private investigator. When a local philanthropist with strong anti-Nazi sentiments is murdered, the police ask Cash to help them track down the killer. Cash discovers his little town isn't as quiet as he imagined, with nefarious servants, devious relatives, and an Axis agent all figuring into the deadly puzzle before he can determine the killer's identity. The Lady in Question was the second in a projected series of made-for-cable "Cash" Carter mysteries written by Wilder; the character was introduced in the first film, 1999's Murder in a Small Town. ~ Mark Deming, Rovi

The most recent victims of an apparent serial killer are a woman who worked with underprivileged children and a sportscaster. Upon investigating the background of one of the victims, it is discovered that a fondness for kinky sex may have been the motivation for the murder. The captured killer tries to get off on the "Kojak" defense, claiming that his mind was "twisted" by watching too much television. The strategy used by McCoy (Sam Waterston) to attack this argument could well have been Law & Order producer Dick Wolf's own personal response to those who think that purging TV of violence is the solution to violence in real life. ~ Hal Erickson, Rovi