Jacques Gamblin Movies

For 30 years the title eatery has delighted its customers with good family style French cooking, but as with many good things, its time has come and it must close. This semi-autobiographical French drama, adapted from screenwriter/director Laurent Benegui's novel, chronicles the final meal served to 15 loyal patrons on closing day. Amidst affectionate humor and occasional pathos, much attention is paid to the conversations, personal situations, and emotions of the diners and the staff. ~ Sandra Brennan, All Movie Guide

Not a strict adaptation of the oft-filmed Victor Hugo classic, director Claude Lelouch's ambitious epic instead focuses on the story of two men, a father and a son, whose life stories bear striking similarities to Hugo's character Jean Valjean. The father is Henri Fortin (Jean-Paul Belmondo), a chauffeur (in 1900) wrongly accused of his employer's murder. Like Valjean, he is subjected to a harsh and unfair prison sentence. While Henri vainly attempts to escape his unjust fate, his family suffers, with his wife forced to raise their young son alone. The film jumps ahead several decades to show the adult life of this son (also Belmondo), a former boxer turned furniture mover who agrees to help smuggle a Jewish lawyer (Michel Boujenah) out of France during the Nazi occupation. Along the way, the lawyer reads to the younger Fortin from Les Misérables, and Fortin begins to imagine himself in the role of Jean Valjean, on the run from the obsessive Inspector Javert. ~ Judd Blaise, All Movie Guide

After being driven over the edge by a collective series of romantic reverses, three working-class friends abandoned their ordinary jobs as a waiter, taxi-driver and hairdresser to milk money from tourists in a series of clever scams. They have been apprehended by the authorities and are awaiting trial before a judge who has been having an affair with their lawyer. Before this comedy is over, the judge, who previously had entertained a rather exalted view of his own good sense, will have a more sympathetic understanding of how ordinarily good men can go a little crazy and do some bad things - especially in response to crazy romantic situations. ~ Clarke Fountain, All Movie Guide

In this somewhat odd exploration of human romantic difficulties, the people in the film are all put under extra stress by the fact that on the day in question, they have lost an hour to daylight savings time. In addition, it is a full moon. Neither factor improves their response to the mild stresses they experience, which have been building up for several years. The beginning of the film shows a number of couples getting married, and follows them and a few others a few years later, on the day of the time change. ~ Clarke Fountain, All Movie Guide