Richard Delmonte Movies

Master documentary filmmaker Chris Marker directs this loving tribute to the late great Russian director Andrei Tarkovsky, who made such classics of art cinema as Andrei Rublev (1966) and The Sacrifice (1986). The film opens with documentary footage of the tearful reunion between the director and his son, after the latter finally got an exit visa from Soviet officials. Though he was ailing from the cancer that would eventually kill him, Tarkovsky cheerfully talks with his family while drinking champagne. Relying on Marker's lyrical commentary, the film juxtaposes sequences of Tarkovsky on his deathbed, footage on the set of The Sacrifice, and material from his many films. Marker postulates that the director's use of fundamental elements such as earth and fire parallel that of another cinematic master -- Akira Kurosawa (who was the topic of Marker's 1985 film, AK). Une Journee D'Andrei Arsenevitch was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, Rovi

In Marked for Death, Steven Seagal is told to "try to find the gentle person inside yourself." But he doesn't spend too much time looking, preferring instead to crack the spines of his victims. Seagal plays John Hatcher, a burned-out narcotics agent who resigns from the Drug Enforcement Administration after his partner is killed. He returns to his hometown and finds the city in the thrall of a vicious Jamaican drug gang, led by the nasty Screwface (Basil Wallace). He meets an old friend, now a high school football coach, who tells John about losing his best player and his 13-year-old nephew to drug overdoses. Soon John's family is threatened and his prize Mustang stolen, so John joins forces with his buddy to take on Screwface and the drug gang themselves. ~ Paul Brenner, Rovi

Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original Scarface is Tony Montana's incestuous yearnings for his sister Gina (Mary Elizabeth Mastrantonio). The screenplay for the 1983 Scarface was written by Oliver Stone. ~ Hal Erickson, Rovi