Lindzay Chan

This dramatic film compares and contrasts Chinese and American cultures. It is based upon real events which took place in New York during the mid-'80s when a deranged white male pushed a Hong Kong immigrant off a subway platform. The movie begins in modern Hong Kong and follows the life of Mo-yung, a middle class single woman. In order to get her out of Hong Kong before the Chinese take over the colony in 1997, her parents arrange for her to marry a Canadian man. But Mo-yung demurs and instead follows Benny, a hip, but shady photographer, to New York. Benny is doing more than taking pictures and frequently shuttles between Hong Kong and New York. Her involvement with Benny gets Mo-yung into real trouble. While in New York, Mo-yung meets Rubie, a half white woman who is being followed by a crazy Caucasian schoolteacher with an obsession for Asian women. ~ Sandra Brennan, All Movie Guide

The moneymen who put up the cash to support artistic enterprises are the same the world over. For the most part, they are much more interested in the prestige which comes from their support than in the art itself, and this takes a toll on the artists, as for most of these investors, older is better. They tend to favor predictable, tried-and-true formulas. In this story, a dancer with one of the more conservative Chinese troupes is increasingly frustrated with their stodgy repertoire, and she and her photographer boyfriend want to start a new, more innovative company. They go to the moneymen and eventually arrange this, but the photographer is so overwhelmed by the difficulties he has endured in the process that he has a nervous breakdown and separates from the dancer, who goes on to ever greater success. ~ Clarke Fountain, All Movie Guide