Jean Acker Movies
American actress Jean Acker acquired more notoriety for being the estranged wife of Rudolph Valentino than she did as a leading actress. According to Tinseltown legend, she married him in 1919 while he was still an unknown. She left him on their wedding night and the marriage was apparently never consummated. Still Valentino was rumored to have begged for Acker to return. She never did and in 1921 filed for a legal separation. In 1924, Acker had the gall to use the name Mrs. Rudolph Valentino as a screen credit. ~ Sandra Brennan, All Movie GuideThe Young Man with Ideas in this MGM production is idealistic lawyer Maxwell Webster (Glenn Ford). Too self-effacing for his own good, Webster vegetates in Montana with his wife Julie (Ruth Roman) and children for nearly 10 years before starting life anew in California. Living penuriously while studying for his California bar exam, Webster tries out several moneymaking schemes, most of which come acropper. Along the way, he inadvertently gets involved with a bookie ring, culminating in a climactic courtroom scene wherein Webster defends himself -- and surprise, he doesn't have a fool for a client. In typical Hollywood fashion, the script requires the talented Ruth Roman to express jealousy when a brace of lovely females played by Nina Foch and Denise Darcel briefly set their caps for the ingenuous Glenn Ford. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Ruth Roman, (more)
Something to Live For is the last of director George Stevens' "small" films, before he concentrated full-time on such blockbusters as Shane and Giant. Joan Fontaine plays a popular actress who descends into alcoholism. Ray Milland, in an unofficial extension of his Lost Weekend role, plays a reformed drunkard who comes to Fontaine's rescue. He encourages her to join Alcoholics Anonymous--one of the first times that this organization was given any kind of screen treatment. Milland's concern strains his relationship with his wife (Teresa Wright), who doubts that Ray's interest in Fontaine is merely humanitarian. But Milland refuses to endanger his marriage no matter how strong his feelings towards Fontaine--nor how much the audience wants him to. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Fontaine, Ray Milland, (more)
A pair of top 20th Century Fox contractees were loaned to Paramount as stars of The Mating Season. Gene Tierney plays globe-trotting socialite Maggie Carleton, while Thelma Ritter is cast as Ellen McNulty, the hash-slinging mother of Maggie's husband, Val (John Lund). Perceiving that her son is embarrassed by his lower-class origins, Ellen poses as a maid when she attends Maggie and Val's wedding reception. Even after Val expresses displeasure at this deception, Ellen refuses to reveal her true identity, leading to a series of funny and poignant consequences. Miriam Hopkins co-stars as Ellen's blue-blooded mother, whose third-act arrival heralds the film's inevitable "moment of truth." Rest assured, The Mating Season is never dull. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Tierney, John Lund, (more)
The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Arturo de Cordova, (more)
As Alfred Hitchcock's classic psychothriller opens, the staff of a posh mental asylum eagerly awaits the arrival of the new director. When the man in question shows up, it turns out to be handsome psychiatrist John Ballantine (Gregory Peck). But something's wrong, here: Ballantine seems much too young for so important a position; his answers to the staff's questions are vague and detached; and he seems unusually distressed by the parallel marks, left by a fork, on a white tablecloth. Dr. Constance Peterson (Ingrid Bergman) comes to the conclusion that Ballantine is not the new director, but a profoundly disturbed amnesiac--and, possibly, the murderer of the real director. But is she correct in her inferences? Scriptwriters Angus MacPhail and Ben Hecht soon add to this the complication that Constance begins to fall in love with John. Director Hitchcock tapped surrealist artist Salvador Dali to design the visually arresting dream sequences in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Ingrid Bergman, Gregory Peck, (more)
This fifth entry in MGM's off-and-on "Thin Man" series maintains the high production and story values of the first four. Per the title, retired private detective Nick Charles (William Powell) pays a visit to his home town of Sycamore Springs, with wife Nora (Myrna Loy) in tow. Poor Nick is amusingly browbeaten by his parents (Harry Davenport and Lucile Watson), who wanted their boy to study medicine, is frustrated by the fact that there isn't a good stiff drink to be had in town, and is hilariously defeated by a recalcitrant hammock. In a more serious vein, Nick and Nora become involved in international intrigue while investigating the murder of a local house painter. If the identity of the murderer seems obvious today, it is only because the actor in question has played so many "surprise killers" in other films of this genre. A refreshing change of pace for the usually urbanized "Thin Man" series, The Thin Man Goes Home features such colorful suspects as Gloria DeHaven, Edward Brophy, Lloyd Corrigan, Leon Ames, and, best of all, Ann Revere as a local eccentric named "Crazy Mary". ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Carroll, Edmond O'Brien, (more)
A romantic comedy drama directed by former art director Mitchell Leisen and based on a skillful Preston Sturges screenplay. Barbara Stanwyck stars as Lee Leander, a New York City shoplifter who is arrested just before Christmas after trying to filch an expensive piece of jewelry. Her trial delayed until after the holiday, Lee comes to the attention of an assistant district attorney, John Sargent (Fred MacMurray). Although he will be expected to prosecute Lee in a few days, John takes pity on the prisoner, who is from his home state of Indiana. He arranges for her to be released for the holidays and escorts her home, but her mother (Georgia Caine) is not interested in a reunion. So John takes Lee to his own festivities, where Lee is bowled over by the love and affection of the Sargent family, particularly John's mother (Beulah Bondi), who is so unlike her own. Lee and John fall in love, but their return to the Big Apple and Lee's trial loom large over their romance. ~ Karl Williams, All Movie Guide
- Starring:
- Barbara Stanwyck, Fred MacMurray, (more)
Leo McCarey was supposed to both produce and direct My Favorite Wife, but an illness forced him to relinquish the director's chair to Garson Kanin, who did a splendid job. This hilarious retread of the old "Enoch Arden" legend stars Irene Dunne as Ellen, who returns home to her husband Nick (Cary Grant) and children Tim (Ann Shoemaker) and Chinch (Mary Lou Harrington) after being marooned on a desert island for seven years. Thing of it is, Ellen has been declared legally dead, and Nick has taken unto himself a second wife, the bitchy Bianca (Gail Patrick). Upon discovering that Ellen is still alive, Nick is on the verge of a tender reunion-until it discovers that she spent those seven lost years in the company of handsome Mr. Barkett (Randolph Scott). The superb supporting cast includes Granville Bates as a flummoxed judge, Chester Clute as a meek shoe salesman whom Ellen tries to pass off as Barkett, and Donald MacBride as a beetle-browed honeymoon-hotel clerk. My Favorite Wife was remade in 1963 as Move Over Darling, in which Irene Dunne and Cary Grant were replaced by Doris Day and James Garner. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Cary Grant, (more)
Spunky Joan Blondell is practically the whole show in the diverting comedy Good Girls Go to Paris. Blondell is cast as ambitious college-campus waitress Jenny Swanson, who yearns to see the sights in Gay Paree. She gets her chance by latching onto British exchange professor Ronald Brooke (Melvyn Douglas), who is en route to the City of Light. Once she sets foot on French soil, Jenny proves the veracity of the film's title by straightening out the wayward family of dyspeptic millionaire Olaf Brand (Walter Connolly)-though for a while it looks as though she's a "bad girl", merely out to take the Brands for every penny they've got. In later years, Joan Blondell ruefully recalled that the film's original title was Good Girls Go to Paris Too, but the Hays Office nixed that harmlessly suggestive monicker. ~ Hal Erickson, All Movie Guide
- Starring:
- Melvyn Douglas, Joan Blondell, (more)
In this polished soap opera from MGM, Robert Taylor plays Chris Claybourne, a dedicated scientist researching a possible cure for spotted fever. However, Chris has a dark side; he has a weakness for gambling and has fallen into debt with a gangster named Fish Eye (Joseph Calleia). While visiting a casino, Chris meets Rita Wilson (Barbara Stanwyck), a gambler's shill who does some modeling on the side. Chris and Rita quickly fall in love, and when Chris is due to leave for South America on a research expedition, Rita begs him to stay with her. However, Fish Eye has been leaning on Chris for his money, and when he asks his brother Tom (John Eldridge) for a loan to pay off the debt, he agrees under one condition -- that Chris leave for South America right away, and without Rita. When Chris ships out, Rita believes that he left her behind because he didn't care for her, and to hurt him, she marries Tom and takes Chris's IOU. However, by the time Chris returns, Rita's marriage with Tom is in tatters and she's desperate to win back Chris's affection. In real life, Robert Taylor and Barbara Stanwyck were an item while shooting His Brother's Wife, and they married three years later. ~ Mark Deming, All Movie Guide
- Starring:
- Barbara Stanwyck, Robert Taylor, (more)
MGM regularly churned out films in the 1930s that were all "star power" and very little plot. No More Ladies is a good example of this. Joan Crawford marries bon vivant Robert Montgomery, hoping to mend his wastrel ways. Montgomery refuses to assumes the proper responsibilities of a husband, so Crawford tries to make him jealous by taking up with Franchot Tone. Everyone involved has limitless money, beautiful clothes and all the time in the world to spend on the trivialities of the plotline. Depression era audiences loved to see good-looking people in sumptuous sets, so No More Ladies was a success. The fact that, when asked, these audiences couldn't remember a single thing about the story was beside the point. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Robert Montgomery, (more)
The Nest was based on Les Noces d'Argent, a play by Paul Geraldy. Having sacrificed all for her children, staid Mrs. Hamilton (Pauline Frederick) is aghast when her daughter Susan (Ruth Dwyer) marries an insufferable social-climber. Even worse, Mrs. Hamilton's son Martin (Reginald Sheffield) opts for a life of crime. In hopes of forgetting her domestic difficulties, Mrs. Hamilton heads to Paris, where she undergoes a glamor treatment and emerges as the most beautiful and desirable woman in Europe. In this incarnation, she finds happiness by marrying Richard Elliot (Holmes Herbert), the executor of her late husband's estate. Out of love for his new wife, Elliot takes on the daunting task of "reforming" her two wayward children. ~ Hal Erickson, All Movie Guide
- Starring:
- Pauline Frederick, Holmes Herbert, (more)
In the 1920s, chauvinism and pride overrode economics, and most men would rather have perished than relied on any money their wives may have had. That was the theme to this routine drama, which Warner Baxter falsely claimed was his film debut (he has credits in prior pictures). After five years of marriage, Mildred (Ethel Clayton) comes to the realization that her husband, Lew (Baxter), is going nowhere in the real estate business. Mildred, however, has managed to squirrel away two thousand dollars from the household budget -- enough in 1922 to buy a home. But it turns out that Lew needs just that sum to avoid a financial disaster. Mildred knows that it would be an embarrassment if he had to take the money from her, so she arranges to "borrow" the money from a neighbor. This makes matters even worse, because Lew assumes that his wife and his neighbor are having improper relations. The couple argues, and Mildred leaves and goes back to work as a secretary. Eventually, of course, Lew realizes that Mildred's a gem and begs her forgiveness. ~ Janiss Garza, All Movie Guide
- Starring:
- Ethel Clayton, Warner Baxter, (more)
When inventor Otto Trueman (J.P. Lockney) claims to have created a machine which makes artificial rubber, young promoter Robert Gardner (T. Roy Barnes) thinks he's found a great get-rich-quick scheme. He mails hundreds of thousands of letters touting this invention and searching for investors until it is discovered that the machine doesn't do what Trueman says it does. The postal authorities get involved, and Gardner's friend, Billy Noble (Lloyd T. Whitlock) suggests that he play crazy to avoid arrest. He does, and in the meantime Trueman sells his contraption for a million dollars. Trueman, Gardner and Noble split the profits and then find out that the machine makes a fantastic paving block. This picture was a weak adaptation of the stage play by Max Marcin, which also starred Barnes. There is a 1945 film with the same title that was based on a different play -- also with the same name. ~ Janiss Garza, All Movie Guide
Cosmo Hamilton, a popular author of the era, wrote the novel on which this drama was based. During a train trip, Mary McLeod (Ethel Clayton) loses her purse and her ticket, and Phillip Dominick (Herbert Rawlinson) comes to her rescue by offering her his drawing room, while he sleeps in the smoking car. The pair fall in love and wed, but Mary is distressed to find out that Dominick is satisfied to live off his mother (Claire McDowell). Mrs. Dominick is a snobbish society matron who wants the couple to separate so her boy can marry a girl of his own class. When Mary has a child, she sees no alternative but to stay under her mother-in-law's roof. Mrs. Dominick firmly takes charge of the infant and Mary is not allowed near it. In spite of Mrs. Dominick's care (or perhaps indirectly because of it), the infant dies. Mary finally can stand it no more and returns to her studio. This wakes Phillip up to the fact that his mother's money is doing him no good, and he resolves to earn his own living. His decision helps him to reunite with Mary. ~ Janiss Garza, All Movie Guide
- Starring:
- Ethel Clayton, Herbert Rawlinson, (more)
This second of seven film versions of the old theatrical chestnut Brewster's Millions starred Roscoe Arbuckle, better known to his fans as Fatty. The rotund comedian plays a young lawyer who inherits a vast fortune. But in order to claim his legacy, he must spend a million dollars within a set time period. Adapted by Walter Woods from the play by Winchell Smith and Byron Ongley (which in turn was based on a novel by George Barr McCutcheon), Brewster's Millions had "box office hit" written all over it, and might have been as much were it not for the sex scandal that destroyed Arbuckle's career. The most recent incarnation of Brewster's Millions was lensed in 1985, with Richard Pryor in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- Roscoe "Fatty" Arbuckle, Betty Ross Clarke, (more)
Even luminaries such as actress Blanche Sweet and director Henry King had off days and they must have been going through several when this trite picture was made. Telephone operator Leona Stafford (Sweet) inherits a thousand dollars. She blows half the money on clothes and uses the rest to check into a fancy summer hotel where she poses as a mysterious Russian widow. Her plan is to nab a rich husband, but she attracts a fortune hunter (Jay Belasco) instead. Eventually she gets rid of him and finds a good man (played by King himself), who turns out to have a real fortune. The film was based on a magazine story, "Leona Goes A-Hunting," by Edwina Levin. ~ Janiss Garza, All Movie Guide
For some mysterious reason, producer Adolph Zukor decided to set the slapstick aside for Roscoe "Fatty" Arbuckle's first full-length feature. Instead, he cast him in this Western comedy-drama, with an emphasis on the drama. In addition, Arbuckle's role of sheriff "Slim" Hoover was a secondary one, in spite of his star billing. The sheriff figures very little in the plot, which involves Dick Lane (Irving Cummings), a prospector given up for lost and his sweetheart, Echo Allen (Mabel Julienne Scott), who decides she loves Jack Payson (Tom Forman) anyhow. Dick's gold dust has been taken by Buck McKee (a villainous Wallace Beery, who stole the show), and McKee left him in the desert to die. Dick's brother Buddy gets tangled up in McKee's affairs and a hold up they commit is pinned on Payson. Eventually Slim rounds up the U.S. Cavalry and captures the bad guys. Lane is located, but he is mortally wounded, and Echo and Payson are happily married. The final shot shows Arbuckle, alone, saying, "Nobody loves a fat man." Nobody loved this picture, and it was a disappointment to his fans. A couple of interesting notes -- Arbuckle's longtime pal and former collaborator, Buster Keaton, stopped by to play an Indian extra. Also, the picture was based on a stage play by Edmund Day and during its long theatrical run the sheriff was played by Macklyn Arbuckle -- no relation to Roscoe. ~ Janiss Garza, All Movie Guide
- Starring:
- Roscoe "Fatty" Arbuckle
Japanese actor Sessue Hayakawa is cast as an ancient Egyptian donkey boy in An Arabian Knight. The humble Hayakawa rescues high-born Lillian Hall from lascivious pasha Fred Jones. All this brouhaha is actually a dream experienced by Hall. In the tradition of the "flashback" sequences in the like-vintage Cecil B. DeMille productions, Hall is able to apply the events of the dream into her contemporary circumstances. An Arabian Knight was produced by the old Robertson-Cole outfit, which eventually grew up to become RKO Radio Pictures. ~ Hal Erickson, All Movie Guide
George Walsh plays Reginald Jones, a man who was born on Friday the thirteenth, has thirteen letters in his name, and suffers a lot of bad luck. After losing big in the stock market, he finds out he's inherited a fortune from his aunt -- providing he attends her funeral. But on the way there, he gets mixed up in a badger game and misses it. Reginald's disgusted uncle (Joe Smiley) throws him out and he goes to work on a sailing vessel, which turns out to be run by a gang of crooks, headed by Captain Zero (William Frederick). Along for the trek are an old professor (Henry Holland) and Helen, his daughter (Florence Dixon). The gang plans to hold the professor for ransom, but Reginald foils this scheme with his fists flying. For once in his life, things go right, and he saves the professor and gets the girl. Even the clever subtitles by Ralph Spence couldn't save this silly story. ~ Janiss Garza, All Movie Guide
Adapted by Leo Ditrichstein from an earlier German farce, Are You a Mason? served as one of John Barrymore's most popular stage vehicles. The film version likewise starred Barrymore, who breezed through the assignment with the youthful panache that would leave him all too soon. The hero, a young bridegroom, manages to get out of all sorts of scrapes by pretending to be a Mason, supremely confidant that he'll either be rescued or forgiven by his "fellow" Masons. Things get hairy when it turns out that Barrymore's new father-in-law has likewise been posing as a Mason for years, and for many of the same reasons. Hoping to make the material more "cinematic," director Thomas M. Heffron attempted at one point to stage a drunk scene from the drunk's besotted point of view. Charlie Chaplin was more successful with this gimmick in his 1916 two-reeler One AM. ~ Hal Erickson, All Movie Guide
In this suspensful crime drama, a member of a counterfeiting gang causes all sorts of trouble when he gives a bogus bill to his daughter. She uses it to purchase a dress and eventually it returns to the Treasury Department in the nation's capital where it is taken to the head of the Secret Service. Realizing that it is a fake, he calls in renowned detective William G. Burns who, of course, bring the crooks to justice. ~ Sandra Brennan, All Movie Guide














