Charles Berling Movies
Noted for his charismatic presence and his ability to immerse himself in a diverse range of roles, Charles Berling is an actor whose name garners respect and recognition in his native France. Berling first earned acclaim in the theatre, where he was a fixture for many years, before making his film debut in 1993's Salt on Our Skin. Three years later, he earned widespread acclaim for his leading role in Patrice Leconte's Ridicule, in which he starred as an 18th century nobleman who learns to play a delicate and deadly game of wit at the court of Versailles.Born on Tahiti in 1958, Berling studied acting at a Parisian drama school located on la rue Blanche and made his stage debut in 1982. He spent the next decade performing in a large variety of productions and ventured into cinema in the early 1990s. Two of his more memorable early films were Pascale Ferran's Petits Arrangements avec les Morts (1994), which cast him as an entomologist trying to come to terms with memories of his childhood, and Claude Sautet's Nelly et Monsieur Arnaud (1995), in which he played Emmanuelle Béart's boring husband.
With the success of Ridicule, for which he earned a Best Actor César nomination (the film won four Césars, including Best Film), Berling became better-known to film audiences and subsequently began working steadily before the camera, often appearing in romantic and/or psychological dramas. One of his rare excursions into all-out comedy was Love, Etc., a 1996 feature that cast him as a ladies' man who becomes infatuated with his best friend's wife (Charlotte Gainsbourg). Berling, however, has been most effectively cast as a dramatic leading man, as was most notably the case with Nettoyage à sec (1997), in which he and Miou-Miou played a husband and wife whose marriage undergoes an upheaval; Cedric Kahn's L'Ennui (1998), which featured the actor as a man who becomes obsessed with a teenage girl; and Patrice Chéreau's Ceux Qui M'Aiment Prendront le Train, in which he played a gay art historian on his way to an artist's funeral. Berling received César nominations for his work in the first two films, which made him -- thanks to his first César nomination for Ridicule -- one of the few actors to be nominated for the honor three years in a row.
In 2000, Berling reteamed with Béart to star in Les Destinées Sentimentales, a period drama by Olivier Assayas; that same year, he headed the cast of Scènes de crimes, a crime thriller directed by Frédéric Schoendoerferr. ~ Rebecca Flint Marx, Rovi
Three siblings must come to terms with their mother's mortality as they decide what to do with her valuable belongings in this warm family drama from filmmaker Olivier Assayas. Hélène Berthier (Edith Scob) is about to turn 75, and her children are gathering at her home in the country for a party. Adrienne (Juliette Binoche) has flown in from New York City, where she lives with her boyfriend, James (Kyle Eastwood). Jérémie (Jérémie Renier) has taken a rare break from his globe-trotting business interests to stop by with his wife (Valérie Bonneton). And Frédéric (Charles Berling), the only one who lives close enough to visit regularly, has also come with his spouse, Lisa (Dominique Reymond). Hélène has inherited a large and valuable collection of art from her brother, and with her health beginning to fail, she approaches Frédéric and asks that he, Jérémie, and Adrienne come up with a plan to deal with the pieces after her death. Frédéric wants to keep the collection together and see if they can persuade a gallery to purchase and present them as a set. Jérémie and Adrienne have other ideas, but as he's pondering a business opportunity in China and she's planning on settling in America for good, they don't have as much influence over the final decision as Frédéric. L'Heure d'Été (aka Summer Hours) was produced in part by the celebrated French art gallery Musée d'Orsay, and was one of a handful of films created to honor the museum in its 20th anniversary year. ~ Mark Deming, Rovi
- Starring:
- Juliette Binoche, Charles Berling, (more)
With Quiet Chaos (Caos Calmo), acclaimed Italian helmer Nanni Moretti steps away from his standard directorial role to essay the lead and co-author the script in a gentle psychological drama directed by Antonello Grimaldi. Moretti stars as Pietro, a film executive whose life takes an irreversible and devastating turn one fateful morning. During a trip to the beach with his brother, Pietro's path intersects with that of a woman, Eleonora (Isabella Ferrari), who is drowning in the ocean; horrified, Pietro rushes in to save her. He subsequently returns home only to discover that his wife, Lara, just died in a nasty falling accident; devastated to the core, this nascent widower must make the necessary psychological accommodations to adjust to life as a single parent, with sole responsibility for raising his ten-year-old daughter, Claudia (Blu Yoshimi). Almost instinctively, as a reaction to Lara's death, Pietro opts to sit and wait for his daughter to finish school each day (in a park across from the school), in lieu of abandoning her to his own priorities and commitments. This means that the fellow's colleagues in the film industry must, by necessity, come to do business with him in the park. Through it all, Pietro remains silently dumbfounded that the tragedy itself hasn't shaken him more, that the grief (the "quiet chaos" of the title) is subtly agonizing instead of grossly traumatizing and debilitating. Nevertheless, he ultimately begins to approach a full realization and acceptance of his loss, and gains an enhanced awareness of himself and others from the potentially crippling events thrust into his path. Valeria Golino (Rain Man) co-stars; Roman Polanski appears in a cameo as one of Pietro's industry colleagues. ~ Nathan Southern, Rovi
- Starring:
- Nanni Moretti, Valeria Golino, (more)
A man vacationing in the country with his wife and children finds his sexuality unexpectedly challenged in director Zabou Breitman's intimate drama. Frédéric is a family man who needs a vacation. Upon arriving at his cottage in the country, Frédéric makes the acquaintance of Hugo -- the gay neighbor who resides in the adjacent cottage. A free spirit who is open about his sexuality and frequently goes skinny-dipping in the moonlight, Hugo seems to be everything that Frédéric isn't. Soon, the tension between Hugo and Frédéric is palpable. Yet, while they may be at odds over their opposite lifestyles, the two men are also obviously attracted to one another and soon begin to flirt heavily. But Hugo's taunting of hopeless romantic Frédéric begins bordering on cruel when it becomes obvious that Frédéric is jealous of his new lover. Hugo is staunch in his belief that by committing to a relationship you effectively destroy any possibility of real love, yet Frédéric is vehement in his quest for devotion, despite the fact that his relationship with his wife is at a critical turning point. ~ Jason Buchanan, Rovi
- Starring:
- Bernard Campan, Charles Berling, (more)
- 2005
Richard Dembo's third directorial effort, La Maison De Nina, concerns a group of Jewish children living in an orphanage in Paris at the end of WWII. Soon there is an influx of children at the orphanage whose parents did not survive the concentration camps. Eventually those newcomers and the orphans who already lived there are feuding over the importance of their Jewish heritage. The children must deal with their grief in a variety of ways including religion, music, and one poor child by deciding to not talk. Dembo, an Oscar winner in 1984, passed away while the film was in post-production. ~ Perry Seibert, Rovi
- Starring:
- Agnès Jaoui, Sarah Adler, (more)
- 2005
The kidnapping and assassination of Moroccan political activist Mehdi Ben Barka, fictionalized in Yves Boisset's L'Attentat in 1972, gets a more historically accurate treatment in Serge Le Péron's noirish docudrama, the tabloid-headline-titled I Saw Ben Barka Get Killed. The film is narrated by cynical ex-con Georges Figon (Charles Berling), whose dead body is shown at the film's opening. Figon talks about the heady times, as newsreel footage of the civil rights movement and the anti-colonial uprisings of the 1960s is shown. In flashbacks, Figon wants to be a film producer, and has connections to screenwriter Marguerite Duras (Josiane Balasko) who puts him in touch with director Georges Franju (Jean-Pierre Léaud). Figon keeps promising to make his actress girlfriend, Anne-Marie Coffinet (Fabienne Babe), a star. But he still has ties to the underworld, and through them he meets the shady Chtouki (Azize Kabouche), a Moroccan operative who offers him a lot of money to scrap his current filmmaking plans to make a documentary about the worldwide anti-colonial movement. Chtouki's main interest is that the exiled Barka (Simon Abkarian) be hired as a consultant on the doc, so that he'll come to Paris to meet with Figon, Franju, and Philippe Bernier (Mathieu Amalric). On the day of the meeting, Figon watches from the café window as the French police intercept Barka and take him away. After witnessing what becomes of Barka, Figon grows increasingly concerned for his own safety, and goes to the press with a sensationalized version of the events. I Saw Ben Barka Get Killed was shown by the Film Society of Lincoln Center in 2006 as part of their annual Rendez-Vous with French Cinema. ~ Josh Ralske, Rovi
- Starring:
- Charles Berling, Simon Abkarian, (more)
- 2003
Directed by Michel Boujenah, Pere et Fils (Father and Son) centers around retired traveling salesman Leo Serano's (Philippe Noiret) decision to become closer to his three children, albeit late in life. Leo's first son, David (Charles Berling), is a longtime overachiever who runs his own plumbing fixtures company and employs his youngest brother, Simon (Pascal Elbe), in the warehouse. Pot-smoking Simon is blissfully unconcerned when it comes to the intricacies of his family, but David hasn't spoken to his unemployed brother Max (Bruno Putzulu) in years, and isn't particularly keen to build a relationship with his long absent father. However, when Leo convinces the trio that he's slated for a risky heart surgery in a couple of weeks -- in fact, Leo's physician had declared him perfectly healthy -- the broken family decides to take a spontaneous trip to Montreal. The film also features Marie Tifo, Genevieve Brouillette, Pierre Lebeau, Jacques Boudet, and Matthieu Boujenah. ~ Tracie Cooper, Rovi
- Starring:
- Philippe Noiret, Charles Berling, (more)
- 2003
Algerian filmmaker Abdelkrim Bahloul writes and directs the drama The Assassinated Sun, based on actual events in the newly independent Algeria of the 1970s. Following the country's liberation in 1962, the police didn't take kindly to gay poet Jean Senac (Charles Berling). Nevertheless, he was appreciated by a large liberal audience. The police also don't approve of writing student Hamid (Mehdi Dehbi) who writes and stars in a French-language play during a national theater competition. Senac, however, enjoys the play and proceeds to develop a friendship with Hamid. Even though the two were never publicly declared lovers, Hamid becomes the main suspect when Senac is found murdered. The Assassinated Sun won awards at the 2003 San Sebastián International Film Festival and the 2003 Montréal World Film Festival. ~ Andrea LeVasseur, Rovi
- Starring:
- Charles Berling, Mehdi Dehbi, (more)
French director Olivier Assayas departs from his usual dramas with Demonlover, a wild thriller about corporate intrigue, hardcore sex Internet sites, and Japanese animé. Wealthy French business man Henri-Pierre Volf (Jean-Baptise Malartre) assigns Diane de Monx (Connie Nielson) to make a deal with TokyoAnime, a company at the forefront of three-dimensional adult animation, after his former assistant, Karen (Dominique Reymond), is kidnapped. Diane, however, is actually a spy for a different company. Standing in her way is another headstrong business woman (Gina Gershon), and Diane's assistant, Elise Lipsky (Oscar nominee Chloe Sevigny) who questions her boss' morality. Demonlover was screened at the 2002 Cannes Film Festival. ~ Perry Seibert, Rovi
- Starring:
- Connie Nielsen, Charles Berling, (more)
Claude Duty's feature-length debut Filles Perdues, Cheveux Gras (Hypnotized and Hysterical, (Hairstylist Wanted)) is an offbeat comedy about three women. Elodi (Olivia Bonamy) is a struggling single mother. Natacha (Marina Fois) is an upbeat alcoholic hair stylist whose beloved pet cat has disappeared. Marianne (Amira Casar) is drawn to a roguish, sexually adventurous art dealer. Their lives intertwine in a variety of ways. Song and dance numbers, as well as animated sequences, punctuate the film. ~ Perry Seibert, Rovi
- Starring:
- Amira Casar, Marina Fois, (more)
- 2001
One woman's actions inspire a variety of reactions among those around her in this period drama. Therese (Laetitia Casta) and Firmin (Frédéric Diefenthal) are a young couple of modest means living in France in 1882. Firmin earns a living as a blacksmith, while Therese finds work at an inn. At the inn, Therese makes a point of making the acquaintance of Mme. Numance (Arielle Dombasle), a wealthy woman who is known for her compassion and eagerness to help those less fortunate. When Therese loses her job after getting pregnant, Mme. Numance takes pity on the young couple, and invites them to move into the estate she shares with her husband (John Malkovich). Therese and Mme. Numance become close friends, and before long the lady of the house has come to regard Therese more as a daughter than a guest. But some believe Therese might be using her friendship with Mme. Numance for her own gain, which in their eyes is confirmed when Therese borrows a large sum of money from her benefactors after Firmin develops legal trouble. Therese and Firmin are unable to pay back the Numances, and soon the wealthy couple falls on hard times; those watching these events unfold wonder if Therese deliberately brought the generous family to ruin, or if is it all a product of simple naïveté. Alexandre Astruc helped to adapt the screenplay for Les Ames Fortes, based on the novel by Jean Giono; Astruc was also set to direct the project at one point, but after his unexpected death, Raúl Ruiz stepped up to the director's chair. ~ Mark Deming, Rovi
- Starring:
- Laetitia Casta, Frédéric Diefenthal, (more)
When the grown-up children of a missing parent are reunited with their father, they discover it raises more questions than it answers in a well-crafted mood piece from writer/director Anne Fontaine. Jean-Luc (Charles Berling) is a well-to-do physician whose practice is devoted to older patients, many of whom are forced to confront their fears about death. While Jean-Luc is used to dealing with such issues, they come home for him one day when he learns that his father has died. The news prompts Jean-Luc to look back at his younger days, and his difficult relationship with his dad, Maurice (Michel Bouquet), who ran out on his family when Jean-Luc was a boy and returned after he'd grown to adulthood with few explanations about where he'd gone (he became a volunteer physician in the Third World) and why he left his wife and children behind. Growing up in an air of uncertainty has had an impact on Jean-Luc's relationship with his wife Isa (Natacha Regnier); neither is certain of how to reach out to one another, and Jean-Luc sometimes seeks comfort in the arms of Myriem (Amira Casar), an assistant in his office. Maurice's absence also took its toll on Jean-Luc's brother, Patrick (Stephane Guillon), who deals with his anxieties by pursuing a career as a comic, while earning his keep as Jean-Luc's driver. ~ Mark Deming, Rovi
- Starring:
- Michel Bouquet, Charles Berling, (more)
- 2001
This is a dark, sinister second feature from the director of the 1995 film The Rock of Acapulco, featuring Charles Berling and Karin Viard as a married couple in Paris enjoying the fruits of their careers. He works in an executive post and she works out of a spacious Paris apartment she has inherited from her parents. Their son Julien (Alexandre Bongibault) and daughter Aude (Camille Vatel) are mostly in the care of babysitter Daphnee (Ludvine Sagnier). One day, an unkempt older couple (Manuela Gourary and Pierre Julien) ring their doorbell and introduce themselves as "the Worms," a sibling pair that evidently lived in the building years before. Marianne welcomes them in to look around. Their behavior seems courteous at first, but upon their departure, the family is affected. The house begins to do things on its own, Marianne's depression comes back to haunt her, and Daphnee's sweet demeanor turns sour without warning. A moody thriller from France, this is the first production of Bee Movies, a genre-based company known for such fare.
~ Jason Clark, Rovi
~ Jason Clark, Rovi
- Starring:
- Karin Viard, Charles Berling, (more)
A woman begins to wonder if her young son is who she thinks he is in this psychological suspense story. Ariane and Pierre (Isabelle Huppert and Denis Podalydes) are the busy parents of a nine-year-old son, Camille (Nils Hugon). Camille feels neglected by his hard-working mom and dad and often seems to drift into a world of his own, preferring his imaginary friends to other children or his nanny Helene (Laure de Clermont-Tonnerre). One day, Camille startles Ariane by announcing he wants to live with his real mother -- and proceeds to lead her to an apartment across town, where Ariane is introduced to a stranger named Isabella (Jeanne Balibar). Camille seems to know all the nooks and crannies of Isabella's flat, and the latter insists that he is her lost son Paul, who actually drowned two years ago. Unsure of what to do, Ariane decides to play along, going so far as to allow Isabella to stay in the family's home as she tries to resolve Camille's dilemma with the help of her brother Serge (Charles Berling), a psychiatrist. Comedie de L'Innocence is based on a novel by Massimo Bontempelli and was directed by acclaimed Chilean filmmaker Raul Ruiz. ~ Mark Deming, Rovi
- Starring:
- Isabelle Huppert, Jeanne Balibar, (more)
French Canadian director Denys Arcand pushes the boundaries of the mockumentary with Stardom, the tale of a fictional neophyte supermodel (Jessica Pare) told entirely through clips of her appearances on talk shows, television interviews, and documentaries. Originally titled 15 Moments, Stardom begins its portrait at a women's hockey game in the nether regions of Ontario, Canada. When the team's formidable teenage forward Tina (Pare) pulls her helmet off, letting her brunette tresses fly, a bystander snaps a photo, and Tina soon becomes the buzz at the country's hottest fashion houses. Her rise through the industry, however, is plagued by advances from older men with sundry motives: a smitten French photographer (Charles Berling), a smarmy entrepreneur (Dan Aykroyd), the Canadian Ambassador to the U.N. (Frank Langella), and a slick promoter (Thomas Gibson, the latter half of TV's Dharma and Greg). Stardom was the closing film at the 2000 Cannes Film Festival, marking the first time in over 50 years that a Canadian production was chosen for such an honor; it would go on to open the 2000 Toronto International Film Festival before its theatrical premiere. ~ Michael Hastings, Rovi
- Starring:
- Jessica Paré, Dan Aykroyd, (more)
Acclaimed French filmmaker Olivier Assayas follows up on the international success of Fin Août, Début Septembre and Irma Vep with this sweeping adaptation of the sprawling three-volume tome by Jacques Chardonne. Set in three chapters spanning from the beginning of the 1900s to after WWI, the first section takes place in the fictional village of Barbazac, located in the Cognac region. Protestant pastor Jean Barnery (Charles Berling) learns of his wife Nathalie's (Isabelle Huppert) infidelity from the village grapevine and sends his daughter away. At the same time, 20-year-old Pauline (Emmanuelle Beart) returns to the village after the death of her father. Pauline and Jean are almost immediately attracted to each other when they first meet at a ball. Soon Jean installs Nathalie and their daughter in an apartment, files for divorce, and resigns as minister. The second chapter opens with Pauline visiting Jean, who is bedridden in a Parisian hotel from tuberculosis. Upon his recovery, they marry and live for a spell in Switzerland, until Jean's family entreat him to return to Limoges and take over the floundering family porcelain business. The final chapter opens with bombs of WWI: Jean is sent to the front, while Pauline works as a nurse. When the war finally draws to a close, Jean struggles to keep the business afloat. He raises the ire of his workers and stockholders alike by freezing wages and slashing dividends, but his fastidious attention to detail soon makes his company the finest producer of porcelain in Europe. Yet as the economic climate of the continent slowly worsens, so does his business -- and his health. This film was first screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Emmanuelle Béart, Charles Berling, (more)
- 2000
A waiter discovers that good taste can be dangerous in this offbeat psychological drama from France. Nicolas (Jean-Pierre Lorit) is a young man living in bohemian poverty in Lyon, sharing a flat with his girlfriend Beatrice (Florence Thomassin) and three of their friends. Nicolas works part-time as a server, and one night a customer asks him to taste his hors d'oeuvres and see if he can identity the ingredients. Nicolas' palate meets the challenge, and the customer introduces himself as Frederic Delamont (Bernard Giraudeau), a wealthy business tycoon. Frederic hires Nicolas as his official food taster at a handsome salary. Frederic also discovers that Nicolas wears the same size shoes and suits, and he begins costuming Nicolas in his cast-offs. While Beatrice isn't comfortable with their newly luxurious lifestyle, Nicolas takes to it readily, until he becomes seriously ill after eating chemically-tainted seafood. It seems that Frederic loathes seafood, and wanted to condition Nicolas to hate it too -- this was to be the first step toward turning Nicolas into someone who could duplicate Frederic's likes and dislikes on all levels. Une Affaire De Gout was based on a novel by Philippe Balland. ~ Mark Deming, Rovi
- Starring:
- Bernard Giraudeau, Jean-Pierre Lorit, (more)
- 2000
As the title would suggest, this film, directed by Frederic Schoendoerffer, is a noirish crime drama about two forensic cops on the trail of serial murderer. Georges Fabian (Charles Berling) and Jean-Louis Gomez (Andre Dussollier) are put on the case when Marie -- the teenaged daughter of a couple who own a roadside cafe -- vanishes the day after the family dog disappears. Georges' schoolteacher wife is expecting their first child, while Jean-Louis' spouse walked out on him days after their daughter left home. The two discover a magazine daubed with Marie's blood in the eatery's lobby, and with the help of a police dog, they discover a canine corpse across the street. Later, when the bodies of a young white woman and a black man are unearthed sans heads and hands, Georges and Jean-Louis think that they have at last found Marie. In fact, they've hit upon a ritual murder similar to a series of killings that baffled the Belgian police in 1993. The two then begin to doggedly gather clues and witnesses. ~ Jonathan Crow, Rovi
- Starring:
- Charles Berling, André Dussollier, (more)
- 1999
This is a psychological drama about Louis Riquier (Charles Berling), a veteran of the Algerian war and a divorced father whose wife (Beatrice Palme) has custody of their children and who barricades himself with the kids in his country house. The police and the press surround the house, but he does not want to surrender. Instead, he gets more and more violent. Manipulated by their father, the kids go along with the scenario, taking it as a game. The film has as background the turbulence of 1968, with all its left-wing political implications. As in the director's previous film (Vieux fusil (The Old Gun), the gun also has multiple purposes here. Literally speaking, it is the instrument of crime; metaphorically, it is the force that would liberate the poor victim from his tragic fate. But the hero is just too violent and emotionally disturbed to evoke one's pity. The film is heavy with many denunciations, trying to evoke the atmosphere of the early 1970's, but it loses its impact when it abandons character development in favor of political jargon and becomes only an imperfect copy of an important period in French history. ~ Gönül Dönmez-Colin, Rovi
Actor Gerard Depardieu co-directed (with Frederic Auburtin) this drama about a married woman who falls in love with another man, which stars Depardieu and Carole Bouquet. Mina (Bouquet) is a movie buff with a husband, Georges (Depardieu), who's out of work, and a 15-year-old son, Tommy (Stanislas Crevillen). While Mina works part-time as a domestic for Claire Daboval (Dominique Reymond), the family is terribly short on money, so when Georges is offered construction work on a massive bridge project, he immediately accepts, even though the job site is far enough away that he'll only be able to come home on weekends. One day, while taking in a matinee screening of West Side Story, Mina meets a man named Matthias (Charles Berling), an engineer associated with the bridge project. It's love at first sight for the both of them, and while Mina has no desire to hurt Georges, who is a good and decent man, she has found another good and decent man whom she loves even more. Tommy, on the other hand, has to deal with this crisis in his parents' marriage while he's sorting out his own infatuation with Ms. Daboval's daughter, Lisbeth (Melanie Laurent). ~ Mark Deming, Rovi
- Starring:
- Carole Bouquet, Gérard Depardieu, (more)
Cedric Kahn directed this erotic French drama about sexual obsession. Separated from his wife, Martin (Charles Berling) is intrigued when he sees an elderly painter with plump teen Cecilia (Sophie Guillemin). When he later learns that the man has died, Martin meets Cecilia, and asks her intimate questions about her relationship with the painter. Martin begins a passionate affair with the detached Cecilia, who offers only monosyllabic responses to his detailed probing questions. When Martin learns Cecilia is seeing a man much younger than himself, his full-bloomed fixation pushes him over an emotional precipice, and he begins following her everywhere. Shown at the 1998 Montreal Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- Charles Berling, Sophie Guillemin, (more)
- 1998
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Patrice Chereau (Queen Margot) directed this French drama about a train trip to an artist's funeral. Friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant, seen in flashbacks) gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian Francois (Pascal Greggory) and his lover Louis (Bruno Todeschini), who develops an interest in teenage Bruno (Sylvain Jacques). Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry (Roschdy Zem), husband of Catherine (Dominique Blanc), who's on the train with their daughter. Francois plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie (Marie Daems) is convinced that she was his main love. Also on board is his nephew, Jean-Marie (Charles Berling) and Jean-Marie's estranged wife, Claire (Valeria Bruni-Tedeschi), After the funeral in "Europe's largest cemetery," the storyline continues in the mansion of Jean-Baptiste's brother, Lucien (also played by Trintignant). With hand-held camerawork for almost two-thirds of the film, the production involved two extra cars connected to a real scheduled train, headed one way in the morning and returning in the afternoon, with cast and crew logging some 12,000 kilometers over two weeks. Source music runs the gamut from James Brown to Jim Morrison. The title refers to the dying words uttered by the painter -- which actually are the last words spoken by filmmaker Francois Reichenbach who died in 1993 (and appropriated here by his friend, co-scripter Daniele Thompson). One of Francois Reichenbach's best-known films (and subject of an entire book) is the documentary Medicine Ball Caravan (aka We Have Come for Your Daughters,1971), a curious effort to duplicate the success of Woodstock (1970) by simply inviting a large number of musicians, hippies, and counterculture types aboard a cross-country train and filming the result. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- Pascal Greggory, Jean-Louis Trintignant, (more)
- 1998
Chilean-born Valeria Sarmiento directed this improbable French thriller. Madeleine (Ornella Muti) is with her lover, Jean-Paul (Charles Berling), when her husband arrives home and catches the two together. Madeleine kills her husband and tells Jean-Paul to flee before the police arrive. After Jean-Paul drives away, he picks up a hitchhiker. When the car, stolen by the hitchhiker, explodes, police believe the dead hitchhiker is Jean-Paul. Madeleine takes up with Jean-Paul's brother, Bastien (Johan Leysen), while Jean-Paul, arriving in Strasbourg, is mistaken for the heir to a fortune. The detective (Christian Vadim) on the case spends more time writing crime novels than investigating real-life crimes. Shown in competition at the 1998 Montreal World Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- Ornella Muti, Charles Berling, (more)
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