Wilfred Benaiche Movies

Director Jonathan Demme filters the classic Audrey Hepburn and Cary Grant vehicle Charade through the influence of the French New Wave in this stylish romantic thriller. Regina Lambert (Thandie Newton) has been having second thoughts about her marriage to the often enigmatic art dealer Charlie (Stephen Dillane), and decides to take a vacation without him, where she meets Joshua Peters (Mark Wahlberg), a handsome and charming American who seems quite taken with her. When Regina returns home to Paris, she receives the startling news that her husband has been murdered; however, even more disturbing is her discovery that her husband had a secret life which involved several passports under different identities, and a missing six million dollars. Police official Commandant Dominique (Christine Boisson) seems to believe that Regina is somehow involved in the crime, while U.S. embassy representative Mr. Bartholomew (Tim Robbins) breaks the news to Regina that her late husband was actually a secret agent involved in some very shady operations. Three mysterious and dangerous figures who had ties to Charlie -- Emil Zadapec (Ted Levine), Lola Jansco (Lisa Gay Hamilton), and Il-Sang Lee (Joong-Hoon Park) -- also arrive in Paris, convinced that Regina knows where her husband stashed the money and determined to get their hands on it. Meanwhile, as Regina's life becomes increasingly chaotic and dangerous, Joshua arrives in Paris and a romance begins to blossom between them, but while he seems determined to do whatever he can to help her, Regina soon has reason to doubt that Joshua's motives are as pure as they seem. Shot on location in Paris, The Truth About Charlie also features cameo appearances from a number of legendary French actors and filmmakers, including Charles Aznavour, Anna Karina, and Agnès Varda. ~ Mark Deming, Rovi

In this off-beat French comedy-drama, a quirky band of classical musicians prepare to play at a nobleman's New Year's Eve gala. It was bass player Roberto (Pierre Lacan) who initially scored the gig. He then calls together his four long-time partners and a local clarinet player. They were hired to play chamber music and Viennese waltzes and to be directed by Roberto's former mentor, the famous conductor Svarowvski (Henri Garcin). The maestro will have his work cut out for him though, for the four players, while each fine musicians on their own, are of totally different temperaments and don't always work well together. Their flautist Therese (Marie-Christine Laurent) will be performing the night before she is scheduled to have her baby; cellist Lionel (Marc Citti) is a kleptomaniac; volatile and hypersensitive viola player Martial (Serge Renko) constantly raves about one issue or another; while 20-year-old violinist Diane (Clementine Benoit) suffers from an inferiority complex. Their clarinetist (Wilfred Benaiche) is devoted to his mother and brings with him a secret. Their aristocratic host (Philippe Clay) can't hear conversation, but still possesses an uncanny musical ear. Plucky Arab woman Fatiah (Sonia Mankai) attends him. Their ordeal begins on December 26 when the musicians gather at the nobleman's chateau to begin a long week of rehearsals. Les Cachetonneurs played at the 1998 Chicago Film Festival. ~ Sandra Brennan, Rovi

Three modern Parisian women form the basis of this epic musical comedy from famed director Jacques Rivette. The story is set in summer and follows the predestined path of each woman. Louise has just awoken from a five year coma and has been released from the hospital. She moves to a hotel where she learns from talking to her father on the phone that her late aunt has bequeathed her a large chateau in Paris. Ninon works as a courier. She has recently run away from her creepy boyfriend, a criminal, and though she is trying to go straight, she can't help but rob the company cashbox and use the money to go out dancing. The third woman, Ida, is a librarian in a decorative-arts reading room. As a child, she was adopted and now wants to find her real parents. Her only clue to finding her mother is an old song that she vaguely remembers. ~ Sandra Brennan, Rovi

Jacques Rivette directed this richly detailed six-hour drama based on the story of Joan of Arc. In Part one, "Les Batailles," Jeanne the Maid (Sandrine Bonnaire) leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France (Andre Marcon) to allow her to guide his troops. Part two, "Les Prisons," concerns the sad aftermath of Jeanne's defeat at Orleans. Jeanne is sent to prison, where in two separate trials she is tried for heresy and impersonating a man, with both her life and the sanctity of her mortal body at stake. A four-hour version, with each of the two parts trimmed down to two hours, is also available. ~ Mark Deming, Rovi

Jacques Rivette directed this richly detailed six-hour drama based on the story of Joan of Arc. In Part one, "Les Batailles," Jeanne the Maid (Sandrine Bonnaire) leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France (Andre Marcon) to allow her to guide his troops. Part two, "Les Prisons," concerns the sad aftermath of Jeanne's defeat at Orleans. Jeanne is sent to prison, where in two separate trials she is tried for heresy and impersonating a man, with both her life and the sanctity of her mortal body at stake. A four-hour version, with each of the two parts trimmed down to two hours, is also available. ~ Mark Deming, Rovi