Frances Walsh Movies
The notoriously publicity-shy partner and collaborator of
Lord of the Rings director
Peter Jackson, screenwriter/producer
Frances Walsh is the dark heart of her companion's twisted body of cinematic work. From the early days of
Meet the Feebles (1989) to the larger-than-life battle of the Pelennor Fields in
The Lord of the Rings: The Return of the King (2003),
Walsh's vividly drawn characters and subtle story touches have provided the perfect balance to
Jackson's wildly over-the-top visuals. Though early gigs as a bassist in a Wellington-based rock band may never have pointed to a successful career in screenwriting for the New Zealand native, the mid-'80s found her making the segue to television as a writer for the popular series Worzel Gummidge Down Under.
It was while working on post-production for
Jackson's freshman effort
Bad Taste (1987) that the rising screenwriter first made the acquaintance of the up-and-coming director, and shortly thereafter,
Walsh teamed with
Jackson to score and co-write his outrageous sophomore feature
Meet the Feebles (1989). In 1992, the gore-drenched duo cooked up their most splatterific fright flick to date with the gag-inducing horror comedy
Dead Alive. Two short years later, the couple would surprise the world with the surprisingly restrained, but undeniably affecting,
Heavenly Creatures. A chilling account of a harrowing murder committed by two delusional New Zealand schoolgirls in 1954,
Heavenly Creatures proved that
Walsh and
Jackson could accomplish much more than gross-out humor -- earning critical acclaim worldwide and opening numerous doors for the filmmaking duo. Of course, the biggest door opened by
Heavenly Creatures was the door to Hollywood, and in 1996, the duo released their first stateside effort,
The Frighteners. Largely absent of the tidal wave of gore offered by
Bad Taste and
Dead Alive, but unabashedly stylish and full of the director/screenwriter team's trademark dark humor,
The Frighteners suffered a short life at the box office despite finding a healthy following when released on home video shortly thereafter.
If fans had harbored any doubts about
Walsh and
Jackson's transition to internationally known filmmakers, all questions would be put to rest with the release of
The Lord of the Rings trilogy, beginning in 2001. Though adapting the sometimes challenging text of
J.R.R. Tolkien would be a difficult task for even the most seasoned screenwriter,
Walsh and co-writers
Jackson and
Philippa Boyens undoubtedly proved up to it -- painting a vivid world of three-dimensional characters and offering an imaginative and engrossing adaptation of the original novels.
Walsh also contributed to the trilogy's musical scores, and in addition to winning numerous international film awards,
Peter Jackson's better half earned three Oscars when the smoke cleared in early 2003. That same year, production was well underway for the couple's next cinematic endeavor -- a remake of the 1933 fantasy-adventure classic
King Kong. ~ Jason Buchanan, Rovi

- 1995
- PG13
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In this comedic New Zealand fantasy, the spirit of an inventive monk, Elmer, who died 1,000 years ago while trying out his newest invention, a pair of wings, enters the mind of a young contemporary inventor, Jack Brown and tries to force Jack to learn to fly. But Jack is already busy avoiding the Boss, who is trying to get his formula for a new source of power. Jack is assisted by his best pal, Dennis and his girl friend Eileen, who is secretly in love with Jack. ~ Sandra Brennan, Rovi
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- 1994
- R
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After winning a cult following for several offbeat and darkly witty gore films, New Zealand director Peter Jackson abruptly shifted gears with this stylish, compelling, and ultimately disturbing tale of two teenage girls whose friendship begins to fuel an ultimately fatal obsession. Pauline (Melanie Lynskey) is a student in New Zealand who doesn't much care for her family or her classmates; she's a bit overweight and not especially gracious, but she quickly makes friends with Juliet (Kate Winslet), a pretty girl whose wealthy parents have relocated from England. Pauline and Juliet find they share the same tastes in art, literature, and music (especially the vocal stylings of Mario Lanza), and together they begin to construct an elaborate fantasy world named Borovnia, which exists first in stories and then in models made of clay. The more Pauline and Juliet dream of Borovnia, the more the two find themselves retreating into this fantastical world of art, adventure, and Gothic romance as they slowly drift away from reality. The girls' parents decide that perhaps they're spending too much time together, and try to bring them back into the real world, but this only feeds their continued obsession with Borovnia (and each other) and leads to a desperate and violent bid for freedom. Featuring excellent performances (especially by Kate Winslet) and imaginative production design and special effects, Heavenly Creatures skillfully allows the audience to see Pauline and Juliet both from their own fantastic perspective and how they seem to the rest of the world. Remarkably enough, Heavenly Creatures is based on a true story; in real life, Juliet grew up to become mystery novelist Anne Perry. ~ Mark Deming, Rovi
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- Starring:
- Melanie Lynskey, Kate Winslet, (more)

- 1992
- R
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Director Peter Jackson's second feature cheerfully trumps the gross-out quotient of his splatterfest debut, the appropriately named Bad Taste. The tone is cartoonishly comic, and the premise is simple: The village dweeb (Timothy Balme) is trying to maintain a budding romance with the sweet Paquita (Diana Penalver) while concealing the fact that his overbearing mum (Elizabeth Moody, in an amazing good-sport performance) is a flesh-eating zombie. (She owes her condition to a bite from a "Sumatran Rat Monkey" at the local zoo.) Complicating matters even further is Les, a greedy uncle (Ian Watkin), who suspects that his sister has died and is eager to occupy her elegantly furnished Victorian mansion. The climax is a housewarming party Les throws to celebrate his "inheritance;" what he really gets is his comeuppance, thanks to his sister and her similarly afflicted zombie pals, who burst out of their basement prison to turn the guests into appetizers. Our hero finally cuts a wide swath through the zombie party crashers with the help of a rotary blade lawn mower, leaving the house awash in blood and body parts in order to save his romance. ~ Tom Wiener, Rovi
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- Starring:
- Timothy Balme, Diana Penalver, (more)

- 1989
- NR
Bearing the same relationship to The Muppet Show that Fritz the Cat does to Felix the Cat, Meet the Feebles is a gleefully rude, decidedly adult comedy about the backstage goings-on amongst an eccentric group of puppets the day before their televised variety special. Made by director Peter Jackson, creator of Bad Taste and Heavenly Creatures, the film features a wide ensemble of creatures known as "The Feebles," led by a walrus named Bletch, the show's gruff, corrupt producer. Amongst the central figures are Heidi the Hippo, the show's prima donna singer; the fey fox Sebastian, who acts as the show's director; and the lovable (and love-struck) Robert the Hedgehog. Other cast members include a sex-crazed rabbit suffering from VD, a junkie frog prone to Vietnam War flashbacks, and a rat who directs porno movies in the theater's basement. Romantic jealousies, drug deals gone wrong, murders, and other scandalous activities all threaten to wreak havoc amongst the cast, with all these problems reaching their climax on the evening of the big show (which comes complete with musical numbers). The film's extremely dark sense of humor is supported by skillful gross-out effects and a winningly irreverent attitude. ~ Judd Blaise, Rovi
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- Starring:
- Donna Akersten, Stuart Devenie, (more)