Anne Walker-McBay Movies

Their groundbreaking, violent video game masterpiece stolen right out from under their noses, the legendary game creators known as "the Two Bobs" recruit a small army of geeks in order to retrieve their precious software and restore their genius reputations. It was supposed to be their crowning achievement -- the game that would have the kids glued to their television sets, and the Jack Thompsons of the world fuming -- but now it's vanished, and the Two Bobs are determined to get it back. Now, in order to track down the culprit and retrieve what is rightfully theirs, the Two Bobs enlist the aid of die-hard geek employees Munch, Doofus, and the Dark Prince while navigating the treacherous world of Christian Venture Capitalists, Dixie Mafia thugs, and Internet Spammers. Just as it starts to look like their game will never be recovered, the Two Bobs cross paths with the Two Janes and the group heads out on their first double date. At first things are tense, but then something incredible happens: by putting their egg heads together, this group of hardcore computer geeks are ultimately able to finger the notorious Spam King as the culprit. But getting back their game won't be easy, because the Spam King is planning to use the innovative software to construct a nefarious cable/porn empire, and he won't back down until he's achieved his lifelong dream of world domination. ~ Jason Buchanan, Rovi

Douglas McGrath's Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller's earlier Capote, recounting the events that belied the writer's six-year authorship of the seminal "nonfiction novel" In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote's increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, "conquer all" attitude of Capote in his early years with a seemingly endless string of poor choices in the writer's later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety. ~ Nathan Southern, Rovi

Richard Linklater directs the romantic drama Before Sunset, a sequel to Before Sunrise (1995). Jesse (Ethan Hawke) and Celine (Julie Delpy) were strangers who spent a loquacious night together in Vienna. Nine years later, Jesse has written a book about the encounter. During his accelerated European book tour, he reunites with Celine in Paris. Before Jesse's flight home, he joins Celine for a picturesque walk around Paris peppered with intimate conversation: at first, about the minutiae of their day-to-day lives and their relationships, and then about their lingering feelings for one another. Before Sunset was nominated for the Golden Bear at the Berlin International Film Festival. ~ Andrea LeVasseur, Rovi

In the same year that filmmaker Richard Linklater explored the possibilities of image manipulation in digital filmmaking with Waking Life, he also embraced the new medium's potential for creating intimate character portraits under confined circumstances with this feature, based on the play by Stephen Belber. Johnny (Robert Sean Leonard) is a 30-year-old filmmaker who is enjoying a recent run of success and has returned to his old hometown of Lansing, MI, to show his latest project at a film festival. While in town, Johnny pays a visit to Vince (Ethan Hawke), an old friend from high school who is staying in a nearby hotel. Vince has never had a knack for responsibility and these days scrapes together a living as a low-level drug dealer. Johnny and Vince discuss their lives, with Johnny more than a bit judgmental about Vince's current situation, when the conversation turns to Amy (Uma Thurman), a girl who was Vince's girlfriend through much of high school and who Johnny dated for a brief spell afterward. Johnny confesses that he hasn't thought about Amy in ages, but Vince informs him that she's living nearby, then begins firing a series of increasingly pointed questions at him about his relationship with Amy, concluding with the shocking accusation that Johnny once raped Amy at a party. Like Waking Life, Tape was entirely shot using digital video equipment, and director Linklater remained true to the story's origins as a stage play, using only three actors and one set for the entire film. Both Tape and Waking Life premiered at the 2001 Sundance Film Festival. ~ Mark Deming, Rovi

Richard Linklater's fifth feature is a major departure from his previous work -- his first big-budget picture, it's also the first of his films since his 1987 Super-8 effort "It's Impossible to Learn to Plow by Reading Books" not set during his signature 24-hour time frame, offering instead a ravishing bankrobber period piece buoyed by a gentleness of spirit rare among movies of any genre. Its true story tells of the four Texas-born Newton brothers, who between 1919 and 1924 were the most successful robbers in the U.S.; led by the newly-paroled Willis Newton (Matthew McConaughey, in arguably his strongest performance to date), the gang -- siblings Jess (Ethan Hawke), Joe (Skeet Ulrich) and Dock (Vincent D'Onofrio), as well as nitroglycerin expert Brentwood Glasscock (Dwight Yoakam) -- embarks on a crime spree which spreads across the U.S. and into Canada, heisting bank vaults only at night in order not to hurt or kill anyone. (As Willis figures it, the bankers -- all covered by insurance -- are merely thieves themselves anyway.) A sweetly contemplative film, The Newton Boys is almost an anti-crime caper -- no one gets killed, and the violence which does occasionally erupt is handled with a light comic touch. By no means a master storyteller, Linklater has instead crafted a movie tailored to his own strengths, among them his skillful direction of actors, his flair for period detail and his unerring sense of rhythm; like all of his work, The Newton Boys is also informed by its maker's deep and abiding love for the film medium itself, complete with any number of striking visual and emotional references to classics ranging from Greed to Jules et Jim. While viewers expecting slam-bang action typical of the genre will undoubtedly be disappointed, those seeking a more humane and poetic alternative will be utterly charmed. ~ Jason Ankeny, Rovi

Richard Linklater's third feature -- set, like his other works, over the course of one 24-hour period -- Before Sunrise is a sweet, intelligent romantic comedy filmed primarily in Austria. It stars Ethan Hawke as Jesse, a young American travelling through Europe. On a train he meets Celine, a French student portrayed by Julie Delpy. Together they leave the train to begin exploring the city of Vienna, walking and talking into the wee hours of the night and slowly falling in love as the minutes before Jesse's return to the U.S. tick away. ~ Jason Ankeny, Rovi