Paolo Virzì Movies

Controversial Italian Prime Minister Silvio Berluscoi is just one of the targets of writer and director Nanni Moretti's satiric focus in this sharp comedy-drama. In the 1970's, Bruno (Silvio Orlando) was one of Italy's most daring and best-respected filmmakers, while his wife Paola (Margherita Buy) was a leading box-office star. However, come the new millennium, things are a whole lot different for Bruno -- Paola is divorcing him, his production company is on the verge of bankruptcy, and he can't get a new project off the ground. When Teresa (Jasmine Trinca), a young woman down on her luck, approaches Bruno with a script, he agrees to take on the project, even though he hasn't read it and doesn't know how he'll raise the money. Bruno discovers he's put himself in hot water when he reads the screenplay and discovers it's a frontal assault on Silvio Berluscoi that doesn't shy away from allegations of his connection to organized crime, tax evasion, bribery and influence peddling. While Italian firms won't dare touch the project, Bruno discovers a Polish financier (Jerzy Stuhr) who will put up the money, but under one condition -- Bruno has to persuade box-office idol Marco Pulici (Michele Placidio) to play Berluscoi. Il Caimano (aka The Caiman) received its North American premier at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide

Writer/director Paolo Virzì and co-writer Francesco Bruni follow up their sly fish-out-of-water comedy My Name Is Tanino with another comedy in a similar vein, Caterina in the Big City. Giancarlo (Sergio Castellitto) is delighted when he has an opportunity to leave his provincial teaching job and drag his wife Agata (Margherita Buy) and 12-year old daughter Caterina (newcomer Alice Teghil) back to his old neighborhood in Rome. Caterina is a sweet, naïve, and pretty girl, and on her first day of school, she finds herself mocked as a hick. Her classmates are the sons and daughters of Rome's elite. Margherita's (Carolina Iaquaniello) parents are prominent intellectuals, and she leads a faction of bohemian socialist kids, while Daniella's father is a political heavyweight, and her preppy clique dresses in designer duds and espouses right-wing politics. Poor Caterina finds the two opposing factions battling over her allegiance, but every time she makes a new friend, her father fouls things up. Giancarlo, who is also an aspiring novelist, spends his evenings at home ranting about the elites and their devious, cliquish ways, but every time he's in the presence of an important person, he desperately tries to ingratiate himself and get his talents noticed. Meanwhile, he's drifting into depression and isolating himself from his wife and daughter. Caterina in the Big City was shown at New York City's Walter Reade Theater in 2004 as part of a Sergio Castellitto retrospective presented by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide

Dominated by a cast of newcomers, this comedy of errors from director Paolo Virzi aims for both laughter and poignance. Three factory workers who lose their jobs when their employer closes shop decide to join forces and open an ostrich ranch, in hopes that ostrich meat will find favor on Italian dinner tables. Elsewhere, Mario, a restaurateur, is suicidally depressed over the collapse of both his business and his marriage. Renato, leader of the ostrich ranchers, discovers his sister is romantically involved with a government councilor, also named Mario, who could approve state financing that would keep their business afloat. Renato dumps every penny he has into an elaborate party in hopes of impressing the councilor, but when he goes to the train station, he picks up the restaurant owner instead, who is so dazed by pills and exhaust fumes that he's not sure where he is. Italian television comic Massimo Gambacciani makes his film debut here, one of only two experienced actors in the cast. ~ Mark Deming, All Movie Guide

Two disparate Italian families battle it out on a remote island during summer vacation in this barbed social comedy that sharply comments on the yawning chasm created by ideological and political differences between liberal-but-narrow-minded intellectual elitists and ultra-conservative, ignorant masses. The story's battleground is set upon the island of Ventotene and on either side are adjacent cabins. In one stays the intellectually arrogant Sandro Molino. He brings with him his girl friend Cecilia, her baby, and her father. Cecilia is constantly insecure about her relationship with Sandro while papa Mauro, a failed thespian, fights his ever-encroaching depression. The Molino camp and its many followers spend their days playing music, sipping wine, smoking hashish, grooving on nature and engaging in endless conversations until the prominent Roman gun merchant Ruggero Mazzalupi and his boisterous family show up and spoil everything. The riotous Mazzalupis are as vulgar as the Molinos are tragically hip. The real conflict begins when Sandro threatens to turn Ruggero in for abusing a Senegalese servant. Chaos between the clans erupt, but amidst the cafuffle, two teens still manage to fall in love. ~ Sandra Brennan, All Movie Guide

It's pretty clear that the people who are attending the tenants' management meeting for the low income housing unit they live in are there unwillingly. They don't care about much except their own lives -- certainly not maintaining their building. When a new tenant, Carlo Delle Piane, arrives at the meeting dressed in a suit and looking like a kind of boss, the tenants' association immediately appoints him as the apartment administrator. To their astonishment, he takes his responsibilities seriously, and at least a little in their lives begins to improve. Vignettes in the lives of the tenants flesh out this dark comedy, as some experience hardship and suffering, and others gain reason for a bit of hope. ~ Clarke Fountain, All Movie Guide