William Vince Movies

Lucky Number Slevin director Paul McGuigan takes the helm for this action thriller concerning a group of telekinetic American ex-patriots who band together in an attempt to take down the clandestine government agency that's genetically transforming normal citizens into powerful psychic warriors. The Division is a shadowy government operation devoted to making humankind the ultimate weapon. Those who accept this transformation have the power to move objects with the mind, see the future before it happens, create new realities, and dispense of their enemies without so much as a single touch; those who are unwilling to participate are immediately terminated. Nick Gant (Chris Evans) is a "mover," a second-generation telekinetic who went into hiding after the Division killed his father more than a decade earlier. He lives a life of anonymity in Hong Kong, a densely populated place where fugitive psychics such as himself are safe as long as they can keep their unique gift secret. Suddenly into Nick's life comes 13-year-old "watcher" Cassie Holmes (Dakota Fanning), a clairvoyant who needs his help in tracking down escaped "pusher" Kira, who may hold the key to bringing down the Division once and for all. A "pusher" is the most powerful kind of psychic due to his or her ability to influence the actions of others by planting thoughts in their minds. Now, as Nick emerges from hiding in order to help Cassie find Kira, the Division's human bloodhounds are hot on their trail. In order to elude the authorities, they'll need to disappear into the seedy underbelly of the city while relying on a team of rogue psychics to help cover their tracks. But Division Agent Henry Carver (Djimon Hounsou) is a powerful pusher who has made it his mission to stop them at all costs, regardless of the collateral damages that may occur in the process. ~ Jason Buchanan, Rovi

Claymation isn't just for the kiddies anymore as evidenced in this gothic, adult-oriented fairy tale based on an original story by Guy Maddin's long-time screenwriting partner George Tole and featuring the voices of Powers Boohte, Gregory Smith, and Carly Pope. George T. Edison (Boothe) is an oddball inventor who hears with his teeth instead of his ears as a result of a bizarre childhood train accident. By day he toils away in his cluttered laboratory, and by night he listens to phonograph records by chewing on the giant metal horn that conducts the sound. George is sure that his latest invention is the one that will cement him as a true genius. Eager to get the ball rolling, George hastily recruits his son Leo (Smith) to assist in his latest experiment without considering the consequences. As the experiment gets underway, however, something goes horribly awry and Leo is electrified. Now Leo is unable to touch another human without fear of delivering a deadly jolt, a development that leaves him quite lonely until the lovely Zella (Pope) zaps into his life. Zella is the first person with the power to see past Leo's electrified façade, and as such she may just be his ticket to true happiness. ~ Jason Buchanan, Rovi

A sociopathic kidnapper methodically pushes a desperate pair of parents to their absolute breaking point in this thriller starring Piece Brosnan, Gerard Butler, and Maria Bello. Life has been good to happily married Chicago couple Neil (Butler) and Abby (Bello); their flames in their relationship are still burning bright, Neil has a great job, and with the birth of their beautiful daughter Sophie the loving couple has grown into a budding family. So much can change in an instant though, and the moment that sadistic kidnapper Ryan (Brosnan) appears the fibers of this happy family are torn violently apart. Ryan knows everything there is to know about Neil, Abby, and Sophie, and now he's ready to use that information to put the two parents through the most excruciating experience of their entire lives. Should Neil and Abby not comply with Ryan's every demand over the course of the next twenty-four hours, he will kill young Sophie without a second thought. While at first the demands seem typical of your average kidnapper, they gradually begin to grow increasingly outlandish until it becomes obvious that Ryan doesn't want money, but simply enjoys the power that comes along with systematically dismantling their idyllic lives until there's nothing left for Neil and Abby to live for. Now left with nothing to lose, the monstrous Ryan finds out just how far a parent is willing to go in order to save their child when he commands Neil to commit one final act of annihilation that goes against everything the loving father and husband stands for. ~ Jason Buchanan, Rovi

The creation of one of the most memorable books of the 1960s -- and the impact the writing and research would have on its author -- is explored in this drama based on a true story. In 1959, Truman Capote (played by Philip Seymour Hoffman) was a critically acclaimed novelist who had earned a small degree of celebrity for his work when he read a short newspaper item about a multiple murder in a small Kansas town. For some reason, the story fascinated Capote, and he asked William Shawn (Bob Balaban), his editor at The New Yorker, to let him write a piece about the case. Capote had long believed that in the right hands, a true story could be molded into a tale as compelling as any fiction, and he believed this event, in which the brutal and unimaginable was visited upon a community where it was least expected, could be just the right material. Capote traveled to Kansas with his close friend Harper Lee (Catherine Keener), herself becoming a major literary figure with the success of To Kill a Mockingbird, and while Capote's effete and mannered personal style stuck out like a sore thumb in Kansas, in time he gained the trust of Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent investigating the murder of the Clutter family, and with his help Capote's magazine piece grew into a full-length book. Capote also became familiar with the petty criminals who killed the Clutter family, Dick Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.), and in Smith he found a troubling kindred spirit more like himself than he wanted to admit. After attaining a sort of friendship with Smith under the assumption that the man would be executed before the book was ever published, Capote finds himself forced to directly confront the moral implications of his actions with regards to both his role in the man's death, and the way that he would be remembered. Capote also co-stars Bruce Greenwood as Capote's longtime companion Jack Dunphy, and Amy Ryan as Mary Dewey, Alvin's wife who became a confidante of Capote's. ~ Mark Deming, Rovi

First-time filmmaker Omar Naim wrote and directed the sci-fi drama The Final Cut. Set in the near future, the story concerns a device implanted in the body that is capable of recording a person's entire life. Once it is extracted from the body after death, the footage can be played back on a screen in the form of "rememories." Robin Williams plays Alan Hakman, an editor who cuts together the footage to make pleasant movies for funerals. Tormented by his job and his own memories, Alan also has a troubled romantic relationship with bookseller Delila (Mira Sorvino). While looking through footage for his next project, Alan discovers a man whom he believes is from his own past. Meanwhile, former editor Fletcher (James Caviezel) wants the footage for his own purposes. The Final Cut was shown at the Berlin Film Festival in 2004. ~ Andrea LeVasseur, Rovi

Mary (Jena Malone) is entering her senior year at American Eagle Christian High School. She seems to be in an ideal social position as one of the "Christian Jewels," the most devout and popular clique of girls in the school, led by the aggressively cheerful Hilary Faye (Mandy Moore). But things take an unexpected turn when Mary's boyfriend, Dean (Chad Faust), tells her he may be gay. Mary hits her head and has a vision, in which Jesus tells her how to help "cure" Dean of his unnatural urges. Mary does everything in her power to sway Dean, but when his parents find out about his "problem," they send him away just before the school year starts, leaving Mary alone, confused, and, she soon finds out, pregnant. Mary's new situation causes her to question everything, including her friendship with the judgmental Hilary Faye and her faith. Her mother (Mary-Louise Parker) is too preoccupied with her flirtatious relationship with the school's married principal, Pastor Skip (Martin Donovan), to notice Mary's problem. Pastor Skip's dreamboat skateboarder son, Patrick (Patrick Fugit), has returned from missionary work and is attracted to Mary, but she already has too much to deal with. Just when she thinks her situation is hopeless, she finds a pair of unlikely allies in Hilary Faye's cynical wheelchair-bound brother, Roland (Macaulay Culkin), and wild, muscle car-driving provocateur Cassandra Edelstein (Eva Amurri), the school's only Jewish student. Saved! marks the feature debut of director Brian Dannelly, who co-wrote the script with Michael Urban. ~ Josh Ralske, Rovi

Screenwriter Arne Olsen makes his directorial debut in this comedy that explores the real meaning of youth and age. Owen Rinard (Eric McCormack) is the thirty-something manager of a Canadian retirement home who watches over his charges with an eagle eye and has a strong belief in rules and regulations. However, Gus Corley (James Whitmore), one of the residents at the home, isn't especially enthusiastic about Owen's iron rule, and wants to go on a fishing trip to Victoria, British Columbia. Owen has no interest in organizing outings for the patients, but when Gus, a former accountant, learns a few secrets about the current state of the books at the home, he makes Owen an offer he can't turn down -- either escort him and his friends Duncan (Ossie Davis) and Nelly (Kim Hunter) to Victoria for a vacation, or he'll tell the authorities about the irregularities in the accounts. Soon a very wary Owen is on the road with Gus, Duncan, and Nelly, and the younger man learns a few important lessons from his elders about the joy of living. Here's to Life was nominated for seven Genie awards -- the Canadian Oscar -- including Best Actor and Best Actress nominations for James Whitmore and Kim Hunter. ~ Mark Deming, Rovi

The heartwarming story of a boy, his dog and a basketball forms the basis of this family comedy from Disney. Snively (Michael Jeter) is an unfunny clown whose appearances at children's parties are usually upstaged by his dog Buddy, who has learned how to shoot a basketball. Snively is tired of being upstaged by the pooch, and he eventually abandons him. Buddy is taken in by Josh (Kevin Zegers), a shy boy whose father recently died. Josh's mother Jackie (Wendy Makkena) moves them to a small town in Washington, where the naturally withdrawn Josh doesn't quite fit in. Too shy to try out for the basketball team, he instead becomes team manager, and he practices on his own after the team goes home. One night, Josh discovers Buddy that can not only shoot hoops, but he's a better shot than anyone on the team. Coach Barker (Stephen E. Miller), hungry for victory, adds Buddy to the team and soon the dog with game is famous -- just famous enough, in fact, for Snively to return, demanding the return of his pet. Buddy the Dog was spotted by the film's producers shooting baskets on the "Stupid Pet Tricks" segment of The Late Show with David Letterman. ~ Mark Deming, Rovi

In this actioner, a petty crook attempts to deliver a computer disk to his boss. Unfortunately, the information upon that disk is of particular interest to corrupt G-men and the ruthless members of a drug cartel. Finding himself in the midst of this deadly struggle, the crook receives help from a plucky lady detective. ~ Sandra Brennan, Rovi

Killer is writer-director Mark Malone's offbeat noir fantasy about Mick (Anthony LaPaglia), an alienated, existential hit-man with a secret, romantic streak which leads him into tragedy. Mick is troubled by his desire to murder a call-girl because she failed to excite him, and he confides in mob boss George (Peter Boyle). George offers to set Mick up with a prominent psychiatrist if he first makes a hit on an upscale lady who has stolen money from the mob. Mick's pal Archie (Matt Craven) wants to join him, and Mick reluctantly agrees even though Archie's cowardice in a previous hit nearly cost George and Mick their lives. When Mick arrives to carry out the hit, to his surprise, he finds his victim expecting him. Elegant, cool Fiona (Mimi Rogers), asks a great many questions about Mick, learns a great deal and they engage in some mild sadomasochistic sex. Archie too becomes Fiona's confident, telling her of his botched hit and his troubled relationship with Mick. The film's conclusion is unusual and surprising, with dense and subtle performances by the entire cast. Malone is a confident and inventive director whose use of lighting and sound is smoothly impressive. But unlike many directors, Malone never allows this technique to interfere with the performances of his actors. Killer was well-received by critics, but failed to find an a well-deserved audience until it was released on video. ~ Linda Rasmussen, Rovi

In this comedy western, a Japanese businessman aspires to be like the cowboy heroes he sees in his beloved American western movies and decides to buy a ranch in Montana. Mayhem ensues as he discovers the screen version of western life is quite different from reality. ~ Sandra Brennan, Rovi

Butterfly on the Wheel was the fifth of director Maurice Tourneur's six films for 1915. Devoted to his business, prominent theatrical producer Adamston (Holbrook Blinn) sorely neglects his beautiful wife Peggy (Vivian Martin). Arriving home early one afternoon, Adamston is confronted with circumstantial evidence that his wife has been entertaining a gentleman caller. Ignoring Peggy's pleas of innocence, Adamston immediately files for divorce. Alas, the jury is on the husband's side, and Peggy is dragged through the muck and mire of scandal. Even the last-minute revelation that Peggy was blameless does not diminish the film's powerful indictment against hearsay and matrimonial neglect. Butterfly on the Wheel was highlighted by a spectacular backstage fire, the sort of seemingly spontaneous "thrill" scene in which director Tourneur excelled. ~ Hal Erickson, Rovi