Jean del Val Movies

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy's life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple's New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy's confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat. ~ Linda Rasmussen, Rovi

Stephen Boyd heads a team of scientists sent on a bizarre experimental mission. Through a revolutionary and as-yet-untested process, the scientists and their special motorized vehicle are miniaturized, then injected into the blood stream of a near-death scientist (Jean del Val). Their mission is to relieve a blood clot caused by an assassination attempt. One member of the expedition is bent on sabotage so that the scientist's secrets will die with him. Another member is Raquel Welch, seemingly along for the ride solely because of how she looks in a skintight diving suit. The film's Oscar-winning visual effects (by Art Cruickshank) chart the progress of the voyagers through the scientist's body, burrowing past deadly antibodies, chunks of tobacco residue in the lungs, and other such obstacles. Oscars also went to Jack Martin Smith and Dale Hennesy's art direction and Stuart A. Reiss and Walter M. Scott's set decoration. Fantastic Voyage was later spun off into a Saturday-morning cartoon series. ~ Hal Erickson, Rovi

In a plot reminiscent of a key scene in The Longest Day, American paratrooper Riddell (David Scheiner) finds himself trapped when his chute gets caught on a church spire. Entering the church to cut Riddell down, Saunders (Vic Morrow) and his men are themselves trapped by the sudden arrival of enemy troops. There is nothing for Saunders to do but hide in the the shadows of the church--and pray that the Germans do not get to Riddell before he does. ~ Hal Erickson, Rovi

Though he's scheduled to be furloughed, Pvt. Cantrell (Phillip Pine) is called back to active duty for a dangerous wiretapping mission. Cantrell has been selected for this "honor" because he speaks fluent German and will be able to slip into enemy territory unnoticed. Woven into this intrigue is a subplot involving a cake sent to Pvt. Littlejohn (Dick Peabody) by his mother--with strict instructions that the box containing the cake cannot be opened until his birthday. ~ Hal Erickson, Rovi

Spencer Tracy plays an American priest tending to the natives of a South Sea island. A plane carrying three convicts -- Harry (Frank Sinatra), Marcel Gregoire Aslan and Charlie Bernie Hamilton) -- lands on the island; Father Doonan (Tracy) manages to enlist their (reluctant) aid in working at a children's hospital. When the island falls victim to a series of earthquakes, Father Doonan and the convicts work together to evacuate the hospital staff and the children. Harry, the least cooperative of the prisoners, becomes a hero during a volcanic eruption by going back to rescue the priest, who with convict Charlie has been holding a bridge in order to allow the others to escape. Father Doonan and the two convicts are killed, but all the children are rescued. Blighted by bad special effects and ponderous direction, Devil at Four O'Clock is less interesting than the behind-the-scenes rumors concerning the friction between Spencer Tracy and Frank Sinatra. ~ Hal Erickson, Rovi

Talented special effects and adventure director Michael Anderson (Around the World in 80 Days, 1956) keeps the suspense going in this drama about the wreck of the Mary Deare. John Sands (Charleton Heston) is the captain of a salvage ship that is almost rammed by the apparently abandoned Mary Deare. Sands boards the ship in search of plunder but as it is tossed on the high seas, he discovers a half-crazed captain aboard (Gary Cooper). The captain of the Mary Deare, Gideon Patch, tells Sands his story and in the end, the ship is scuttled and sinks. While Sands believes the story, the court does not believe it and Captain Patch is devastated. Determined to prove his innocence, the two captains dive down to the sunken Mary Deare to dredge up the evidence they need -- building up to a slam-bang climax. ~ Eleanor Mannikka, Rovi

Perry (Raymond Burr) receives an envelope containing $500 from Marian Fargo (played by a redheaded Angie Dickinson), who wants him to exchange the money for documents pertaining to her brother, a fugitive from justice. Things get sticky when the "drop-off" point turns out to be a murder scene. Compelled to clear Marian of charges that she killed not only a blackmailer named Renault (Jan Arvan) but her own husband Arthur (Peter Adams), Perry must rely upon a witness (Dorothy Green) whose eyesight is very seriously impaired--and who may have a hidden agenda of her own. (In an unintentionally amusing scene, Perry complains that the coffee in an expensive French restaurant costs an outrageous one dollar per cup!) ~ Hal Erickson, Rovi

Jack Kelly makes his first appearance as Bart Maverick in this episode, in which Bart and brother Bret find themselves broke and stranded in New Orleans. Hoping to stake themselves to a big poker game being held on a steamboat called the River Princess, the Maverick boys are denied admission by the boat's owner, Andre Devereaux (Stephen Bekassy), a Creole gentleman with a long-standing hatred for Americans. When Devereaux' daughter Yvette (Laurie Carroll) is kidnapped, the Mavericks offer to go to her rescue--not out of any sense of gallantry, but because they still want to get in on that card game. ~ Hal Erickson, Rovi

Paul Henreid was light-years removed from Now Voyager and Casablanca when he starred in the Columbia costume cheapie Pirates of Tripoli. Henreid is cast as Edri-Al-Gadrian, a bold buccaneer who comes to the rescue of Princess Karjan (Patricia Medina). Much of the action footage is culled from earlier Columbia pirate epics, which explains the variety of costumes worn by the good and bad guys. Despite his reduced surroundings, Henreid seems to be having more fun than usual in his role. The remainder of the cast is comprised of such B-flick regulars as Paul "Tiny" Newland, John Miljan and William Fawcett, the latter eschewing his standard grizzled-old-propector characterization to portray a grizzled old street beggar. ~ Hal Erickson, Rovi

The 1954 Martin-and-Lewis romp Living It Up is an amusing remake of the 1937 comedy classic Nothing Sacred. More specifically, it is the film version of the Broadway musical Hazel Flagg, which was based on Nothing Sacred. The heroine of the original undergoes a sex change to become feckless Homer Flagg (Jerry Lewis), who is led to believe that he's dying of radiation poisoning. Manhattan newspaperwoman Wally Cook (Janet Leigh), hoping to improve circulation of her paper, convinces her boss, Oliver Stone (Fred Clark), to fete Homer as a hero with an all-expenses-paid trip to the Big Apple. Meanwhile, Homer learns from local doctor Steve (Dean Martin) that he isn't dying at all. But Steve talks Homer into taking advantage of the celebrity treatment bestowed on him by Wally, and a good time is had by all -- until medical specialist Dr. Egelhofer (Sig Rumann) insists upon examining Homer. Highlights include a hilarious bit at Yankee Stadium, and an energetic jitterbug number featuring Jerry Lewis and Sheree North. The handful of songs retained from Hazel Flagg include "Every Street's a Boulevard in Old New York." ~ Hal Erickson, Rovi

Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei Lee, whose philosophy is "diamonds are a girl's best friend." Together with her best human friend Dorothy (top-billed Jane Russell), showgirl Lorelei embarks upon a boat trip to Paris, where she intends to marry millionaire Gus Esmond (Tommy Noonan). En route, the girls are bedeviled by private detective Malone (Elliot Reid), hired by Esmond's father (Taylor Holmes) to make certain that Lorelei isn't just another gold-digger. When Dorothy falls in love with the poverty-stricken Malone, Lorelei decides to find her pal a wealthier potential husband, and that's how she gets mixed up with flirtatious diamond merchant Sir Francis Beekman (Charles Coburn) and precocious youngster Henry Spofford III (George "Foghorn" Winslow). Most of the Leo Robin-Jule Styne songs from the Broadway show remain intact, including Marilyn Monroe's rendition of "Diamonds are a Girl's Best Friend," a production number later imitated by pop icon Madonna. ~ Hal Erickson, Rovi

Daniel Mainwaring took this story right out of the headlines of the day, penning this true story of a mass murderer who was eventually executed in San Quentin's gas chamber. Released during McCarthy's witch-hunt, Mainwaring was not given credit because Howard R. Hughes, who produced it under RKO, refused to give credit to any "radicals." The story is that of two men on a fishing trip who pick up a hitchhiker. He turns out to be a sadistic psychopath who has committed multiple murders, a sociopath who hates humanity because of his own abuse as a child. He also has an affliction which terrifies these two men: an eye which is permanently open, thereby never allowing them to know if he is really asleep or just faking it--something which he does with regularity to scare them...letting them take off and then meeting up with them just as they feel they have escaped from him. A tense thriller skillfully directed by the only female director of the time, Ida Lupino, it is a suspenseful tale of terror on the highways. ~ Tana Hobart, Rovi

Set in Paris, Under My Skin stars John Garfield as a washed-up jockey who has stolen money from a crooked gambler (Luther Adler). Anxious to escape with his life, Garfield leaves his young son (Orley Lindgren) in the care of his nightclub chanteuse girlfriend (Micheline Presle). While on the lam, Garfield has a change of heart and decides to make good for his son's sake. The gambler catches up with the jockey and demands that he throw an upcoming race, or else. Garfield makes the ultimate sacrifice so that his son will grow up remembering him with pride. Under My Skin was based on the Ernest Hemingway story My Old Man, which was refilmed for television in 1979 with Warren Oates as the father and Kristy McNichol as his daughter (one supposes that it was contract-commitment time). ~ Hal Erickson, Rovi