Benicio Del Toro

Steven Soderbergh's The Argentine stars Benicio Del Toro as Che Guevara. The film opens with Che as one of the important figures in the growing Cuban rebellion led by Fidel Castro (Demián Bichir). The movie charts how the two successfully built an underground army large enough to successfully overthrow the government of Fulgencio Batista. Soderbergh and Del Toro also team up again for a second biopic of Guevara titled Guerrilla, a movie that focuses on his life in the years after the Cuban revolution. ~ Perry Seibert, All Movie Guide

A woman who lost her husband in a random act of violence and a heroin addict who was a lifelong friend of the dearly departed discover that the beloved husband and friend's unfortunate passing is actually a blessing in disguise in Open Hearts director Susanne Bier's Dogme-style drama. When her husband (David Duchovny) was killed, Audrey Burke (Halle Berry) didn't think she would be able to summon the strength to carry on. Jerry Sunborne (Benicio Del Toro) is a heroin addict who was one of the recently deceased's oldest friends in life, but as a result of his addiction Jerry has lost everything that ever mattered to him. When Audrey discovers that Jerry is the one man who could help her move beyond the dire cycle of grieving that she has fallen into, her offer for him to move in with the family provides the addict with just the incentive he needed to finally get his life back in order. ~ Jason Buchanan, All Movie Guide

The debut documentary feature from television director Wayne Ewing (Homicide: Life on the Street), Breakfast With Hunter attempts to offer viewers an inside look into the life and mind of gonzo journalist Hunter S. Thompson. Along with discussions of his past writings, the film explores the tumultuous process of adapting Thompson's most famous book, Fear and Loathing in Las Vegas, to film. Along with writers P.J. O'Rourke and George Plimpton, interviews are featured with actors John Cusack, Benicio del Toro, and Johnny Depp, who played Thompson when Fear and Loathing finally came to fruition under the direction of Terry Gilliam. ~ Matthew Tobey, All Movie Guide

A rogue special-forces soldier is tracked down by his former mentor in this action thriller from director William Friedkin (The French Connection, The Exorcist). In his first role since winning a Best Supporting Actor Oscar in 2001, Benicio del Toro stars as Aaron Hallam, one of the U.S. military's most skilled hand-to-hand combat operatives. In the years following his successful assassination of a Serbian warlord in late-'90s Kosovo, Hallam finds himself plagued by traumatic flashbacks of death and destruction, so much so that when he finally returns home, he regresses into a feral, survivalist state in the woods of the Pacific Northwest. There, he deliberately and elaborately hunts and kills poachers who happen to cross his path. When the FBI investigates the murders, they call in the man who taught Hallam everything he knows: retiree L.T. Bonham (Tommy Lee Jones). As the instructor pursues his unhinged former pupil, Bonham begins to learn about key events in Hallam's life that pushed him over the edge. ~ Michael Hastings, All Movie Guide

Sean Penn directed this tense drama of loyalty, honor, and obsession, based on a novel by Friedrich Durrenmatt. Jerry Black (Jack Nicholson) is a veteran police detective who lives and works in a small Nevada town. On the day of his retirement, it falls to Jerry to handle an especially unpleasant assignment -- a seven-year-old girl has been brutally murdered, and Jerry has to check out the crime scene, and then tell the girl's parents the awful news. The girl's mother (Patricia Clarkson), understandably distraught, demands to know if the killer will be brought to justice, and Jerry promises her that he will personally see to it, "on my soul's salvation." A younger detective also on the case, Stan Krolak (Aaron Eckhart), thinks he's traced the crime to Toby Jay Wadeneh (Benicio Del Toro), a mentally retarded man who confesses to the murder shortly before killing himself. Stan considers the case closed, but Jerry can't shake his belief that Toby Jay wasn't actually the murderer, and Jerry begins to investigate the case on his own time, over the objections of his former boss, Eric Pollack (Sam Shepard), who reminds Jerry that he's no longer an official member of the police force. Before long, Jerry's personal investigation has taken over his life, and he uncovers evidence that suggests the girl's murder was just one in a series of killings involving young girls and a mysterious man called "the Wizard." When Jerry becomes close to a young single mother, Lori (Robin Wright-Penn), he feels he has reason to believe the murderer may be targeting her eight-year-old daughter, and finds himself using her as a decoy in order to bring the killer to justice. The Pledge marked Jack Nicholson's second starring role in a film directed by Sean Penn following 1995's The Crossing Guard; The Pledge's stellar supporting cast includes Vanessa Redgrave, Helen Mirren, Harry Dean Stanton, and Mickey Rourke. ~ Mark Deming, All Movie Guide

Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction. ~ Michael Hastings, All Movie Guide

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

A bored motel clerk and his buddies go for a little joy ride in a woman's car. They don't realize until it is too late that she is a paid assassin and that her latest victim is in the trunk. Thus begins the clerk's descent into a shadowy world of lies and murder. ~ Sandra Brennan, All Movie Guide

While at the Cannes Film Festival, producer Sy Learner (Seymour Cassel) makes a bet that he can turn any nobody into a star. A cabbie from New York named Frank (Francesco Quinn) becomes his test case as Sy tries to get Frank noticed amidst the stars and glitter of Cannes. ~ Mark Deming, All Movie Guide

Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide

Originally screened at Telluride as The Buddy Factor, Swimming With Sharks is an uneven but engrossing picture, and a possible warning to anyone with plans to break into the motion-picture business. When Guy (Frank Whaley), a recent film-school graduate with big ideas, takes a job as assistant to major studio executive Buddy Ackerman (Kevin Spacey), he believes his ship has finally come in; little does he know it's a slave ship, for his boss is indeed worse than a slave driver. Buddy delights in abusing his boy-toy (exemplified by the scene in which he forbids Guy to go to the bathroom as he pours water back and forth from a glass to a pitcher). Meanwhile, Guy struggles to push his idea for a script and feels he's finally made it when Buddy congratulates him on a job well done. However, much to his chagrin, his conniving boss actually takes sole credit for the project, pushing the young assistant to wit's end -- he breaks into Buddy's Beverly Hills showplace and takes him hostage, then proceeds to torture him in a number of demeaning and horrifying ways. The whole film stands as a sort of parable about the value system in Hollywood and the cost of reaching the top; it doesn't play like real life, but it's not supposed to. The real reason to watch the film, however, is Spacey's performance. He manages at once to be terrifying, hateful, and hilarious, and he makes Buddy Ackerman a character the audience won't soon forget. ~ Jeremy Beday, All Movie Guide