Pilar del Rey Movies

When the Brazilian rainforest home of young Princess Nisa (Laura Herring) is threatened by greedy American businesses, she travels to Los Angeles with Joa the shaman (Sid Haig). There Joa is thrown in jail, and Nisa must find a way to stop the rainforest destruction herself. When a young man who loves to dance crosses her path, and together they enter a televised lambada contest, Nisa might have found the answer to her prayers. ~ Iotis Erlewine, Rovi

The crux of this limited, juvenile comedy is a complex game that begins at midnight and ends by morning. Of main interest is the fact that a young Michael J. Fox plays one of the students involved in the game. Leon (Alan Solomon) has spent a year creating the game and practically needs that long to convince his fellow students to play it. Eventually he wins out, and the various teams of classic stereotypes -- the nerd, the well-groomed hero, the obnoxious sorority sister, the easily duped freshman, and others -- all converge on Los Angeles at midnight. Their treks take them through the Griffith Observatory which because of those odd hours astronomers keep, could conceivably be open. Other locales are interestingly open too, apparently Los Angeles never sleeps. ~ Eleanor Mannikka, Rovi

Based on the popular novel by Joseph Krumgold, And Now Miguel is an easygoing yarn about a small boy with a big dream. Miguel (Pat Cardi), a shepherd's son, hopes some day to himself shepherd the flocks of sheep that has been managed by his family for so many years. Filmed mostly out-of-doors, the film benefits from the natural scenic beauty of New Mexico. The plot itself tends to be pokey, especially whenever the camera lingers on shots of sheep grazing, sheep moving from pasture to pasture, and sheep being shorn. ~ Hal Erickson, Rovi

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, Rovi

Black Horse Canyon was adapted from The Wild Horse, a novel by Lee Savage Jr. Joel McCrea stars as novice rancher Del Rockwell, who takes it upon himself to capture a magnificent wild black stallion who has been spiriting mares away from other ranchers. Rockwell hopes to use the stallion for stud purposes, as does his disreputable neighbor Jennings (Murvyn Vye). Also desirous of corralling the stallion for her ranch is Aldia Spain (Mari Blanchard), who throws in with Rockwell. An exciting climax which reveals everyone's true nature caps this beautifully photographed western. ~ Hal Erickson, Rovi

Based on a novel by Gwen Bristow, Jubilee Trail is a sprawling, all-star western from the Republic Studio mills. Despite is vaunted budget, the plot is strictly B-picture material. Ambitious California landowner Charles Hale (Ray Middleton) hopes to add to his riches by marrying off his brother Oliver (John Russell) to a wealthy Spanish family. But when Oliver weds a gal named Garnet (Joan Leslie) instead, Charles vows revenge against the new bride. Later, Oliver is killed, leaving Garnet to raise their baby alone. Charles intends to claim the baby for himself, but Garnet, who has subsequently fallen in love with John Ives (Forrest Tucker), isn't about to let that happen. Top-billed Vera Ralston plays saloon-hall chirp Florinda, a Woman With a Past who is peripherally involved in the plot proper, while Richard Webb, TV's "Captain Midnight", fills the obligatory "disgruntled suitor" role. The film is stolen hands down by Pat O'Brien as a drunken doctor who serves as last-minute problem-solver. ~ Hal Erickson, Rovi

It's always fun to watch Ronald Reagan play a slightly disreputable type, and Tropic Zone is no exception. Reagan stars as Dan McCloud, a self-styled "banana expert" who is hiding out in a mythical South American country for obscure political reasons. Motivated by greed, McCloud comes to the aid of banana-plantation owner Flanders White (Rhonda Fleming), whose livelihood is threatened by covetous Lukats (John Wengraf). Redeemed by love, McCloud turns honest, rallying Flanders' workers and tenant farmers to form a united front against the crooked Lukats and his chief henchman Nelson (Grant Withers). High point: Flanders White, jealous of local cabaret cutie Elena (Estelita Rodriguez), bares her midriff and performs a sexy dance for McCloud's benefit. Tropic Zone was another winner from Paramount's Pine-Thomas production team. ~ Hal Erickson, Rovi