Robert Sertner Movies

An overweight high school senior makes the best of a cruel prank when her classmates nominate her as Homecoming Queen and she decides to win the crown for real. Maggie Baker (Nikki Blonski) is a high school senior who just doesn't fit in with the popular kids; her family isn't rich, she isn't decked out in all the latest fashions, and she always seems to get singled out at school due to her weight. When one of Maggie's more sadistic classmates makes the cruel move of nominating her as Homecoming Queen, the plus-sized student goes against the advice of both the administration and her widowed mom in an attempt to reclaim her pride and avoid letting the mean girls have the last laugh. ~ Jason Buchanan, All Movie Guide

In the tradition of Behind the Camera: The Unauthorized Story of Three's Company and Growing Up Brady comes the telemovie Dynasty: the Making of a Guilty Pleasure: a slightly tongue-in-cheek docudrama that purports to tell the scintillating story behind the scenes of ABC's nine-season prime time soaper about the Carringtons and the Colbys. The feature (produced by ABC itself) reflects on the parent network's own lust after a serial drama in the face of drowning competition from Dallas. To solve this issue, producer Aaron Spelling (here played by Nicholas Hammond) and show creators Richard and Esther Shapiro (Ritchie Singer and Pamela Reed) conceive of a modern American dress version of I, Claudius about the corrupting influences of wealth and power in the Reagan era. The suits devise the scheming character of Alexis Carrington Colby and bring Joan Collins (Alice Krige) in to play her as a kind of feminine equivalent of J.R. Ewing. The main thrust of the story involves the program's rise to one of the top-tiered series on television, followed by its inevitable fall when it disrespects and underestimates its regular audience. John Bart portrays John Forsythe, Melora Hardin plays Linda Evans, and Robert Coleby is Rock Hudson. ~ Nathan Southern, All Movie Guide

A school of ravenous tiger sharks turn a spring break celebration into a frenzied bloodbath, and the only way to survive is to stay away from the beach in a sun-soaked tale of iron-jawed terror starring Shannon Lucio, Kathy Baker, Riley Smith, and Bryan Brown. The hard-partying college coeds aren't the only ones hitting the Florida beach this spring break, and as the keg gets tapped and the beer begins to flow, a school of hungry tiger sharks prepares to move in for the kill. With a virtual buffet of tasty teenage flesh to satisfy their bottomless appetites, the crafty, water-bound killers soon commence to turning the blue waters of the beach blood red. Now forced to fight for their lives against an unrelenting onslaught of unimaginable horror, a group of desperate coeds attempts to put their higher education to the test and outsmart nature's perfect predator. ~ Jason Buchanan, All Movie Guide

The new girl in town is 16-year-old Jacey Jeffries (Danielle Panabaker), who lives with her divorced mother, Terry (Mercedes Ruehl), and her two siblings. A popular and highly intelligent student, not to mention a talented athlete, Jacey nonetheless seems to be harboring a private, profound sadness -- or at least that's the perception of her high-school guidance counselor, Donna Cooper (Jane Krakowski). Ultimately Donna figures out the truth behind Jacey's melancholia: her baby "brother" Charlie is actually her own son, born out of wedlock and raised by Jacey's overbearing mother in a misguided effort to shield her daughter from disgrace. Upon discovering Jacey's secret, Donna takes a special interest in the girl's welfare -- an interest undoubtedly fueled by the fact that Donna herself is unable to have children. The scenes taking place in the sex-education class have an air of reality often lacking in made-for-TV films, due to the fact that the young actors playing the students were encouraged to improvise their dialogue. Produced for the Lifetime cable network, Mom at Sixteen first aired on March 21, 2005. ~ Hal Erickson, All Movie Guide

This three-hour TV biopic of actress Natalie Wood emulates Citizen Kane by beginning at the end -- the tragically ironic drowning death of the water-phobic actress in 1981 -- then recounts her life story in flashback. Justine Waddell plays the adult Natalie, with younger performers Elizabeth Rice, Candice Moore, and Nadia Scappa portraying the actress in various stages of childhood, adolescence, and puberty. Although little Natasha Gurdin's Russian-born mother and father (here played by Colin Friels and Alice Krige) had drive and ambition, it was the girl herself who energetically and enthusiastically promoted her career as a child star named "Natalie Wood," and it was Natalie herself who demanded that producer stop casting her in cute-kid and ingenue roles and take her seriously as an adult -- even before she technically was one. Naturally, the film recounts Natalie's marriage to actor Robert Wagner (Michael Weatherley), the breakup of the union as she pursued affairs with the likes of Warren Beatty (Matthew Settle), and Wood and Wagner's ultimate reconciliation and remarriage. One might assume that the "mystery" of the film's title is Natalie's death by drowning -- to this day, no one quite knows how she managed to end up in the water -- but it also manifested in the enigma of Natalie herself, a woman who despite her aggressive and unending pursuit of fame and stardom might well have willingly given it all up just to be a wife and mother. In fine old Hollywood-biography tradition, the movie boasts an endless parade of celebrity lookalikes impersonating such friends and colleagues of Natalie Wood as James Dean, Edmund Gwenn, Marilyn Monroe, and directors Irving Pichel, Elia Kazan, and Nicholas Ray, as well as several real-life celebs offering their reflections on the film's protagonist, notably Margaret O'Brien, Robert Vaughn, and Henry Jaglom. Directed by no less than Peter Bogdanovich, The Mystery of Natalie Wood first aired over ABC on March 1, 2004. ~ Hal Erickson, All Movie Guide

A suspense novel by Sue Miller was the source for the made-for-TV While I Was Gone, which made its CBS network debut on October 10, 2004. Boston veterinarian Jo Beckett (Kirstie Alley) feels trapped in her marriage to kindly but unexciting minister Daniel Beckett (Bill Smitrovich). Then, one day, a dog that may have to be put down is brought into Jo's office. The dog's owner turns out to be her old college friend Eli Mayhew (Peter Horton), with whom Jo shared a hippie pad along with several other shaggy students back in the 1960s. As she waxes nostalgic over her carefree youth, Jo considers leaving staid Daniel for footloose Eli, and goes so far as to set up a clandestine meeting with him. But Jo's dream romance turns into a nightmare with the revelation of a horrible secret from her past -- and the fulfillment of a strange "out-of-body" premonition which Jo had experienced in the opening scenes of the film. ~ Hal Erickson, All Movie Guide

Based on a novel by Melissa Senate, this made-for-cable romantic comedy stars Charisma Carpenter as Jane Grant, a New York bachelorette with a moderately successful job at a publishing company. At the behest of her Aunt Ina (Linda Dano), Jane must find a suitable date to escort her to her cousin's wedding in four weeks. Our heroine experiences a number of romantic misadventures with a steady parade of "Mr. Wrongs" (one of whom is played by Joe Millionaire's Evan Marriott) before hitting upon a man who might be "the One" -- and then again, might not. Making Jane's task all the more difficult is the presence of her former high school nemesis Natasha Nutley (Holly Marie Combs), now a soap opera diva whose autobiography Jane has been assigned to edit. See Jane Date debuted August 16, 2003, on the ABC Family Channel. ~ Hal Erickson, All Movie Guide

In June of 2002, 13-year-old Elizabeth Smart was kidnapped from her own bedroom in Salt Lake City, a crime witnessed by her younger sister Mary Katherine. The desperate search for Elizabeth evolved into a gigantic media event, as her anguished parents combined forces with the authorities -- and a number of top-rated cable talk show hosts -- to follow any lead, big or small, that would help them find their daughter. Eight months into the girl's disappearance, hopes for her safety were growing dim -- until, miraculously, she was spotted only a short distance from her home, accompanied by a pair of bizarre and seriously disturbed personalities, Brian David "Emmanuel" Mitchell and Wanda Barzee. Originally telecast November 9, 2003, by CBS, the made-for-TV Elizabeth Smart: The Long Way Home is divided into two plains of action: the ordeal of the abducted Elizabeth and her uncanny ability to keep her wits and optimism intact despite the ever-growing possibility that she would never see her parents again; and the dogged determination of Elizabeth's parents Ed and Lois, who against all odds, never gave up hope that their daughter was still alive and well. Released shortly after Elizabeth's rescue, the film could have been cheap and exploitive, but was admirably produced and very well acted, especially by Amber Marshall as Elizabeth, Dylan Baker and Hannah Lochner as her parents, and Tom Everett and Hollis McLaren as her captors. ~ Hal Erickson, All Movie Guide

Presented as part of the Lifetime cable network's ongoing "Stop Violence Against Women" program, the made-for-TV Scared Silent was based on a true story. Penelope Ann Miller stars as Kathy Clifson, happily married to the police chief (Reed Diamond) of Fremont, MN. Kathy's tranquil lifestyle is shattered when her husband hires a new deputy, John McCrane (Andrew Jackson). It seems that when Kathy was a 17-year-old high schooler, she was raped by McCrane, who terrorized and browbeat her into silence. As the weeks go by, Kathy comes in contact with three other women (including her best friend) who have been sexually assaulted by McCrane. Each of the women has either been unable or unwilling to bring him up on charges due to lack of substantial evidence -- not to mention the egregious wagon-circling tactics of McCrane's fellow "good old boy" law officers. Determined that McCrane will pay for his crimes, and to symbolically stand up behalf of all violated women everywhere who have been too scared or guilt-ridden to take action against their attackers, Kathy convinces the other victims to form a strong -- and unfrightened -- united front. The incident upon which this film was based resulted in "The Debbie Smith Act," a proposed bipartisan anti-sexual abuse law that was still in litigation at the time of filming. Following the original telecast of Scared Silent on May 20, 2002, the phone exchanges of the National Sexual Assault Hotline were literally swamped with calls of support for the Debbie Smith Act, and with reports of similar outrages against women. ~ Hal Erickson, All Movie Guide

Can it truly be said that a family is torn apart when they were never truly "together" to begin with? This is one of the disturbing questions posed by the wrenching made-for-cable drama We Were the Mulvaneys. Adapted from the novel by Joyce Carol Oates, the film stars Beau Bridges and Blythe Danner as Michael and Corinne Mulvaney, the parents of four "ideal" children. Outwardly the picture of domestic perfection, the Mulvaneys reveal the truth about themselves when their daughter Marianne (Tammy Blanchard) is raped. Desperately trying to avoid a public scandal, Michael and Corinne force Marianne to keep quiet about her violation, then ship her off to an undisclosed location where she can "recover." In the ensuing three years, Corinne tries to expunge her outrage and guilt over her daughter's plight by overzealously embracing religion, while the once-ambitious Michael degenerates into an abusive drunkard. The story is told from the viewpoint of youngest Mulvaney son, Judd (Thomas Guiry), whose life is likewise adversely altered forever. Heavily promoted by the Lifetime cable network publicity team, We Were the Mulvaneys made its initial TV appearance on April 8, 2002. ~ Hal Erickson, All Movie Guide

The second of two made-for-TV biopics on the same topic (the first was Side by Side: The True Story of the Osmond Family), Inside the Osmonds was co-produced by Jimmy Osmond and Dick Clark, and as such can be regarded as reasonably accurate, if a tad on the hokey side. Matt Dorff's teleplay recounts the rise in popularity of the singing Osmond clan, from their humble beginnings in Utah onward. The act is strictly stag -- that is, it consisted largely of the Osmond Brothers -- until siblings Donny and Marie break out and matriculate to superstardom. Perhaps inevitably, the Osmond juggernaut begins to collapse under its own weight, due to dissension, jealousy, and the questionable financial escapade of the singers' father, George (played by Bruce McGill). The story ends in a tune-filled concert re-creation, featuring the real-life Osmonds (or as many as could be assembled herein). Standouts in the cast are Thomas Dekker and Patrick Levis as the younger and older Donny Osmond, Janaya Stephens as Marie, and Veronica Cartwright as the siblings' mother, Olive; there are also adequate Hollywood casting-service approximations of musician/politician Mike Curb and the Osmonds' longtime TV director Jack Regas. The abruptness of the continuity suggests that the film was originally much longer than its present two hours. Largely filmed in Toronto, Inside the Osmonds made its ABC network debut on February 5, 2001. ~ Hal Erickson, All Movie Guide