Tracey Seaward Movies

Northern Ireland's civil unrest is the backdrop for this tense drama. In Belfast in 1975, a bomb blast rips open a pub in a Protestant neighborhood, killing the patrons inside. Following this attack, representatives from the Irish Republican Army and local Loyalist forces call a mutual truce, which angers foot soldiers on both sides of the fence. Kenny (James Frain) is the leader of a rabid anti-IRA faction. His best friend is Ginger (Ian Hart), a violent man who has no remorse about killing Catholics. Kenny and Ginger wait out the truce alongside Leonard (Michael Gambon), politically the best-informed of Kenny's group; Eddie (Gary Lydon), Kenny's second in command; and Tommy (Ruaidhri Conroy), a teenager new to the fighting. Ann (Maria Doyle Kennedy), Kenny's former wife, has become involved with a kind man named Liam (John Lynch). While Liam is apolitical, he's a practicing Catholic, which, combined with Kenny's jealousy, puts his life in great danger as he tries to find his way home using a supposedly safe route. ~ Mark Deming, All Movie Guide

In this drama, a woman tries to balance her personal responsibilities with her budding career as a musician. Anita (Anjela Lauren Smith) wants to make a career as a reggae singer. She has talent, drive, and a solid vocal group with her friends Sharon (Caroline Chikezie) and Yvette (Jocelyn Esien). But Anita also has two kids, and trying to raise her children while following her dreams and struggling to get out of the projects is no easy task. Byron (Wil Johnson), the father of her children, doesn't approve of her musical ambitions, and while mourning the death of her mother, Anita makes the shocking discovery that she wasn't really her mother: Rose (Suzette Llewellyn), the woman she grew up believing was her big sister, was her biological mother all along. Despite her personal crises, Anita refuses to give up on her desire to make it in music, and she meets an agent (Diane Bailey) who wants to help her achieve her goal. Babymother was the feature debut for writer/director Julian Henriques. ~ Mark Deming, All Movie Guide

Director Stephen Frears returns to the grittier themes of his earlier films for the urban thriller Dirty Pretty Things. Residing in London, the medically trained Okwe (Chiwetel Ejiofor) is a Nigerian immigrant working as a taxi driver and a hotel concierge, but he still lives on the edge of poverty. He shares a room with Senay (Amélie's Audrey Tautou making her English-language debut), a Turkish refugee who works as a maid at the hotel. As illegal immigrants, Okwe and Senay live in fear of being deported. One night, working at the front desk, Okwe receives a call from prostitute Juliette (Sophie Okonedo) to check a broken toilet, where he makes a horrifying discovery. He reports it to the manager Sneaky (Sergi Lopez), who blackmails Okwe into staying quiet about it. Okwe soon discovers the presence of a shady business operation that sends him into the seedy London underworld. Senay becomes lured in with hopes of being able to fund her escape to America. Dirty Pretty Things marks the screenwriting debut of Steve Knight, co-creator of the game show Who Wants to Be a Millionaire. ~ Andrea LeVasseur, All Movie Guide

Director Danny Boyle revisits a theme from his Shallow Grave and Trainspotting days -- greed -- but focuses on a much younger protagonist with this comedy drama. Millions opens with recent widower Ronnie (James Nesbitt) moving his two precocious pre-pubescent sons to the suburbs. Missing his mother and the comforts of his old neighborhood, the young Damian (Alex Etel) builds a cardboard-box fort on the outskirts of the suburb, where one day his placid introvert existence is literally crushed by a giant gym bag full of thousands of pounds' worth of cash. Less concerned with the origin of the money than with how to spend it, Damian and his older brother, Anthony (Lewis McGibbon), decide to keep it a secret from their father, which becomes an increasingly tricky proposition as the days pass. His conscience getting in the way of his spending, Damian debates the ethics of his ill-gotten gains with a handful of imaginary saints, and begins to try to spend his cash a little more altruistically. But his charitable deeds inadvertently attract the attention of a mysterious, threatening man who's desperate to get his hands on the money. Marking a distinct change of pace for Boyle after the horror film 28 Days Later, Millions world-premiered at the 2004 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

The British prime minister and the Royal Family find themselves quietly at odds in the wake of a national tragedy in this drama from director Stephen Frears. On August 31, 1997, Diana, Princess of Wales died in an auto accident in Paris; despite the controversial breakup of her marriage to Prince Charles, she was still one of the most famous and best-loved women in the world, and the public outpouring of emotion over her passing was immediate and intense. However, given the messy circumstances of Diana's breakup with Charles, official spokespeople for the Royal Family were uncertain about how to publicly address her passing. It didn't take long for the media to pick up on the hesitation of Buckingham Palace to pay homage to Diana, and many saw this as a sign of the cool emotional distance so often attributed to the royals, which in this case was widely seen as an insult against Diana and the many people who loved her. Prime Minister Tony Blair (played by Michael Sheen) saw a potential public-relations disaster in the making, and took it upon himself to persuade Queen Elizabeth II (played by Helen Mirren) to make a statement in tribute to the fallen Diana -- an action that went against the taciturn queen's usual nature. The Queen was released the same year that Helen Mirren played Queen Elizabeth I in an acclaimed miniseries for British television; The Queen also gave Michael Sheen his second opportunity to play Tony Blair after portraying the prime minister in the television film The Deal. ~ Mark Deming, All Movie Guide

Stephen Frears, the director who bolstered his international reputation with his Choderlos de Laclos adaptation Dangerous Liaisons (1988), returns to the annals of period intrigue over 20 years later with this melodrama, which reunites him with Liasons scripter Christopher Hampton and star Michelle Pfeiffer. An adaptation of Colette's 1920 novel of the same name, the tale unfurls in late 19th century Paris -- La Belle Époque -- where numerous courtesans (or female companions of noblemen who occupied the royal courts) have worked their way up through the ranks of high society. Two retired courtesans, Charlotte Peloux (Kathy Bates) and Lea (Michelle Pfeiffer), meet for some routine gossip; Lea then meets Charlotte's hedonistic playboy son, nicknamed "Chéri" (Rupert Friend), and a passionate, erotic affair blossoms for the next six years between Lea and Chéri. Eventually, Charlotte makes an aggressive attempt to interfere with the situation by setting up an arranged marriage between Chéri and the virginal 18-year-old Edmée (Felicity Jones), the daughter of another ex-courtesan, Marie-Laure (Iben Hjejle). Lea feels irritated, and responds by seeking out young male lovers during a vacation in Biarritz, but the attached Chéri is not far behind, and in seemingly no time at all the two resume their bedroom liaisons. ~ Nathan Southern, All Movie Guide