Ruby Dee Movies
African-American stage, film, and TV luminary Ruby Dee was born in Cleveland, the daughter of a Pullman-porter father and schoolteacher mother. While growing up in Harlem, Dee developed an interest in the theater. In 1941, she began studying under Morris Carnovsky at the American Negro Theatre. While attending Hunter College, she made her first professional stage appearance in South Pacific (not the Rodgers and Hammerstein musical, but a short-lived 1943 drama). On Broadway from 1946, Dee's first major success was as the title character in Anna Lucasta. In 1948, she married actor Ossie Davis, with whom she has since appeared in everything from Shakespeare to TV margarine commercials. Though she and Davis were both uncredited in their joint film debut, 1950's No Way Out, Dee achieved second billing in her next feature, The Jackie Robinson Story (1950). Among her favorite stage roles were Ruth Younger in Lorraine Hansberry's A Raisin in the Sun, and Luttiebelle in her husband Ossie Davis' play Purlie Victorious, roles that she would commit to film in 1961 and 1963 respectively. On TV, Dee was a regular on The Guiding Light, Roots: The Next Generations, and The Middle Ages;
Dee worked steadily throughout the 1970s, '80s, dividing her time more or less equally between television [with turns in such small-screen movies as The Atlanta Child Murders (1981), The Court-Martial of Jackie Robinson (1990) and the 1990 Decoration Day, for which she won an Emmy] and the big screen, where her credits included the features Cat People (1982), Cop and a Half (1993) and A Simple Wish (1997). Dee received a career resurgence thanks to her prominent enlistment in the features of Spike Lee (alongside Davis), notably Do the Right Thing (1989) and Jungle Fever (1991). As time rolled on, she also began to participate in documentaries, such as the 1998 Christianity: The First Thousand Years and the 1999 Smithsonian World: Nigerian Art - Kindred Spirits); made guest appearances in such prime-time series as Touched by an Angel; and essayed a prominent role opposite Halle Berry in the telemovie Oprah Winfrey Presents: Their Eyes Were Watching God (2005). She continued to work steadily after Davis's death in early 2005, and in fact received her first Best Supporting Actress Oscar Nomination for her role in Ridley Scott's period crime saga American Gangster (2007). In 2011 she participated in Sing Your Song, a well-received biography of Harry Belafonte from HBO.
In addition to her acting credits, Ruby Dee is an accomplished writer; she has contributed a weekly column to New York's Amsterdam News, co-authored the script for the 1967 film Up Tight!, penned the 1975 TV play Twin-Bit Gardens, and published a book of poetry, Glowchild (1972). ~ Hal Erickson, Rovi
Despite its lack of production values and box-office "names," The Jackie Robinson Story is one of the best and most convincing baseball biopics ever filmed. Brooklyn Dodgers second baseman Jackie Robinson plays himself, and quite well indeed. The film traces Robinson's career from his college days, when he excelled as a track star at Pasadena College and as UCLA's All-Sports record holder. Upon his graduation, Robinson tries to get a coaching job, but this is the 1940s, and most doors are closed to black athletes. After serving in the army, Robinson plays with the Negro Baseball League, where his uncanny skills attract the attention of Branch Rickey, general manager of the Brooklyn Dodgers. Anxious to break down the "color line" that exists in major-league baseball, Robinson is chosen in 1946 to play for the Brooklyn farm team in Montreal. In a harrowing sequence, Rickey lets Robinson know what he's in for by bombarding him with insults and racial slurs. The manager is merely testing Robinson's ability to withstand the pressure: he wants a black ballplayer "with guts enough not to fight back." Robinson agrees to ignore all racial epithets for the first two years of his Brooklyn contract. Despite the unabashed hatred to which he is subjected during his year with Montreal, Robinson steadfastly continues to turn the other cheek, and in 1947 he graduates to the Dodgers lineup. After a slow start, Robinson justifies the faith put in him by Rickey. The Dodgers win the pennant race, and slowly but surely the ban on black players vanishes in the Big Leagues. Though a model of restraint by 1990s standards, The Jackie Robinson Story is surprisingly frank in its detailing of the racial tensions of its own era. It falters only in a couple of silly vignettes involving comic-relief ballplayer Ben Lessey. The cast is uniformly fine, including Louise Beavers as Robinson's mother, Ruby Dee as his wife Rae (Dee would later play Robinson's mother in the 1990 TV movie The Court-Martial of Jackie Robinson), Joel Fluellen as his brother Mac, Minor Watson as Branch Rickey, and best of all, Richard Lane as Montreal manager Clay Hopper. ~ Hal Erickson, Rovi
- Starring:
- Jackie Robinson, Ruby Dee, (more)
A pioneering film about racial tensions, No Way Out stars Richard Widmark as a criminal named Ray Biddle, who despises African-Americans. Sidney Poitier (in his screen debut) is the black doctor, Luther Brooks, assigned to take care of the wounded Ray. Dr. Brooks, hired by the police hospital as part of an overall program to integrate the staff, keeps his temper in check as Ray spouts his racist invective. When Ray's brother, also wounded, dies in the hospital, the blustering bigot holds Dr. Brooks responsible and sends word to his gang to wreak vengeance on the city's black community. But the blacks turn the tables on the whites and fight them off. Ray then breaks out of the hospital with Dr. Brooks as hostage. His plans to kill the doctor are thwarted by Ray's girlfriend (Linda Darnell), who finally becomes fed up with his blind hatred. No Way Out was considered potent stuff in 1950; it was still regarded as a hot potato in 1962, when NBC dropped plans to telecast the film on "Saturday Night at the Movies." ~ Hal Erickson, Rovi
- Starring:
- Richard Widmark, Linda Darnell, (more)
- 1951
- NR
The Tall Target is based on a true story: the attempted assassination of President-elect Abraham Lincoln, even before he was able to assume his duties in Washington. Dick Powell stars as New York detective John Kennedy, who learns of the assassination plot early on. When his superiors refuse to believe his wild tale, Kennedy quits the force and boards the Presidential train, hoping to prevent the killing on his own. The problem: who can he trust on board, and who can't be trusted? Ginny Beaufort (Paula Raymond), the sister of the would-be assassin, might be able to prevent the tragedy -- if she isn't in on the conspiracy, that is. The supporting cast includes Adolphe Menjou, Marshall Thompson, Will Geer, and, as a slave, a young Ruby Dee. The film's nail-biting climax is brilliantly handled by Anthony Mann, whose directorial expertise was becoming sharper with each successive film in the early 1950s. ~ Hal Erickson, Rovi
- Starring:
- Dick Powell, Paula Raymond, (more)
- 1954
The inspirational story of the famed basketball tricksters The Harlem Globetrotters is chronicled in this drama. The Trotters began in the 1920s when a manager catches a group of talented players on the basketball court. He becomes obsessed with getting these young black men the recognition he feels they deserve. He gathers them together as a team and they begin barnstorming a series of small towns. The film's climax takes on overtones of the Civil Rights Movement when it depicts a major game between them and an all-white team of champions. The Globetrotters beat the tar out of their opponents. One of the main storylines concerns the friendship between Saperstein and his wife, and player Inman Jackson and his wife. ~ Sandra Brennan, Rovi
- Starring:
- Dane Clark, Patricia Breslin, (more)
- 1956
Tom Ewell plays a busy attorney who wishes to be closer to his son. To do this, he becomes manager of the boy's little league team, much to the dismay of his wife (Anne Francis), who can't stand baseball. Ewell finds that he must contend with pushy and ambitious parents who hope to live their own sports fantasies vicariously through their ballplaying children. The single mother of one of the kids (Ann Miller) goes to Ewell to plead for her boy's advancement, but the purpose of the meeting is misinterpreted by Ewell's jealous wife. Fed up with sacrificing sportsmanship to the whims of the parents, Ewell encourages his team to play for the love of the game rather than "winning at any cost." ~ Hal Erickson, Rovi
- Starring:
- Tom Ewell, Anne Francis, (more)
- 1957
- NR
Edge of the City is a modern morality play, acted out in the railyards of New York. AWOL soldier John Cassavetes takes a job as a railroad worker, where he is taunted and bullied by supervisor Jack Warden, a union functionary appointed by the Mob. Cassavetes befriends his African-American co-worker Sydney Poitier, whose very presence enrages the bigoted Warden. Poitier dies in an "accident" arranged by Warden; Cassavetes knows the truth, but is frightened into silence by the corrupt union. Inspired by Poitier's widow to stand up for what is right, Cassavetes challenges Warden in a climactic one-on-one battle. Edge of the City was produced by David Susskind, who'd previously staged Robert Alan Aurthur's screenplay for television under its original title, A Man is Ten Feet Tall. ~ Hal Erickson, Rovi
- Starring:
- John Cassavetes, Sidney Poitier, (more)
- 1958
Based on Robb White's novel 3DOur Virgin Island3D (the film's original title), this harmless location-filmed comedy boasts an unusually impressive cast. With their combined life savings of $85, fiercely independent archeologist Evan (John Cassavetes) and his wife Tina (Virginia Maskell) purchase an island in the tropics. They create an idyllic home-away-from-home with the help of resourceful islander Marcus (Sidney Poitier). All is serene until Tina becomes pregnant--but the fun 3Dreally3D begins when she goes into labor while stranded with her husband in a rickety boat in the middle of the ocean. The "Philip Rush" credited as screenwriter is actually a joint pseudonym for blacklisted Hollywood scriveners Ring Lardner Jr. and Ian McClellan Hunter. ~ Hal Erickson, Rovi
- Starring:
- John Cassavetes, Virginia Maskell, (more)
- 1958
The life of legendary bluesman W.C. Handy is highly dramatized in this tuneful biopic. The story opens as his father, a minister chastises his son for playing "the devil's music." Despite his father's admonitions, Handy is drawn to the blues. He is encouraged by two disparate women, one an earthy singer from New Orleans and the other a good-hearted girl from his hometown whose main concern is Handy's happiness. Stress causes Handy to go blind for a while, but eventually he regains his sight, becomes famous for his music, and wins the respect of his father. The highlight of the film involves the performance of Handy's music by some of the great blues and jazz singers of the 1950s including Cole, Calloway, Jackson, and Fitzgerald. Songs include "Hesitating Blues," "Chantez Les Bas," "Beale Street Blues," (W.C. Handy), "Careless Love" (based on folk music by Handy; lyrics by Spencer Williams, Martha Koenig), "Morning Star," "Way Down South Where the Blues Began," "Mr. Bayle," "Aunt Hagar's Blues" (Handy; lyrics by Tim Brymn), "They that Sow" (hymn), and "Going to See My Sarah" (spiritual). ~ Sandra Brennan, Rovi
- Starring:
- Nat "King" Cole, Pearl Bailey, (more)
- 1959
Young (19-year-old) reggae and rhythm-and-blues singer Johnny Nash stars in this conventional coming-of-age story about a well-heeled, Afro-American teen trying to find his way in a white-man's world. The realities of that world hit Spencer (Nash) hard, and at first he looks for solace and comfort in the black community, especially since like most teens his age going to his parents for support or consultation is out of the question. In his search for identity and meaning, Spencer comes to see the family maid Christine (Ruby Dee) in a way he never did before, and an implied sexual relationship with this kind-hearted, older woman begins to awaken in him a different, more adult viewpoint on life and its traumas. ~ Eleanor Mannikka, Rovi
- Starring:
- Johnny Nash, Ruby Dee, (more)
While this original movie version of Lorraine Hansberry's award-winning play may have dated somewhat, it was groundbreaking when first released in 1961, and a wealth of future plays, films, and TV productions have taken their lead from this socially conscious drama about a struggling African-American family. Lena Younger (Claudia McNeil) is a strong, proud woman who has raised a family in a crowded apartment on the South Side of Chicago. Her son Walter Lee (Sidney Poitier) works as a chauffeur; intelligent and ambitious but impulsive and often angry, he desperately wants to get ahead in a world that offers him few opportunities. His wife Ruth (Ruby Dee) takes in laundry to help make ends meet and watches over their son. Younger daughter Beneatha (Diana Sands) is a college student who wants to become a doctor and often speaks of searching for her cultural identity. On the death of her husband, Lena becomes the beneficiary of a $10,000 life insurance payment, and suddenly the family is in conflict over how the money should be spent. Lena wants to use the money for a down payment on a house. Beneatha is hoping that Lena will help her pay for medical school. And Walter Lee wants to go into business with friends who plan to open a liquor store, which he's convinced will be a sure money maker. The cast, nearly all reprising their roles from the original Broadway production, offers a collection of superb performances; also keep an eye peeled for a young Louis Gossett Jr. as George Murchison. While Daniel Petrie's direction never takes A Raisin in the Sun very far from its roots as a stage play, it captures the power and tension of a strong ensemble cast working with an intelligent and moving script. ~ Mark Deming, Rovi
- Starring:
- Sidney Poitier, Claudia McNeil, (more)
This film version of the successful stage play was written by and stars Ossie Davis as Purlie Victorious, a flamboyant, self ordained minister. Along with wife Lutibelle (Ruby Dee), he returns to Georgia to buy an old barn and convert it into a church. He seeks out Captain Cotchipec (Sorrel Booke), the aging plantation owner entrusted with a $500 inheritance left by the preacher's sister after her death. Lutibelle is talked into posing as a long-lost cousin to get the money quickly from the dying landowner. Comedian Godfrey Cambridge reprises his stage role as the black plantation straw boss who pays lip service in the presence of the Captain but mercilessly mock the old man behind his back. Lutibelle gets the money from the old man with the help of his sympathetic son Charlie (Alan Alda), who is as liberal and progressive as his father is racially intolerant.. Religious hypocrisy, racial bigotry, civil rights issues and the changing Southern society backed by forced integration are subjects in this film that coincided with the turbulent social issues of the time. The title is taken from the first line of Stephen Foster's sentimental classic "Old Black Joe." The film was released nearly one hundred years after the famous songwriter's death. Produced and directed by Nicholas Webster, most of the actors reprised their roles from the original stage production. ~ Dan Pavlides, Rovi
- Starring:
- Ruby Dee, Ossie Davis, (more)
- 1963
Posing as "Ray Miller", Dr. Richard Kimble (David Janssen) is hired as cut-man for young African American prizefighter Joe Smith (James Edwards). It turns out that Joe had once wanted to be a doctor himself, but gave up his dream, figuring that a black man in the mid-1960s didn't stand a chance of getting into a decent medical school. Meanwhile, Joe's wife Laura (a young Ruby Dee) begs him to quit the ring, but she is unable to wrest her husband from the control of his greedy manager Lou Bragan (James Dunn). Kimble realizes that one more fight will cause Joe to suffer permanent brain damage--but should he intervene in this situation and risk being arrested by the local authorities? ~ Hal Erickson, Rovi
The denizens of a sordid brothel become embroiled in a bloody coup in this arty political satire adapted from the Jean Genet play. Shelley Winters stars as the cathouse's madam, a stern woman who supervises the fantasy role-playing of her beautiful employees and their well-heeled customers, including the local police chief (Peter Falk). As various whores and their johns dress up like judges, penitents, bishops, and generals, a revolution rages outside in the streets. The leaders of society -- including the queen -- are done away with by an angry mob. Soon, the madam and her compatriots find themselves ordered to impersonate the slain bigwigs in order to restore law and order. Shot in black-and-white by cinematographer George Folsey and producer/director Joseph Strick, The Balcony features a number of future stars in its cast, from Ruby Dee and Lee Grant to Leonard Nimoy. Nimoy would go on to produce and star in Deathwatch, another Genet adaptation. Unlike the later film, Genet was actually involved in the film version of The Balcony, collaborating with Strick on the original treatment but leaving the final screenplay to poet and novelist Ben Maddow. Strick acquired the rights to The Balcony from Genet only after failing to mount another literary adaptation, of James Joyce's Ulysses. ~ Brian J. Dillard, Rovi
- Starring:
- Shelley Winters, Peter Falk, (more)
- 1967
Martin Sheen may be the Grey Eminence of movies nowadays, but back in 1967 he often as not played switchblade-wielding punks. This he does, in the company of Tony Musante, in The Incident. After mugging a helpless old man, Sheen and Musante take over a subway car, terrorizing its occupants. In Stagecoach fashion, all the best and worst qualities of the passengers are brought to the surface by the presence of danger. Among the passengers are angry black man Brock Peters and his supplicative wife Ruby Dee, ex-alcoholic Gary Merrill, timorous Jewish couple Jack Gilford and Thelma Ritter, blowhard Ed McMahon, and homosexual Robert Fields. It is furloughed army private Beau Bridges who puts an end to Sheen and Musante's reign of terror. Based on Ride with Terror a 1963 TV play by Nicholas E. Baehr, The Incident is an unpleasant but undeniably fascinating character study. And yes, that cute young blonde playing Alice Keenan is Donna Mills. ~ Hal Erickson, Rovi
- Starring:
- Tony Musante, Martin Sheen, (more)
- 1968
- PG
Uptight is an updated remake of John Ford's The Informer (35). The Irish Republican rebels of the original are replaced by black activists, Dublin becomes the Cleveland ghetto, and "the troubles" of 1921 are transformed into the days just following the assassination of Martin Luther King. Julian Mayfield plays an itinerant street sweeper who betrays his militant friends to the fuzz, resulting in an underground all-points bulletin to exact vengeance on the squealer. Ruby Dee portrays a prostitute who befriends the snitch as he eludes his revolutionary ex-buddies. Jules Dassin's unrelenting directorial pace is complemented by the driving jazz score of Booker T. Jones. ~ Hal Erickson, Rovi
- Starring:
- Raymond St. Jacques, Ruby Dee, (more)
- 1969
The made-for-TV Deadlock stars Leslie Nielsen as Lt. Sam Danforth (since this is long before the Police Squad era, Nielsen plays it straight). The white Danforth finds himself at ideological loggerheads with black district attorney Leslie Washburn (Hari Rhodes). Racial tensions are escalated when a black ghetto kid is killed by a cop, and a white reporter covering the case also turns up dead. Future stars Fred Williamson and James McEachin show up in supporting roles. First telecast February 22, 1969, Deadlock served as the pilot episode for The Professionals, a single-season component of NBC's rotating series The Bold Ones. ~ Hal Erickson, Rovi
- 1970
The made-for-TV The Sheriff borrows a bit from the premise of the theatrical feature film Tick Tick Tick (71). Ossie Davis plays an African-American county sheriff, stationed in a small California mountain village; his wife is played by Davis' real-life spouse Ruby Dee. Kaz Garas portrays the sheriff's white deputy, and Lynda Day appears as Garas' wife. Davis' case at hand is the rape of a black coed by a white insurance salesman, which sparks racial polarization in the previously peaceful community. The Sheriff was the pilot for a TV series which was left at the gate by disinterested sponsors. A few months later, another failed pilot on similar lines was developed: Crosscurrent, starring Robert Hooks. ~ Hal Erickson, Rovi
- Starring:
- Ossie Davis, Ruby Dee, (more)
Sidney Poitier makes his directorial debut with the 1972 Western Buck and the Preacher, set during the end of the Civil War. Poitier stars as Buck, an ex-Army soldier who is scouting sites for the former slaves that want to settle out West. The villainous Deshay (Cameron Mitchell) rounds up his gang to try to stop Buck because he wants to keep the slaves working down in Louisiana. Buck meets up with the Preacher (Poitier's real-life good friend Harry Belafonte), who is really a con man in disguise. Although they don't get along at first, they eventually team up against Deshay and his murderous gang of outlaws. Also starring Ruby Dee. Jazz bandleader Benny Carter composed the soundtrack. ~ Andrea LeVasseur, Rovi
- Starring:
- Sidney Poitier, Harry Belafonte, (more)
- 1972
In this melodrama a mother tries to compensate for her feelings of inadequacy and failure as a parent to her own children by taking in a troubled foster child. As she struggles to make up for her past mistakes, her jealous daughters mistreat the girl. ~ Sandra Brennan, Rovi
For his TV-movie directorial debut, Michael Landon selected the autobiography of baseball-great Roy Campanella. It's Good to Be Alive begins when Campanella (Paul Winfield) is nearly killed in a car accident on January 26, 1958. He survives, but his fifth cervical vertebra has been fractured, meaning that he will be paralyzed for the rest of his life. Thanks to months of tireless efforts by physical-therapist Sam Brockington (Louis Gossett Jr.), Campanella is able to move about a bit, though he remains bitter about his condition. Campanella's accident causes a deeper rift in his already tottering marriage to his second wife Ruthie (Ruby Dee), and alienates his son David (Ty Henderson), who has been raised on his father's "never say die" philosophy. Realizing that by pitying himself he is letting his family down, Campanella sincerely adopts a more optimistic, upbeat outlook on life. Eventually, the wheelchair-bound Campanella accepts an offer to coach the LA Dodgers during spring training. In a finale reminiscent of Pride of the Yankees, Roy Campanella tearfully declares to an SRO audience at Los Angeles Coliseum that "It's good to be alive." When this 90-minute film first aired on February 22, 1974, it was introduced by the real-life Roy Campanella and his family (including his third wife Roxie). ~ Hal Erickson, Rovi
- 1976
- PG
This drama, financed by DST Communications, a subsidiary of Delta Sigma Theta, the world's largest black sorority, centers around the revolutionary leader of a fictionalized African nation, Fahari. He is being hunted by a mercenary hired by a big corporation disgruntled by the rebel's policies because they are cutting into the company's profits. The film features a notable soundtrack by Manu Dibango, an African musician. ~ Sandra Brennan, Rovi
- Starring:
- Ruby Dee, Ossie Davis, (more)
- 1978
This introduction to the theater features a collection of fourteen dramas all combined in four modules. ~ Rovi
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