Ruby Dee

Three women struggle with the joys and sorrows of love in this three-part drama from writer and director Kyle Schickner. Teenaged Elizabeth (Kate Siegel) has been raised in a conservative, deeply religious household, and when she goes away to college she revels in her first taste of freedom. Elizabeth falls into a relationship with Niala (Reshma Shetty), an attractive and free-spirited bisexual, and is introduced to the heady pleasures of sex. However, while Elizabeth is deeply in love with Niala, she soon discovers that Niala puts little stock in exclusive relationships. Laurie (Ally Sheedy) is in her mid-forties and has lost nearly everything in a messy divorce, including full custody of her son, who now spends half his time with his father and his new (and younger) wife. Laurie is so filled with resentment and anger that she can scarcely get through the days until she meets her son's soccer coach, who wastes no time letting Laurie know he's smitten with her. And Doris (Ruby Dee) is an elderly woman who is deep in mourning after the death of her husband. While friends and volunteers from her church try to help Doris break out of her funk, she seems inconsolable until she meets a man her own age who lost his wife. The two bond over their shared loss and fall in love, but while they're eager to marry, the man's son is convinced Doris's motives are not pure. ~ Mark Deming, All Movie Guide

Director Ridley Scott spins this yarn concerning a Harlem drug kingpin (Denzel Washington) who smuggles heroin into the country by hiding it in the bodies of U.S. soldiers killed during battle in Vietnam. There was a time when no one noticed reserved driver Frank Lucas (Washington), but when the criminal kingpin he was charged with transporting through the city streets suddenly dies, Lucas seizes the opportunity to build his own criminal empire. In the following months, Lucas solidifies his status as Harlem's most innovative drug dealer by delivering a product that is purer than the competitors' and cheaper, as well. When innovative businessman Lukas attempts to go semi-legit by becoming one of the Manhattan borough's biggest civil supporters, however, street-savvy outcast cop Ritchie Roberts (Russell Crowe) begins to sense a sizable shift in the hierarchy of the drug underworld. But Roberts is one of the few honest detectives operating within a corrupt system, and as he sets out to investigate the case, crooked detective Trupo (Josh Brolin) does everything in his power to compromise the integrity of his idealistic counterpart. Upon clearing all of the usual Mafia-connected suspects, Roberts begins to believe that a previously unknown black power player has come out of the woodwork to dominate the local drug trade. While Roberts and Lucas may be operating on opposite sides of the law, the one thing that both men have in common is a strict code of ethics that separates them from their opportunistic colleagues. Now, as a confrontation between the two men becomes inevitable and the fate of each becomes inexorably tied to the other, it gradually becomes apparent that only one of them will emerge from the conflict victorious. ~ Jason Buchanan, All Movie Guide

A spirited older woman decides to bring her quarrelsome family together for a party in this comedy drama from New Zealand playwright-turned-filmmaker Toa Fraser. Eightysomething Nana Maria (Ruby Dee) was born in Fiji, but has spent most of her life in New Zealand, where she lives in a run-down but beautiful house on Mount Raskil with her fully grown granddaughter Charlene (Mia Blake), Charlene's young daughter, and Erasmus (Rene Naufahu), another adult grandchild who has a drinking problem. One morning, Nama Maria wakes up early and decides the family shall gather for a celebratory feast, complete with a roast pig. However, Charlene and Erasmus understand just how tall an order this is -- Nana has two sons, Percy (Pio Terei) and John (Nathaniel Lees), who can't stand one another and barely tolerate their other relations, while grandson Tyson (Xavier Horan) has made a name for himself in business and would rather spend time with his girlfriend from Holland than see his uncles. But somehow Nana Maria's children, grandchildren, and even some great-grandchildren are rounded up for the occasion, some lured by her promise that she will announce who will inherit her estate after she's gone. No. 2 received its North American premiere at the 2006 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Originally telecast March 6, 2005, by ABC, this "Oprah Book Club" TV movie is adapted from Zora Neale Hurston's novel Their Eyes Were Watching God, a certified classic of African-American literature. Covering the first 30 years of the 20th century, the film is set in Eatonville, FL, a largely black community and the home of free-spirited Janie Crawford (Halle Berry). Forced into marriage with a much older and much wealthier man at age 16, Janie endures both this unhappy union and a second equally dismal marriage, trapped not only by the bonds of matrimony but also by the rigid patriarchal society of the period. Her only happiness is manifested in her ongoing illicit romance with a younger, none too reliable gent known as Tea Cake (Michael Ealy) -- much to the shock and dismay of her very proper neighbors. Devotees of the original novel expressed displeasure over the film's sketchy portrayal of the protagonist, a multidimensional character reduced to an impulsive hedonist for the purposes of the screenplay (though Halle Berry's towering performance more than compensates for the weaknesses of the scripts). More than that, the fans of the Hurston original bemoaned the loss of the novel's pronounced racial content, which harshly criticized the caste system within the Southern black community of the early 20th century, whereby a light-skinned woman was regarded as "superior," and thus more desirable, than her darker-skinned sisters. No one, however, could find fault with performance of the great Ruby Dee as Nanny, nor the film's lush production trappings. ~ Hal Erickson, All Movie Guide

Based on a true story, Taking Back Our Town is a Lifetime original movie. Laura Innes plays Pat Melancon, a housewife and environmental activist. She forms a coalition to stop the chemical corporation Shintech from building a plant in her town. Already overly polluted, her township is known as "cancer alley." Fighting against the wealthy company brings Pat and her coalition all the way to the Governor. Also stars Ruby Dee and Hallee Hirsh. ~ Andrea LeVasseur, All Movie Guide

Robert Wise brings his distinguished name and considerable directorial skill to this remake of a 1970 Rod Serling TV drama. Set in 1969, Abel Shaddick (Peter Falk), a crotchety deli owner, has a grudge against virtually everyone in his upstate New York town of Fairview, particularly against his slacker nephew Stanley (Andrew McCarthy) who lives behind the shop. Without telling his uncle, Stanley agrees to put up a needy city kid for the summer as part of a charity program run by rich debutante Gloria (Nastassja Kinski). Abel immediately vetoes the plan, but it is too late. The kid, young Herman Washington (Aaron Meeks), is already on his way. Though initially the two intensely dislike each other, they bond over fishing and war heroes -- Abel's son died during WWII, while Herman's brother was killed in Vietnam. ~ Jonathan Crow, All Movie Guide

A boy discovers that his coach may be more than just a nice old man who likes baseball in this family-oriented drama. Jason, a kid who loves baseball, is not doing very well with his Little League team, and he is bumped from the regular line-up to an "expansion team" of kids who aren't making the grade. Determined to make good, Jason recruits a couple of friends who are strong players, and he discovers that his school's janitor, Mack Henry, knows the game backwards and forwards and is willing to serve as coach. With Mack's help, the team starts to show promise, but a visit to a baseball card collector's shop sparks a question in Jason's mind -- could Mr. Henry be Buck McHenry, the legendary star of baseball's Negro League? Finding Buck McHenry is based on the popular young people's book by Alfred Slote, and stars Ossie Davis and Ruby Dee. ~ Mark Deming, All Movie Guide

Although she has turned her back on the poor, violence-ridden East Saint Louis ghetto of her birth, Brianna (Suzanne Douglas) is reluctantly drawn back to the old neighborhood for her annual Yuletide visit with LaBelle (Ruby Dee), the mother of her husband Robert ($Cleavant Derricks}). Brianna is clearly unhappy about visiting LaBelle, and even more so when the old woman generously opens her doors to an seedy derelict named Gabe (Ossie Davis). The situation takes a tragic turn when Robert is killed in a carjacking, whereupon LaBelle offers to help Brianna out until she can get back on her financial feet. But Brianna is too proud, and too stubborn, to accept such an offer, and it takes Monica (Roma Downey) to lead Brianna down the path to salvation--with a little help from Gabe, who blows a mean trumpet (yes, he's THAT "Gabe"!) ~ Hal Erickson, All Movie Guide

Based on the best-selling book by Sarah L. Delany and A. Elizabeth Delany with Amy Hill Hearth, which was later adapted into a Broadway play, Having Our Say tells the true story of the Delany Sisters, two African-American women who were fathered by a former slave, went on to attend college, and witnessed the slow but steady advance of civil rights in America before a reporter for The New York Times sat down with them to record their story. In the film version, 103-year-old Sadie (Diahann Carroll) is a polite and soft-spoken woman who deals cheerfully with the questions of journalist Amy Hill Hearth (Amy Madigan). Sadie's considerably more feisty 101-year-old sister (and housemate) Bessie (Ruby Dee) grumbles about "white people who ask you to explain the obvious to them," but soon adds her own stories as the Delanys discuss their quietly remarkable lives as career women and racial pioneers who not only survived Jim Crow laws, they outlived Jim Crow, as well. Produced for CBS Television, Having Our Say was first aired April 18, 1999. Incidentally, Bessie Delany died in 1995 at age 104, while Sadie, at 110, passed on in 1999, only a few months before this was first aired. ~ Mark Deming, All Movie Guide