Benjamin Ross Movies

Adapted from the best-selling novel by author Clare Allan, director Benjamin Ross' made for television drama follows the unlikely friendship between a psychiatric patient who lives to sponge off the system, and the newly arrived patient who causes her to question everything she ever thought she knew. N (Anna Maxwell Martin) has spent the last thirteen years living in a North London psychiatric ward, and she'd do it all over again if given the opportunity. She's made it her mission in life never to be released, and she's willing to do whatever it takes to remain institutionalized for life. Her life is changed forever with the sudden appearance of a new patient named Poppy Shakespeare (Naomie Harris), an elegant yet temperamental woman who insists that she isn't insane. But while N can't quite understand Poppy's reasons for wanting to escape the mental ward, she's more than happy to help her new friend try. The only problem now is that in order for Poppy to qualify for release, N must help prove that she's not insane. . . but how does one go about proving their sanity when in order to do so they must first appear to be mad? ~ Jason Buchanan, Rovi

When RKO Pictures began work on production number 281, no one could have imagined that they were making perhaps the greatest American film of all time. But the moment Orson Welles (played by Liev Schreiber) announced that he intended to make a film based on the life of tyranical multi-millionaire publisher William Randolph Hearst (James Cromwell), they knew that they had trouble on their hands. Welles, the enfant terrible of American theater and a household name thanks to his infamous radio adaptation of H.G. Wells's "The War Of The Worlds," was signed to direct films for RKO, and he was given an unusually free hand to make whatever sort of film he wanted. But what Welles didn't count on was the power of Hearst to keep his film from being seen. RKO 281 is based on the true story of the making of Citizen Kane and the war of words between Welles and Hearst. It also stars Melanie Griffith as Hearst's mistress Marion Davies, John Malkovich as screenwriter Herman Mankiewicz, Brenda Blethyn as Hearst's movie columnist Louella Parsons, and Roy Scheider as George Schaefer. ~ Mark Deming, Rovi

Orson Welles first feature film -- which he directed, produced, and co-wrote, as well as playing the title role -- proved to be his most important and influential work, a ground-breaking drama loosely based on the life of William Randolph Hearst which is frequently cited as the finest American film ever made. Aging newspaper magnate Charles Foster Kane (Orson Welles) dies in his sprawling Florida estate after uttering a single, enigmatic final word -- "Rosebud" -- and newsreel producer Rawlston (Phil Van Zandt) sends reporter Jerry Thompson (William Alland) out with the assignment of uncovering the meaning behind the great man's dying thought. As Thompson interviews Kane's friends, family, and associates, we learn the facts of Kane's eventful and ultimately tragic life: his abandonment by his parents (Agnes Moorehead and Harry Shannon) after he becomes the heir to a silver mine; his angry conflicts with his guardian, master financier Walter Parks Thatcher (George Coulouris); his impulsive decision that "it would be fun to run a newspaper" with the help of school chum Jedediah Leland (Joseph Cotten) and loyal assistant Mr. Bernstein (Everett Sloane); his rise from scandal sheet publisher to the owner of America's largest and most influential newspaper chain; his marriage to socially prominent Emily Norton (Ruth Warrick), whose uncle is the President of the United States; Kane's ambitious bid for public office, which is dashed along with his marriage when his opponent, corrupt political boss Jim Gettys (Ray Collins), reveals that Kane is having an affair with aspiring vocalist Susan Alexander (Dorothy Comingore); Kane's vain attempts to promote second wife Alexander as an opera star; and his final, self-imposed exile to a massive and never-completed pleasure palace called Xanadu. While Citizen Kane was a film full of distinguished debuts -- along with Welles, it was the first feature for Joseph Cotten, Everett Sloane, Ray Collins, Agnes Moorehead, and Ruth Warrick -- the only Academy Award it received was for Best Original Screenplay, for which Welles shared credit with veteran screenwriter Herman Mankiewicz. ~ Mark Deming, Rovi